Kendrick Lamar Changed ‘good kid, m.A.A.d city’ At Last Minute, TDE’s Punch Reveals

    One of Kendrick Lamar’s most beloved good kid, m.A.A.d city songs almost sounded different had it not been for the Compton rapper making a last-minute change.

    While celebrating the album’s 10th anniversary on Saturday (October 22), Top Dawg Entertainment President Terrence “Punch” Henderson revealed on Twitter that the menacing hook on “m.A.A.d city” was added by Kendrick just hours before good kid, m.A.A.d city was due to be submitted for completion.

    “Man it’s so much to say about that album. We all put everything into it. GKMC was the start. We made our mark in Hip Hop and music in general with that album. I’m forever grateful to have played a part in it,” the TDE executive reflected.

    When a fan asked him about his favorite memory of making the album, Punch replied: “Can’t think of a favorite. But one memory is Kdot adding the hook part on madd city literally hours before mastering. I think he actually had to send the hook cause [MixedByAli] had left to get it mastered already. So that song was just one verse at first.”

    Produced by Sounwave and THC, “m.A.A.d city” has long been a favorite at Kendrick Lamar’s concerts and festival appearances thanks to its riotous energy and streetwise storytelling. K. Dot’s hook, delivered through a pitched-down voice, only adds to the brutal realism of the song.

    “Man down, where you from, n-gga? / Fuck who you know — where you from, my n-gga? / Where your grandma stay, huh, my n-gga? / This m.A.A.d city I run, my n-gga,” he asks the listener, as if confronting them for wandering into the wrong hood.

    The second half of the song, produced by Terrace Martin, pays homage to Kendrick’s West Coast Hip Hop heritage with guest vocals from Compton rap legend MC Eiht, lyrical nods to Ice Cube and Warren G, and an ominous, cinematic beat reminiscent of Dr. Dre.

    In an 2012 interview with Complex, Kendrick Lamar revealed the dual meaning behind “m.A.A.d city,” which he called “the side of Compton that everybody knows, the aggressive side.”

    “‘m.A.A.d city’ has two meanings: My Angel on Angel Dust and My Angry Adolescence Divided,” he said. “If you listen to the album [you’ll find out] the reason why I don’t smoke weed. Because once upon a time, you’d find stuff laced with cocaine [and angel dust]. That caused a reaction and I put that inside the song. That really happened to me. That’s the reason for the title.”

    Kendrick Lamar's 'good kid, m.A.A.d city' Makes Billboard Chart History Ahead Of 10th Anniversary

    Kendrick’s hook wasn’t the only last-minute change to the song. In the same interview, Sounwave revealed “m.A.A.d city” initially featured a sample of blues legend B.B. King, until sample clearance issues forced them to rework the beat in the final hours.

    “Originally, that song had a B.B. King record sampled on it. At the last minute, we find out we couldn’t use it. But we needed this record on the project. We couldn’t lose it,” he said. “So I make some phone calls and find this incredible player named Mary Keeting and she just took it to another level.”

    He added: “At first, the record was good. But after she did what she did with it… We can’t even stand [to listen to] the original version now.”

    Kendrick Lamar joined the good kid, m.A.A.d city 10th anniversary celebrations himself over the weekend, sharing a rare tweet that read: “gkmc 10 the brotherhood in what we created is forever.”

    The Pulitzer Prize-winner also released an exclusive 10th anniversary vinyl of the album, featuring limited edition cover art.

    21 thoughts on “Kendrick Lamar Changed ‘good kid, m.A.A.d city’ At Last Minute, TDE’s Punch Reveals

    1. no one laces weed for sell with other drugs that add more money to the cost just like no one gives away drugs or weed edinles as halloween candy as people dont give out free money only reason to lace weed is if youre trying to rob someone and theres easier ways to rob a weed head

        1. NOT MAD AT THAT, ITS DEFINITELY ARGUABLE. TPAB ON VINYL WITH SOME GOOD SPEAKERS AND ABOUT 2 TIGHTLY ROLLED BLUNTS IS UNMATCHED FOR ME PERSONALLY.

        1. Just because I don’t listen to his music it does not make me a hater by default. I never said one negative thing about dude.

        2. We all have our own tastes and preferences. Is it all of a sudden against some universal law to point out that someone does not like Kendrick’s music?

        3. I can say I don’t listen to Kendrick’s music without actually hating on him. In fact, I feel no negative energy towards him.

    2. This album was groundbreaking. I remember when it dropped everyone was pressed about how long it takes to declare an album a classic. Well deserved too. A decade later and it’s still one of the best rap albums I’ve ever heard. It’s insane for any artist to do that on their debut.

    3. GKMC was and is a mental motion picture. The way you arrange songs on an album helps the artist tell their story and if not done correctly can make listeners not get where you are coming from. KDot nailed it. And the skits were perfectly placed. A musical masterpiece that invokes feelings and makes you think and puts you in Compton. And for KDot to have a OG Crip from Tragniew Park featured on the title track was a brilliant idea. Salute to Kendrick and GKMC 10yr anniversary

    4. So, I’ve listened to some Kendrick’s tracks. Respectfully, no Kendrick for me. Just not my flavour in rap. If you like his music, good for you. If not, that’s your prerogative.

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