Typically, Sundays at HipHopDX are for admiring dope music from the previous that goes under the radar of most. With the sudden and tragic death of emcee/singer/producer/actor Heavy D of ’80s and early-’90s Hip Hop group, Heavy D & The Boyz, we opted to turn our attention to the man born Dwight Arrington Myers 44 years ago. Although he was recently nominated for Grammy Awards, and remained working with top stars of Hip Hop, including Jay-Z and Diddy, Heavy D is not an artist frequently heard on the radio or championed in “Top 5” lists. He was better known as “a really nice guy,” a friend to most who knew him, and an example of artistic evolution. However, DX wanted to spotlight some pivotal moments for us as fans, and remember Heavy D as he was first introduced – a dope emcee.

Heavy D featuring The Fugees – “Maxine”

‘Clef and Heavy D worked together in the mid-’90s, the product of which was the Caribe-infused track “Crazy.” As a B-Side was this rare gem with Lauryn Hill tacked on. The song is basically about a stripper who does what she does because she has to, not because she wants to. It set the tone for a brief period in Wyclef’s career. Remember his “Perfect Gentleman” song? Well that whole “just ‘cause she dance the Go-Go, that don’t make her a ho, no,” shtick originated with this track. Lauryn kills her verse with fluidly poetic lines like “Drunk off the irony, it’s the sweet intoxication,” while Heavy D maintains the manifesto he set out to deliver at the door. The value of this song sums up the appeal of Heavy D and his contribution to Hip Hop as a whole. Hev managed to subtly inject positive messages while simultaneously tell a story in his songs. There was an intrinsic Pop value to the raps Heavy D presented, but at the same time they were still fresh. This was something that the Fugees also did during their heyday, no doubt an influence from the “Overweight Lover” himself. Watching them side by side on a track only makes that more apparent. – Kathy Iandoli

Listen to “Maxine” by Heavy D featuring The Fugees

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Heavy D  – A Different World Appearance

Technically, this is neither a music video nor is it slept on, but I don’t care. I’m picking Heavy D’s cameo on NBC’s A Different World as one of the many examples of his cultural impact. During the show’s revamped second season in 1989—when the show finished second overall in ratings—Waterbed Hev made a cameo as himself in an episode entitled “Delusions of Daddyhood.” Much like he did in real life with the song “Don’t Curse,” Heav stood up for Hip Hop culture. Only this time, he found himself comparing Hip Hop to Opera and defending it against bougie-ass Whitley Gilbert instead of Tipper Gore and the Parents Music Resource Center. That cameo established a pattern. And whether he was providing the theme song for FOX’s In Living Color, rocking next to Michael Jackson on the track “Jam” or working with Jay-Z and Lenny Kravitz as the producer of “Guns & Roses,” Heavy D had a huge impact as an ambassador of Hip Hop culture for someone that seemingly preferred to fly under the radar. – Omar Burgess

Heavy D & The Boyz – “Check It Out”

I discovered Heavy D thanks to a school cancelling Nor’easter and a convenience store that had a meager stack of videos to rent right next to their Slush Puppy machine (which was for some reason still wildly popular in the dead of winter). Maybe I grabbed New Jersey Drive because it was sandwiched between Boyz In The Hood and Menace II Society or maybe it was because it had a cool B-Movie title and featured places that were recognizable. Either way the film turned out to be starker, less sappy and more documentary-like than its shelf-mates thanks to a cast of talented unknown actors. What stuck out most of all was the soundtrack, especially the Heavy D & the Boyz cut “Check it Out.” It was one of the first times I’d experienced a song recorded specifically for a film that the viewers literally shared with the characters on the screen. We were listening to the song they were listening to on the radio. “Check It Out” introduces us to Sharron, the central character, in the film’s only carefree exchange before shit hits the fan, the bullets start flying and everything goes from bad to worse. It’s a perfect track to close out the (relative) peace and contrast the chaos that follows. Coming from the car speakers, Heavy D sounded anything but “heavy;” gliding effortlessly over the incomparable – and understated – Easy Mo Bee production. It wasn’t forced; it was smart, witty rhyming from “a lyric freaker, a public speaker, a tweeter beater, a bass thumper, a cutie humper.” You could practically see Heavy in the booth delivering his verse while lounging on Lay-Z-Boy smiling the whole time. Heavy D even has a short cameo in the film. The moment he storms into the frame, he rules the rest of the scene and – even if you know nothing about Hip Hop – you know you’re watching someone important; an icon rather than a bit player. – Michael Sheehan

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Listen to “Check It Out” by Heavy D & The Boyz

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Follow this one…UK electro-rock duo The Big Pink become critics’ darlings – and rightly so – thanks to their 2009 debut A Brief History of Love. The music was dark and gloomy in the vein of the recordings done 15 years earlier at the 4AD label the group now called home. (Some of that Primal Scream style sonic assault was thrown in for good measure). Then in some twisted kind of irony not a drop of those aforementioned qualities remained when The Big Pink was used in sample form on the Nicki Minaj single “Girls Fall like Dominoes.”  Anyway, January 2011 comes along and how did The Big Pink choose to build hype for their followup album Future This? They said it was going to sound like old Dr. Dre. Flash forward 10 months and The Big Pink’s Robbie Furze expresses regret and makes what amounts to a formal retraction of his statement  that anything on the release would be Dre-like, Detox or otherwise. Then “Stay Gold” In Future’s first single drops. No, it doesn’t sound like Dre and no, Dre isn’t even called for a remix. Instead – and lucky for us – the remix is handled by producer araabMUZIK a true MPC god who has achieved the jawdropping feat of turning scores of Dipset fans on to the wonders of Cannibal Corpse. What’s even better is he currently composes electro dance music of a quality that should be coming from The Big Pink’s home country but isn’t. And if all that wasn’t enough this week the “Stay Gold” remix got its own remix with the addition of Detroit emcee Danny Brown. Thanks to the man known to his friends as The Adderall Admiral, The Big Pink finally gets something to offset the Harajuku Barbie in the form of some very very hard drug use. The whole story in the words of its latest player is so “strong smelling like Hong Kong,” how can’t you enjoy it?