Back in 2009 on a loosie mixtape cut called “Million Dollar Baby,” Lil Wayne rapped “I’m just getting high, thinking ‘bout Tha Carter Five.” That was a year after the release of his coveted magnum opus Tha Carter III. The line seems simple enough but truly alludes to the fact that Wayne (at that time) was a music-releasing monster that had so much recorded material, he was already plotting two and three projects ahead. His prowess as a master marketer, rapid-fire recorder and dangerously skilled rapper (before leaving for Rikers Island in late 2009) led fans to believe that Tha Carter IV and V would be released in no time.
That, of course, didn’t happen. Matters got worse after Wayne declared war on Cash Money and Birdman – claiming C5 was complete but being held hostage by the label.
Fast forward more than four years after its original announcement, with all the Cash Money drama allegedly settled, Tha Carter V Season is upon us. It seems surreal, especially for those die-hard Lil Wayne fans that thought this day would never come. There has been a rollercoaster of lukewarm and moderately hot releases from Tunechi since announcing C5 but none have quite quenched like an Carter album could have.
Tha Carter albums have become the anchoring bodies of work that keep Wayne in the GOAT conversation in a way uneventful projects like and Sorry 4 The Wait series haven’t. If Tha Carter V is as much of a success that it alludes to be then Tha Carter series is to Wayne’s career what NBA championships are to Kobe Bryant; an early three-peat right out of the gate with another two rings later in his career – all of which confirming the legacy.
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Below is a breakdown of all four Carter albums leading up to Tha Carter V that document where Wayne has been, where he is and where he’s going.
Tha Carter – June 29, 2004
The first installment of Tha Carter series ushered in a new chapter of Wayne’s career. He had released three albums with the Hot Boys as well as three solo projects simultaneously. Tha Carter was Wayne first album detached from the group and truly ready to face the rap game as Cash Money’s leading artist.
The album was produced in full by New Orleans native and Cash Money in-house producer Mannie Fresh who kept that N’awlins bounce very much a driving force on all 21 tracks. Different though, was Wayne’s vocal progression. His punchlines and wordplay expanded (“You watch your grill what you ought to do/ ‘fore your ribs get barbecued” he quipped). Plus, his voice was noticeably free of its pre-pubescent squeak. Most importantly, he slowed down his wildly spastic flow, using much better articulation.
This was spread across the entire album and what ultimately led to “Go DJ”’s commercial success. The album’s breakout single was not only Wayne’s first Top 20 Billboard single but an homage to the beloved rapper/DJ tandem that Hip Hop cherished. The album didn’t spawn any other chart toppers but Wayne got his first taste of hit took to make solo hit that fit in with contemporary sounds and what it took to get there.
Tha Carter II – December 6, 2005
Tha Carter II was a turning point in Wayne’s career both lyrically, emotionally and sonically. In short, Tha Carter II attempted creativity so that Tha Carter III could become a commercial classic.
C2 was the first time Wayne employed a Rolodex of producers on an official studio album. Deezle, T-Mix, Cool & Dre amongst others helped Weezy construct his most assorted sounding project up until that point. Not only did this allow Wayne to catch different flows for his show-stopping verses but also how to write a song that wasn’t as formulaic as album cuts past.
On what is his best album intro to date “Tha Mobb,” Wayne goes off on an unforgettable sample driven Heatmakerz beat for over five minutes straight. No bridge, no chorus, and seemingly no breathe breaks as he raps genius level lines like “Semi-9 fit me fine, hit a nigga twenty times/Damn, then one more to the face/Just so they close the casket like I pay to close the case.”
These hard-hitting rap cuts, including “Money On My Mind” and lead single “Fireman,” were complemented with soulful, women-dedicated tracks like “Grown Man” and “Receipt.”
To make matters more diverse Wayne crafted the subtly scathing “Shooter” with Robin Thicke that let the game know that Southern rappers seriously have something to say. That poignancy translated to Nikki Jean-assisted “Get Over” which is as close as Wayne has ever come to a deeply emotional rap ballad.
All in all, Tha Carter II propelled Wayne out of his New Orleans shell and into a world where melding genres and song structures were accepted and encouraged.
Tha Carter III – June 10, 2008
In between Carter’s II and III were some of Wayne’s most pivotal years where he became an undeniable force in Hip Hop. He was releasing culture shaping mixtapes like Dedication 2 and Da Drought 3 — not to mention dropping top-notch verses on damn near everyone’s lead single, pop stars included. With one hand he was feeding the streets with bars galore while raising his stock in pop music with the other. This made Tha Carter III a perfect storm.
Tha Carter III was more than an album for Wayne, it was a moment; a moment that confirmed Wayne had fully made his ascension from child rapper to household megastar. The same way his years leading up to C3 played to the streets and suburbs so did the album’s lead singles. “Lollipop” was the Auto-Tuned pop smash that shot him to the top of the charts while “A Milli” strengthened his “best rapper alive” prerogatives. Even though he fought through some extensive leaks and consequent pushbacks, the album astoundingly sold a million copies in the first week.
Sonically Tha Carter III hit pressed every button Wayne had been developing in his toolkit throughout the years. There were guitar riffs and croons on “Shoot Me Down,” political commentary on “Tie My Hands,” jazzy boom-bap bars on “Dr. Carter” and a star-studded lineup of producers (Kanye West, Swizz Beatz, Jim Jonsin, David Banner) that elevated Wayne’s sound to the proverbial stadium status. These tools of the trade, especially Auto-Tune, would become essential components of Wayne’s upcoming releases and the epitome of his place in pop culture.
Tha Carter IV – August 29, 2011
While I Am Not A Human Being and Rebirth gave a little more depth to his catalog, they didn’t pack the same punch as Tha Carter IV. Pushback after pushback delayed the release of Tha Carter IV for nearly two years but when lead single “6 Foot 7 Foot” dropped in anticipation, that Martian-like vibe was caught once again.
C4 didn’t recapture the majestic dominance C3 had displayed, however. Simply put, Wayne had cooled off over those three years and the momentum had halted. He did, however, follow a very similar diversity driven formula on C4 that ended up garnering him just under a million first-week sales. “How To Love” was an extremely slowed down Auto-Tune croon that infected the ears of teenagers worldwide while “John,” featuring Rick Ross, brought chopper talk to a whole ‘nother level. He tapped famous friends like Drake, T-Pain, Andre 3000 and Nas for features and employed the same realm of super producers to create the sound of a rapper nearing the end of his prime.
What truly kept Tha Carter IV from being revered as a classic was Wayne’s tendency to use filler bars to complete songs and punchlines. What had made him such a phenome on C2 and C3 was his ability to effortlessly dish out wordplay worthy of a Pulitzer. On C4 and beyond, Weezy F. Baby started to lose his edge. “I’m a diamond in the rough, like a bay in the trash” is just one example of reached wordplay that hindered replay value.
Hopefully Tha Carter V brings back that Martian magic we knew so well.
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They got progressively worse. The 1st one is a classic. 2nd was dope. 3rd was meh and couldn’t get into the 4th.
Yup. When Carter 1 came out he wasn’t mainstream yet and white people weren’t listening to him at the time.
Tge crazy thing about Carter 3 that I have to respect is the Carter 3 as we know it wasn’t even supposed to be the Carter 3, the real Carter 3 was leaked before it came out so most of the Carter 3 that was sold was new material. The real Carter 3 wss leaked by dj empire and called the drought is over and it still sold a mill in one week back when we were still buying music.
all of them are mediocre but I say 3 is the best…
Carter 1 and Carter 2 were really good.
He blew up after Carter 2 and got rich. Then he stopped caring about the quality of his music. Everything after Carter 2 been trash.
Carter III is the classic, 1 and 2 are okay at best.
A lot of New York rappers tried to jump on southern fried beats for years, and years to the detriment of that east coast sound. And with minimal success, I might add. On the Carter 3 the south’s most famous rapper jumped on east coast beats, with some east coast word play. It felt good. We lost so many east coast rappers in that era due to following radio trends, trying to be Outcast or Master P. Finally the south knows how it feels to have one of their own abandon them, and their sound. Carter 3 was more boom bap than bounce.
YAH YAH I’VE SEEN Y’ALL COMMENTS I GUESS EVERYONE IS ENTITLED TO THEY’RE OPINION..WAYNE IS STILL A HARD WORKING GANGSTA WITH REAL SUPER LYRICS NO RAPPER THAT WENT TO HARVARD COULD SPIT..I RESPECT THAT MAN’S EVEN TODAY…YALL JUST STILL SLEEPING ON HIM
NAH PLEIGHBOY HE WASHED UP LIKE A MOTEL 6 TOWEL.
You are the same person responding to yourself. Foh boi fo I shlapyopunkass da barter dabarter3 da new testament
Dog, he really mixed up “elude” and allude… lol Bro. chill. that’s a sophomore in high school mix up my G. Lol Im disappointed yet oddly amused at this glaring lack of skill being somehow permissible. Lol smh cmon.
1. Carter II
2. Carter III
3. Carter IV
4. Carter
2.3.1.4.
Carter II is way ahead of the other ones in terms of favouriteness
Carter II (and Dedication 2) were his highwater marks to me. I think Carter III, while being his most important, is also responsible for a lot of the garbage going on today. He made it dope to be nonsensical on that album, to be drugged out, he started to snatch a lot of the Juelz Santana/Jim Jones “rockstar” image shit around this time, the clothes started getting crazier, just a lot of weird shit that worked for him, but maybe not so much for hip hop of the near future…
Everyone saying Carter III is the best is crazy- Carter 1 was a classic. That was hungry ass wayne at, or damn near, his best. The content he put out between 1 and 3 is really his best work but from strictly the Carter albums def 1, 3 and 2 are close, then 4.
Here’s the evolution of the Carter albums. 1. Very good, 2. Good. 3. Trash, 4. Super trash. That sums it all up.
Sounds legit.
Good, Better, Trash, Okay
Yall buggin I thought the 3rd album was pretty decent…. A Milli, Lollipop, and 3peat was fire. And Lollipop was the biggest song off that album.
Lollipop is embarrassing.
Career 1 was dope, my favorite is carter 2. Carter 3 while good, was just a bunch of songs thrown together. No cohesion of any kind, I hate albums like that. You should really have to be above a certain age to answer this, No one cares what a 18 year old today things about any oldmusic. You have to have been outside, really living life to discusd this. Carter 1-3 was high school year for me and I been listening to CMR since 96.
carter 2 carter 1 carter 3, and that’s it. but everything in between from da drought series and dedication was fire. he just ran out of ish to say lol still one of the goats
wayne is trash. always has been, always will be
Everybody know the second album is always the better one. Stop sayin I or III is nicer cuz we know they aren’t. Carter II is that ish. Marshall Mathers LP is better than Slim Shady. Jay’s Vol 2 is better than Vol 1. etc etc.
Slim shady > Marshall Mathers LP
Vol 2 is trash.
vol 1 was Jays 2nd album
ALL the Carters are classics, and its soothing to know Wayne has so many haters , we love you guys.
its got to be 3, 2, 1, 4. tha carter 3 propelled wayne into a worldwide superstar. 2 might have better music but what 3 did for his career is unmatch by any other wayne album.
This is fucking facts.
No description of Carter II is complete without Hustla Muzik.
This list needs to be updated now that CV is out.