New York juggernauts for nearly two decades, M.O.P. have cemented a loyal global following on the strength of maniacal hood Rap, a product of Brooklyn’s notoriously rough Brownsville section. As the group rose to prominence, Lil Fame (aka Fizzy Womack) picked up the trade of production and evolved into one of the East’s slept on treasures in this regard, still seen as a rapper first and foremost. Fizzology is a tag team effort of a different breed, showcasing Fame’s creative talents combined with close Boston comrade Termanology this go round.
A pronounced statement behind the boards, Fizzyology is primarily resultant from Lil Fame’s visionary direction. Taking a risk linking with the relatively undiscovered Termanology (a shared ally through Statik Selektah, responsible for three tracks here including the stand outs “From The Streets” and Thuggathon”), the duo’s calculations pay off in spades with mostly uncompromising music that remains true to their core. Presentations of slightly exaggerated danger, the opener “After Midnight” and “Too Tough For TV” fit a mold that the dregs of society can comprehend, while the Bun B assisted “Hustler’s Ringtone” is a smoothed out dedication to getting money and the confidence of “It’s Easy” is likely to impress given its boastful nature.
Lil Fame and Termanology have come together determined to appease fans of harder Hip Hop without consideration for commercial accessibility. While Fizzyology greatly lacks the element of surprise, the legendary DJ Premier’s contribution “Play Dirty” featuring Busta Rhymes & Styles P and the introspection on “Family Ties” throw unpredicted curveballs that make the album worth revisiting. Disregarding rare flaws such as “Pray For Me” which develops into an R&B song after a short verse from Fame, he continually wins on account of his beats as Termanology makes for a solid foil while not an exact match for the long time synergy built with Billy Danz.
Lil Fame hit bottom.
in what way
He’s cosigning Termanology to the extent of doing a whole album. ‘Nuff said.
say word nah dont do dat…..yo word dont mean shzit fiduck u with a fist in yo wahss
Congrats another album no one has heard about and that no one cares about.
Congrats, another comment from another irrelevant person who thinks every shares their asinine opinion.
You’re dumb. If youre a hiphop head youve heard of it, but youre not so FOH. Please just stay away from hiphop. You have no place in it.
This was actually a little more on task then their last review so I dont know what you are talking about.
Great album !
+5
Pretty decent album.
FIVE
“Reigny Dayze”
http://www.pmpworldwide.com/producer_detail.cfm?p=4C31F03E-FB9A-A1F5-2270DD30DAA97EE9&trackID=BB4207B1-CDA1-523B-8BC2D28E31F37A8B&
Listened to it on Spotify. Every song is slammin’. Copped it right after. One of the best albums this year, along with Mic Tyson and Vodka and Ayuasca
like real hip hop? check out these beats. similar to El-P.
http://soundcloud.com/knowselfzone
A lot of the Lil Fame beats are lacking/pretty average. Some are real good. Best beat is the Premo track. I don’t get why those two tracks at the end produced by Selektah are on the album those songs are old.
At first time after hearing the samples on amazon, i was really excited to hear this album. But after two or three spins i must say, that the songs get a little boring in their full length version.
I heard that kinda ish like 10 years ago, and it was better crafted than this one. Sound gets a bit repetetive and brings nothing new or refreshing to the game. It’s kinda tiresome to listen to this guys all way through a complete album.
All in all a mediocre album, gets a 2,5 to 3 Stars.
5/5. I fux wid it. Fizzy fizzy fizzyology!!!
Real good
Crack. 4.5/5…really though, it’s audio dope.
4.5 for me. Term is a monster and Lil Fame brought it too.