Hip Hop Album Sales: Jeezy, Logic & Ty Dolla $ign

    Multiple projects were released November 13. Justin Bieber claims the top-selling project on Billboard’s Top 200 chart with his Purpose album, which sold 648,711 units. Logic, Jeezy, Kirk Franklin and Alessia Cara all debut in the Top 10. Fetty Wap’s self-titled LP falls out of the Top 10 for the first time in its eight weeks on the chart. Redman’s Mudface debuts at #146 on the chart with 4,555 album equivalent units.

    Logic’s Incredible First-Week Sales

    Logic’s The Incredible True Story debuts at #3 on the chart, selling 135,096 units and seeing more than 19 million streams. It is the highest-selling Rap album. The Maryland emcees’s debut LP, Under Pressure, landed at the #4 spot with 72,501 units last year. It was released the same week as T.I.’s Paperwork.

    Jeezy Takes The Chart To Church

    Jeezy’s latest project, Church In These Streets, lands at #4 on the chart. It moved 107,316 total units and sold 98,380 albums. Last year, Seen It All, his first album as “Jeezy” reached the #2 spot. The Atlanta rapper has had two #1 albums in his decade-long career: 2006’s The Inspiration and 2008’s The Recession. Logic and Jeezy’s albums accounted for two of the four Def Jam Recordings releases that debuted in the Top 10 this week. It is the first time since 2012 that the imprint achieved that feat.

    Ty Dolla $ign Debuts On The List

    Ty Dolla $ign’s Free TC sells 31,274 album equivalent units, enough for the #14 spot on the chart. The project’s lead single, “Blase” with Future and Rae Sremmurd is #27 on the R&B and Hip Hop single sales. The Los Angeles artist also enlisted Kanye West, Diddy, Kendrick Lamar, Jagged Edge and Wiz Khalifa for the LP that honors his brother.

    Top 10 Billboard Top 200 Rap & R&B Albums For The Week Ending 11/19/2015

    Note: The first number below is this week’s “total album equivalent units” count, an intersection of album sales, single sales, and streams implemented by Billboard’s new rating system. A pure album sales figure is available in bold in parenthesis and information about each album’s streaming count is available in brackets.

    #3 Logic – The Incredible True Story – 135,096 (118,062) [19,055,412]

    #4 Jeezy – Church In These Streets – 107,316 (98,380) [10,438,509]

    #8 The Weeknd – Beauty Behind The Madness – 42,786 (15,407) [24,478,978]

    #11 Fetty Wap – Fetty Wap – 33,573 (7,844) [21,820,068]

    #14 Ty Dolla $ign – Free TC – 31,274 (21,620) [9,194,451]

    #16 Drake and Future – What a Time to Be Alive – 26,684 (5,105) [24,374,757]

    #19 Bryson Tiller – Trapsoul – 21,976 (8,395) [16,528,569]

    #30 Future – Dirty Sprite 2 – 16,570 (4,148) [14,047,045]

    #41 Drake – If Youre Reading This Its Too Late – 14,024 (3,559) [12,857,832]

    #45 J. Cole – 2014 Forest Hills Drive – 12,669 (3,666) [10,373,702]

    11 thoughts on “Hip Hop Album Sales: Jeezy, Logic & Ty Dolla $ign

    1. Impressive numbers there by Logic.He deserves it.one of the hungry mc’s in the game right now.the only two new shool rappers that are as good or better than him, are probably only Jcole or kdot.

    2. Fetty is top20 and redman is at what number…. I guess this new generation has spoken!! This is beyond sad!!! Not ONE word from fetty makes 3rd grade sense and yet redman the og is being slept on!!!

      1. Redman does obviously deserve more sales than fetty wap.hiphop is not what is used to be. There are only small percentage of rappers that are good nowadays

      2. stop crying and get over it, you bitch. the new generation has spoken and it’s saying “redman, get your old ass the fuck out of here. no one wants to listen to you anymore.” and fetty wap is doing his thing, making club hits for people to dance to. stop the hate.

    3. Let me tell yall im 25 an was looking to cop reds new album but the problem was that the album was no where to be found ..his album sales wouldve been better not maybe 50-60 but a fair 25-30 range wouldve been possible..then again his singles plus album was the greatest it was refreshing but not to standards of a redman album

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