Even though sampling has become a major component of Hip Hop music — and to the culture itself — many people still don’t understand how it works.
In fact, Timbaland became a trending Twitter topic last month after fans inaccurately accused him of “stealing” the samples interweaved within the production of a few of his biggest hits.
During a conversation with producer juggernaut 9th Wonder for music licensing service Tracklib, legendary keyboardist Bob James confessed he still struggles with understanding the art of sampling — even after releasing 58 albums and having songs such as 1974’s “Nautilus” and 1976’s “Westchester Lady” sampled by Wu-Tang Clan, A$AP Rocky, Kanye West and others more than 1,500 times.
In a 20-minute YouTube video shared by Tracklib on Thursday (January 28), the pair engage in an in-depth dialogue on sampling that gives way to an endearing trip down Hip Hop memory lane, starting with how James initially caught on to the trend of artists re-purposing music because of Will Smith and DJ Jazzy Jeff.
“When I first began to discover it, it was not exactly a positive thing because the times that I had found out my music had been sampled, it was unlicensed,” James says. “There was a recording by DJ Jazzy Jeff and the Fresh Prince that sampled my song ‘Westchester Lady’ and when I listened to it I thought, ‘Wow, what the heck is going on?’ Cause it’s just, my record is just playing and they were rapping over the top of it.”
James went on to reveal his plans to collaborate with DJ Jazzy Jeff, after initially feeling indifferent about the track.
“So it was weird and I didn’t know what to think about it because it was not really a collaboration, they hadn’t asked me or gotten any type of permission, so there was no back-and-forth at any time,” he continues. “But I am happy to say, many, many years later, I met DJ Jazzy Jeff and we had a great conversation and now we are thinking about, many, many years later, actually collaborating when it’s not a sampled thing and I’m not part of it.”
9th Wonder also broke out his turntables around the 12-minute mark to dissect “Nautilus,” which Ghostface Killah sampled for his iconic 1995 Ironman album cut “Daytona 500” featuring Raekwon and Cappadonna.
“So when I first heard this as a 21-year-old, the song was called ‘Daytona 500’ and I’ve heard all parts of this song and it’s easily the best part of the record,” 9th starts off. “Because RZA was known for taking these itty-bitty parts of songs that he wouldn’t even add drums too, maybe turn the bass up, maybe turn the highs down, and make it into this rough gritty experience. And then have Ghostface rap on it, I was like ‘Man, like, this is crazy.’ So like I said before, you on Mount Rushmore man.”
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The Jamla Records founder also deep dives into how James’ extensive catalog energizes multiple powerhouse records from veteran MC’s such as Redman, who sampled the keyboardist’s track “Caribbean Nights” for his record “Can’t Wait” from his 1993 Dare Iz A Darkside album, among countless others.
Watch the full video above and revisit the 9th Wonder co-signed sample breakdown video picking apart Little Brother’s “Lovin’ It” from Tracklib below.
You can’t get by if you don’t respect the OG.
Og had such a ill idea to sample hip hop in reverse!! Make it happen. Mind blown by that idea. Salute to the og that allow hip hop to be its self!!
Definitely an ill idea…but it would take a while to kind of hear something you want to sample and then in your head thinkin how it would sound in reverse. I dont know if you can understand what I mean.
But most def a wild idea….im trying it right now.
Im glad I watched this. My Dad used to play Bob James when I was a kid. I liked him then, but when I was older, as a kid into hip hop, I found a new appreciation for Bob James as well as other jazz artists. Hip hop made me a jazz head too!! Music is the universal language!!
More content like this please. Probably one of the best clicks on this site in a while. A+
How many classics has Nautilus spawned?
Tracklib is cool, but it might be just like splice where too many people use the same sounds.