Diddy Explains Altering His Ghostwriting Process

    On the song “Bad Boy For Life,” Diddy infamously rhymed “Don’t worry if I write rhymes / I write checks.” Since then, emcees such as Pharoahe Monch and Royce Da 5’9” have confirmed being contracted to pen verses for Diddy. However, in a recent interview with New York magazine, Diddy says some of the work for Last Train To Paris was so personal that he had to abandon his practice of being given rhymes verbatim.

    “Before, mostly, I would sit in the room and I wouldn’t even do any writing,” he told New York magazine’s Amos Barshad. “But at the same time, I couldn’t just do that cop-out. I call Mos Def, he says, ‘I’m not writing for you, you write for yourself, ‘cause you can do it.’ And that’s what got me.”

    Diddy said the personal nature of songs such as “Coming Home,” which openly touches on his family life, made it impossible to just have songs handed to him. He added that Dirty Money was modeled after British R&B outfit Loose Ends, and the “flavor and swagger” of Dawn Richard and Kalenna Harper also made it difficult to have them sing pre-written singles. As such, some of the songwriting on Last Train To Paris took a long time.

    “This was like sculpting a work of art,” Diddy explained. [Jay-Z and I] worked on ‘Coming Home’ for a month. One month. One record. That man got other shit to do. That’s the way he is with records. It don’t matter what it’s for, he gonna make it be the best record that it can be.”

    While Drake, Rick Ross and Jay-Z all helped with the lyrics, Diddy said this album contains the most lyrics he’s ever co-written in his life.

    “I get the idea of the song, I go in the studio, I mumble the melody, I put down a couple of catchphrases, I work it as far as I can,” Diddy said. “And then I bring in a co-writer that’s good for the song. A Drake, or a Rick Ross, or even a Jay-Z. I guess I’m blessed with the opportunity, like a singer, that can work with other songwriters. In rap it hasn’t necessarily been cool, but I think that’s my own allegiance to the song. If somebody could help me make the song better, I don’t really care what other people think.”

    To read Diddy’s full interview with New York magazine, including his thoughts on Auto-tune, the Ibiza club scene and Shyne, visit New York’s Daily Intel blog.

    32 thoughts on “Diddy Explains Altering His Ghostwriting Process

    1. Whomever thinks that Diddy wrote his own ryhmes are plain STUPID! Common wrote for Diddy, 50 wrote for Diddy shit I can go on all night.

    2. Look, that album is consistently a good album.
      But c’mon diddy. that track with usher i heard rick ross’ version and its the exact same verses!

    3. TONIGHT 12/15 AT 9PM ET. WATCH & LISTEN LIVE ON BKS1RADIO.COM ON THE “LIVE IN THE CIPHER SHOW” WE RATE & REVIEW ALONG WITH YOU ON A SCALE FROM 1 TO 5 DIDDY DIRTY MONEY’S NEW RELEASE “LAST TRAIN TO PARIS” ALSO WE DISCUSS THE LATEST NEWS IN HIP HOP & SOME HIP HOP TRIVIA QUESTIONS CALL IN 646-929-1530 OR CHAT LIVE ON BKS1RADIO.COM WILL THIS BE DIDDY’S BEST ALBUM? WILL SEE AT 9PM ET.

    4. heeey waitaminute, didnt j. cole write “coming home”? i’m pretty sure he did. look that shit up on the youtubes.

    5. Really now days everybody has a ghostwriter, even your so called best MC. Thats just the way that it is in these days of hip hop. Back when you had a few the that ghostwrite. Big Daddy Kane wrote for a lot of people on Cold Chillen, and look at the Detox album everybody is writing on that one. All forms of music today has somebody writing something for whoever. So Diddy or whoever can have so and so write there are no set of rules. If there was it would be only a few musicians out because Suge had said it best star are made not born. There is a lot I don’t no what to call todays music do you people hope you make it.

    6. Diddy’s new album was ghost written? I’ve listened to some of it and they are the most simple lyrics I’ve heard.

    7. the reason diddy’s shit still sounds simple is because the ghost writers write shit for diddy! not for themselves. if jay wrote some shit for diddy that sounded like the dynasty intro, niggas wouldn’t even cop it cause diddy don’t rap like that!

    8. “It don’t matter what it’s for, he (Jay-Z)gonna make it be the best record that it can be.””

      Bahahahahaha! Ya too bad that ain’t the case for Saigon’s collabo. STFU Diddy, go dance in front of the mirror you chicle-teeth having parasite…

    9. Nah this is REAL TALK from Puff. Think about it. He is admitting to not writing his stuff and also still needing to incorporate other writers. He also admits that it is wack, but he did what he had to do to make a good song. As opposed to some of these WACK rappers writing garbage. U gotta respect Puff for this interview.

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