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Lauren Floyd
Buddy Gets Mindful As He Cruises To Better Days On ‘Don’t Forget To Breathe’
Justin Timberlake’s Star Struggles To Shine On ‘Everything I Thought It Was’
Vic Mensa Finds Catharsis On ‘Victor’ But It Doesn’t Make For Great Music
ICYTWAT Continues To Stay Ahead Of His Fellow Producers On ‘FINAL BOSS’
Amaarae Bends Afrobeats, R&B, & Hip Hop To Her Will On Brilliant ‘Fountain Baby’
YUNGMORPHEUS ‘From Whence It Came’ Coasts Through Familiar Territory To Moderate Success
B. Cool-Aid (Pink Siifu & Ahwlee) ‘Leather BLVD’ Feels Like A Warm Hometown Reunion
Liv.e ‘Girl In The Half Pearl’ Is A Beautiful Uncompromising Expression Of Self
Smino ‘Luv 4 Rent’ Stays True To His Roots
Steve Lacy ‘Gemini Rights’ Ushers In A New Era Of Heartbreak Melodies
Megan Thee Stallion ‘Traumazine’ Is A Satisfactory Farewell To Her Label
Ravyn Lenae ‘Hypnos’ Is A Beautiful Cosmic Celebration Of Womanhood
Chris Brown ‘Breezy’ Is A Generic, Algorithm-Pleasing Album That Further Makes Him Indistinct
Dreezy & Hit-Boy ‘HitGirl’ Produces A Middling Affair Due To An Unequal Partnership
Review – Latto ‘777’ Shows She’s Still Developing But Carves A Seat At The Rap Table
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