2021 has already provided R&B fans with a slew of great albums. This month Summer Walker, KAYTRANADA and Terrace Martin dropped new bodies of work.

HipHopDX will be narrowing down the endless amount of music released during the course of a year to the essentials, providing readers with a list of the must-listen projects. 

The Top New R&B Albums Of 2021 (January 1 – November 30)

Still Over It – Summer Walker

Summer Walker has supplanted herself in the public eye, both through her outstanding introductory projects Last Day of Summer and Over It and her tumultuous relationship with Atlanta producer London On Da Track. In doing so, she’s opened herself up to judgment and speculation about every aspect of her life: her pregnancy, breakup with London and subsequent mental health. On Still Over It, Walker combats swirling narratives by utilizing the biggest draw in her artistry — her vulnerability. She displays an innate storytelling ability, marked with raw details about the intricacies of her emotions. Refusing to hold back, Walker covers the project in personal drama, navigating a balancing act between compelling and gratuitous.

DRONES – Terrace Martin

Not everyone may recognize Terrace Martin’s name, but best believe your favorite rapper looks up to him. The genre-bending musician has toured with Snoop Dogg, worked with Kendrick Lamar, released music alongside Kamasi Washington, Robert Glasper and 9th Wonder under the moniker Dinner Party and now he’s come forward with DRONES, a masterclass in properly executed features and instrumentation.

Intimadated – KAYTRANADA

Kaytranada eludes conventional norms of the Hip Hop producer. Where much of what’s rapped over in 2021 would flounder without the vocals, Kaytranada’s beats easily stand on their own two feet. The Canadian artist previously gained notoriety with 2016’s 99.9% and BUBBA, which placed his high voltage beats alongside artists including Vice Mensa, Anderson .Paak and Mick Jenkins. Intimidated, Kaytranada’s latest three-song EP, features Mach-Hommy, Thundercat and H.E.R. and even though it’s not technically an album, we still think it deserves a spot on the list.

An Evening With Silk Sonic – Silk Sonic

The singing prowess of Bruno Mars and Anderson .Paak is undeniable — both have the pipes of butterfly collar-wearing angels. Mars’ ability to hit high notes can break glass, while Paak’s raspy delivery is reminiscent of Smokey Robinson or other great R&B/soul singers of the era. They’re also in a rare position where they sound unlike anything else currently in rotation. They’ve created a niche all their own, however, the bar in mainstream pop music has been set so low, anything remotely different feels like the second coming of Christ.

Juno – Remi Wolf

Remi Wolf can stretch her voice to fit any void. She croons masterfully over the Latin-influenced  instrumentals “wyd,” her delivery gradually building into a delightful peak of harmonies. Likewise, her music can be wild and unrestrained, as present on the punk-fueled “Guerrilla,” before dropping bars on album highlight “Quiet On Set.” The Palo Alto, California artist has only been releasing music since 2019, yet the progression she’s exihibited in the past two years has been stark. She might have first gained notoriety for tracks such as “Photo ID” and “Disco Man” from her 2019 EP I’m Allergic To Dogs!, but Juno stands as her most complete body of work to date. -David Brake

Wildest Dreams – Majid Jordan

Canadian R&B duo notched their biggest hit to date with writing credits on Drake’s classic 2013 track “Hold On, We’re Going Home.” From there, the duo (which consists of Majid Al Maskati and Jordan Ullman), dropped their debut self-titled solo project in 2016. Five years later, the producer and rapper came forward with Wildest Dreams, a focused LP spanning eleven tracks of lush instrumentals from producer Ullman and passionate lyrics of love by singer Al Maskati. Highlights include the Drake-assisted “Stars Align” and “Summer Rain,” but “Waves of Blue” is the album’s true gem. –David Brake

to hell with it – PinkPantheress

The resurgence of nostalgia as a descriptor for an artist’s music style has morphed into a double-eged sword. When reaching back to incorporate the sounds of bygone eras, varying success in execution creates a vicious dichotomy. Cheap imitations that surgically remove the heart of reference tracks get tagged with the label of “nostalgia-bait,” reeking of unoriginality and desperation. Meanwhile, tasteful callbacks that are rooted in the themes of their touchstones are lauded with praise, retaining the soul of yesteryear. -Matthew Ritchie

Read HipHopDX’s full to hell with it here.

If Orange Was A Place – Tems

Tems exhibits a mastery in emotional expression on this brief EP, ignoring any urge to withhold feelings. Instead, she displays unrelenting vulnerability on tracks such as “Avoid Things ” and “Crazy Tings,” ruminating on the themes of toxicity and failed relationships. Her voice drills to the souls of her audience, skating over vibrant horns and succulent melodies with ease. If Orange Was A Place carries her momentum from a star performance on Drake’s Certified Lover Boy forward without missing a beat.

Dawn – Yebba

The list of artists who have solo interludes on a Drake project includes Kendrick Lamar, Sampha, Skepta and now, Yebba. After many called “Yebba’s Heartbreak” a standout moment on Drake’s Certified Lover Boy, the singer took advantage of the moment by releasing a stellar new project. Dawn is filled with angelic vocal harmonies and heartfelt lyrics that prove she’s doing her best to stay.

Cheers To The Best Memories – dvsn & Ty Dolla $ign

Few artists remain who still aim to encapsulate the Blues side of R&B. There’s plenty of focus on rhythm and chasing those ethereal sounds, which have catapulted artists such as SZA and Jhené Aiko to stardom. But dvsn and Ty Dolla $ign’s latest collaborative album Cheers To The Best Memories goes straight to the roots of R&B, diving into murky love songs backed with soul-enriching instrumentals. For years, Ty Dolla has been the go-to hook killer for artists ranging from Kanye West to Roddy Ricch, so the Los Angeles crooner knows how to collaborate.

Still, something special happened when he linked with Canadian duo dvsn. Composed of Daniel Daley and Nineteen85, the pair originally flourished from a Drake stimulus and an eventual OVO Records deal, but their ephemeral magic is instantly apparent whenever new music drops, and Cheers To The Best Memories is no different. –David Brake @davidaaronbrake

Mother – Cleo Sol

There’s an ethereal beauty in narrating growth. Women often explore this beauty of celestial womanhood during the experience of motherhood. For West London singer/songwriter Cleo Sol, Mother explores the depth and divine connection between modern maternity, healing and the transformative nature of relationships. Bridging the gap between ’70s soul and jazz through collaboration with her musical partner and producer Inflo, Sol crafts a timeless sound that allows her to layer the storytelling of generational lessons, experiences in adulthood, and the wisdom she’d like to pass along to her child. 

Framing the insight and sagacity of these experiences from the album cover featuring Cleo, her daughter and a framed photo of a young woman behind her to the intro track, Cleo honors her mother’s experiences from her upbringing while also addressing her faults. Beginning the album with the raw and unfiltered opener “Don’t Let Me Fall” that’s centered around abandonment, unpacking attachments to trauma and healing our inner child, the album explores the teachings of life through examining a woman’s relationship to love, finding peace while healing and forgiveness. Tracks such as “Promises,” “23” and “Know That You Are Loved” provide an intimate and transcendent follow-up to her 2020 album Rose in the Dark which acts like honey for broken hearts and wounded souls. The missing pieces of Sol have been found within her, and for fans who enjoy her mixture of Donny Hathaway/Carole King soulful exploration, they’ll find it in her music. -Kia Turner @chasingkia

Temporary Highs In The Violet Skies – Snoh Aalegra

Desolate, dreamy and experimental, Temporary Highs In The Violet Skies is Snoh Aalegra’s most expansive and unconventional project to date. Following the critical and commercial success of – Ugh, those feels again, Aalegra relied on collaborations with artists and producers such as The Neptunes, Tyler, The Creator, No I.D. and James Fauntleroy to assist with her third studio album. Unlike her breakout sophomore project, Aalegra’s nonchalance and romanticizing of rejuvenated love and emotional complexities from varying levels of intimacy are eclipsed by her declaration of candor and skepticism. From the signature chopped and screwed chipmunk soul of “Indecisive” to the slightly overwhelming Neptunes production of “In Your Eyes,” Aalegra’s sharp narratives of failed affairs and introspection are highlighted by tracks such as “We Don’t Have To Talk About It,” “Dying 4 Your Love” and “Lost You.”

The sentimental beauty of exceptional tracks “Tangerine Dream” and unguarded nostalgia of “On My Mind” encompasses all that makes Snoh Aalegra one of the brightest stars in contemporary R&B. Whether she’s daydreaming of euphoric adoration, contemplating the value of her temporary highs or regretfully facing the realities of her feelings, Aalegra’s evocative lyricism and vulnerability surrounding the uncertainty as she flies through violet skies of emotions leave you fully immersed into her reflective musical dimension. -Kia Turner @chasingkia

Sixtape 2 – Blxst & Bino Rideaux

“Pop Out,” the opening track from Blxst and Bino Rideaux’s collaborative album Sixtape 2, sets the tone for the rest of the project, a smooth and harmonic collection of modern Los Angeles R&B. Bino, who came up with the late Nipsey Hussle, reentered the game last year with a new sense of energy, while Blxst, one of ten HipHopDX Rising Stars, dominated 2020 with No Love Lost. On their second iteration of the Sixtape series, the two L.A. artists showcase their unbreakable chemistry and aptitude for creating deep vibes which range from club-ready slow jams (“One of Them Ones”) to intimate love ballads (“She Perfect”).

Armed with production from the likes of ThaRealJFKbeatz, Jay Millian and Blxst himself, the two leaders of the next generation of West Coast R&B have drawn all eyes to see what comes next. -David Brake @davidaaronbrake

Planet Her – Doja Cat

Doja Cat’s career may have begun through the meme hit “Mooo!” and its accompanying music video, in which she performs in a cow costume while repeating, “Bitch, I’m a cow,” but the Los Angeles singer and rapper used the momentum to launch herself into the conversation of premier R&B stars. Planet Her, the latest offering from Doja, showcases substantial new maturity from the 25-year-old artist.

Flexing her versatility and ability to shift on a dime between booming crooning and twitchy raps, Planet Her is a shift away from Doja’s 2019 project Hot Pink. Doja is leaving all bare on Planet Her, leaning into the vulnerability which, in turn, allows for more ambitious themes of love and identity. No longer is Doja chasing trends, she’s setting them.

Back Of My Mind – H.E.R.

On Back Of My Mind, the latest offering from R&B sensation H.E.R., the singer explores love lost, growing apart and self care. The San Francisco-raised singer, born Gabriella Sarmiento Wilson, underwent a rebrand in the mid 2010s, dropping her original name, and opting to be identified as H.E.R., an acronym standing for Having Everything Revealed. Since her 2018 eponymous debut, the “Best Part” singer has collected thirteen Grammy nominations and four wins, including Best R&B Album and Song of the Year for “I Can’t Breathe.”

Back Of My Mind, which peaked at number six on the Billboard 200, picks up where her previous projects left up, reflecting on the trials and tribulations of love over gorgeous live instrumentations. 

Be Right Back – Jorja Smith

 All Jorja Smith needs to create beautiful R&B music is her voice; no instrumentals are required when you’re working with a singer so commanding and confident. Be Right Back, the latest album from is a sweeping, stripped-down collection of low-key tracks. Smith hasn’t looked back since she was catapulted into the spotlight in 2016 following praise from Drake. The British singer-songwriter hadn’t released a full-length project since 2018’s exceptional Lost & Found.

Whatever Smith croons delicately about is captivating: whether it’s the mournful “Addicted” or the glitzy “Bussdown” featuring Shaybo, Smith wholly captures the listener. Much of the album circles back to the sense of belonging and the devastating toll of feeling lost.

Shelley – Shelley

In more ways than one, Shelley FKA DRAM’s eponymous album, four-years-plus-in-the-making, represents a paradoxical pivot within the Virginia Beach crooner’s diverse discography. It’s quite obvious Shelley has evolved from his 2016 “Broccoli” era career arc, judging by his stage name rebranding and jaw-dropping weight loss. The added weight of the project existing as a memorial for his recently deceased mother also added a deeply personal and serious dimension to Shelley. And though the elements of high vibrational funk and R&B fusion that were present on Big Baby Dram throughout the new 10-track effort, the music was discernibly angled toward. From the swooning rhythms of “Exposure” and swinging pace of “Cooking With Grease,” the album exudes ballad vibes from top to bottom and mark Shelley’s transition from a fringe experimental artist to a genre-defying sonic architect.

Don’t Go Tellin Your Momma – Topaz Jones

Don’t Go Tellin Your Momma by New Jersey’s Topaz Jones resists categorization into any one genre. While the smooth, funk-inspired instrumentals suggest R&B, Jones proves again and again of the power of his bars. DGTYM, also accompanied by a Sundance award-winning short film, is a story of generations and shared histories. Rich with personal references, DGTYM is an exploration of not only Jones as a person, but of his family and generational histories. Examining everything from wealth and intellectual property to candy and code-switching, DGTYM is certainly Jones’s most well-rounded project, but it’s one of the most ambitious projects of the year thus far.

Overgrown – Joyce Wrice

Joyce Wrice’s debut album Overgrown has finally arrived. The California R&B artist has been a featured voice on tracks for artists such as Westside Gunn, Rejjie Snow and Jay Prince, not to mention the plethora of singles she’s released, beginning with 2015’s “Ain’t No Need.” Wrice has evolved as an artist since her first releases, bringing us to Overgrown, a fourteen-track album which includes features from Lucky Daye, KAYTRANADA, Freddie Gibbs and more. Wrice’s debut shows her affinity for traditional R&B, as she sings with clear influences from Mariah Carey and even Ashanti. While Overgrown may draw influence from legendary artists, Wrice is distinctly herself as she sings about love, self-worth and her Japanese heritage. “Falling In Love” with Lucky Daye and the Freddie Gibbs-assisted “On One,” are clear highlights, but “That’s On You – Japanese Remix” featuring UMI is a hidden gem.

PINK PLANET – Pink Sweat$

Welcome to PINK PLANET, a celestial body soundtracked with lush samples, ethereal guitar solos and the silky tones of Pink Sweat$. The 29-year-old Philadelphia-born singer demonstrates his love for classic R&B and its roots in funk and blues music. Aside from the Kehlani-assisted “At My Worst,” Sweat$ handles the 18-track album entirely alone. It’s a bold (and rare) choice for an artist to tackle their debut project solo, but his decision shows the unbridled confidence carried by the burgeoning artist and his voice easily fills the 48-minute listen.

A play through PINK PLANET equates to a walk through time. “PINK CITY” sounds like a powerhouse radio anthem from the mid 2000s. “Paradise,” could be from Jodeci’s discography, while tracks such as “Icy” and “Not Alright” are faster and more lively, carrying  disco-inspired breakbeats. Void of filler and fluff, PINK PLANET is a massive achievement from Sweat$, an artist we expect to be around for the foreseeable future.

Heaux Tales — Jazmine Sullivan

Jazmine Sullivan doesn’t even need to hit those booming notes to make powerful R&B. Sure, she can do that too. But her voice, so textured with a rich personality, makes even the most banal notes stars of the show. Sullivan has been a mainstay of R&B since her wildly successful 2008 album Fearless, which netted her a Billboard 200 Top 10 chart entry and scores of Grammy nominations. On Heux Tales, Sullivan has adapted to the times, recruiting H.E.R., Ari Lennox and the funky, MC/drummer Anderson .Paak. Digging into her deep bag of melodies and harmonies, Sullivan succeeded in releasing a rock-solid project that holds up exceptionally well in her stacked discography.

Collapsed In Sunbeams — Arlo Parks

Arlo Parks began her career as a poet in South London and the skills she amassed are still present in her music today. Parks has been dropping music since 2018, but began to catch fire with “Black Dog,” a monumental, heartbreaking single that hinted at the wealth of talent Parks had to offer. She’s in full control of her music, manipulating words into different shapes and sounds with ease. Collapsed In Sunbeams satisfies all expectations and certifies that Parks is one of the best living R&B songwriters.

Also be sure to check out our other lists:

This list includes albums released between December 2, 2020 and September 30, 2021.

Contributing writers: Trent Clark, Kyle Eustice, Josh Svetz, Dana Scott, David Brake, Devon Jefferson, Michael Saponara, Kia Turner, Anthony Malone, Matthew Ritchie, Ben Brutocao and Jeremy Hecht. 


  • Amusing Her Feelings – dvsn


Anniversary (Deluxe) – Bryson Tiller

After Bryson Tiller will’d his 2020 Anniversary album into the top five of the Billboard 200 last September, the Kentucky-bred vocalist kept his foot on the gas — contrary to his movements post release of his chart-topping True To Self album. An image defining move illustrated by his reflective and sentimental Anniversary Deluxe edition. Though the updated tracklist only includes four new additions, the weight of their sonic value has proven to be visceral — with songs like “Still Yours” featuring Big Sean striking tender chords with audience across multiple social media platforms. Tiller also resurrects his “Pen Griffey” sonic tendencies of yester-year over the subdued kicks and 808-drum snapping production of tracks like “Losing Focus” and “7:00.” 

Homegrown – VanJess

The era of sister duos taking over R&B is upon us. Chloe x Halle have already proven they have all the tools to shape the future of the genre for years, but for a more nostalgic approach, in comes Ivana and Jessica Nwokike, b.k.a. VanJess, to provide the classic sound of 90s R&B mixed with upbeat electronica. Recruiting the silky voices of Garren, Jimi Tents and Devin Morrison, VanJess’ latest project shows off the sisters’ skills vocally and creatively, digging in the crate to sample Lafayette Afro Rock Band’s “Darkest Light” and Faith Evans’ “Come Over.” Each song is a different vibe, sometimes sounding like a night at the roller disco in 1978 and other times evoking the feeling of setting up a passionate rendezvous with a new lover on a rainy Friday night. Mixing in the new and nostalgic, VanJess pay homage to every element that makes R&B tick, while still mixing it to their liking to create a sound all their own.

Table For Two – Lucky Daye

Following the success of his first full-length solo album Painted, Lucky Daye returns with a new offering to kickstart 2021.Besides the intro, the 7-track project includes a feature on each song. Assembling a cast of some of R&B’s brightest young stars, from Ari Lennox to Mahalia, Daye acts like an R&B version of DJ Khaled on Table For Two (but rather than the occasional screaming over the intro of a track, instead Daye provides silky smooth vocals and emotionally charged verses). After beginning his career as a songwriter and background vocalist, the New Orleans-bred singer isn’t afraid to take a back seat vocally on his own songs, allowing his featured guests the opportunity to shine at their brightest. The interlude on “How Much Can A Heart Take” is both comedic and poetic, referencing the complexities that the social media age brings to a romantic relationship. Although the project is satisfying, it may leave some fans looking forward to his next full length release.


Introspection Reimagined – UMI

UMI’s 2020 effort Introspection showcased the singer’s vocal range and ability to effortlessly portray emotional depth. On the reimagined live version of the project, the Seattle-born singer vocalizes honestly about the ups and downs of love over a newly remixed instrumentation provided by more than a dozen musical collaborators. Introspection Reimagined is the perfect soundtrack to falling in and out of love.

Neptune – Gallant

The opening track to Gallant’s Neptune project is aptly titled “Comeback.” Although it’s only been a little over a year since his 2019 release Sweet Insomnia, it feels like the Columbia-born singer is ready to re-claim his status as one of R&B’s top crooners. Gallant’s dreamy vocals skate effortlessly overtop of instrumentals that can make any listener feel like they’re on cloud 9. Brandy has a standout feature on the song “Dynamite” as the two go back and forth trying to reconcile a fading love.


While I Have Your Attention – Griff Tyler

Just as Blxst cashed in on a methodical and city-wide celebrated debut last year with his No Love Lost album, Inglewood-bred singer/songwriter Griff Tyler is manifesting his own destiny. At the same time, he’s gaining unified recognition and support from L.A.’s heavy hitters following his breakout Play Your Card Right album last year. Keeping pace on his brief three-track While I Have Your Attention EP, Tyler provides more West Coast-centric earworming bops imbued with his signature rap-heavy vocals and confident artistic glow. The While I Have Your Attention EP is yet another concrete reason why Griff Tyler is one to watch this year 

Aura III – Elhae

ELHAE first found his voice in church. Singing in choirs since he was young, ELHAE used his choral experience in his own genre-bending R&B. Aura III, which arrived in April via Motown Records, is a sweeping and spiritual record with features from Masego, Rick Ross and Xavier Omar. ELHAE is no newcomer to R&B; the artist has been releasing music for over a decade in the lane of PARTYNEXTDOOR and PnB Rock, but Aura III has already begun to commercially outperform much of the singer’s previous work and introduced ELHAE to swaths of new listeners.

Art Dealer Chic 4 – Miguel

The consistent and stealthy manner in which ByStorm and RCA Records singer Miguel managed to release four iterations of his Art Deal Chic EP already in 2021 by the beginning of May is impressive, to say the least. What’s even more admirable about the project is how effortlessly Miguel maintains the energy of series and his entire discography at-large throughout the string of hits. The four-track Art Dealer Chic 4 EP is like a small plate of sonic tapas from the Grammy Award-winning vocalist’s career with spicy and cheeky tracks such as “Love Triangle” channeling vibes from his Wildheart album and the anti-heroic opener “Funeral” aligning with his War & Leisure sound project’s sound profile. If anything, Art Dealer Chic 4 EP  leaves us wanting even more than the previous editions.

missunderstood still… Queen Naija

At this point in the modern music cycle, it’s almost expected a deluxe version of a successful album will drop soon after. When executed correctly, the move can not only keep the album in circulation but also open new fans to a project they may have missed. Instead of bogging down her deluxe album with 15+ tracks of material that missed the cut, Queen Naija gives the listener a sweet six-pack sampler positioned right at the beginning of missunderstood… still, acting as a Netflix preview before bingeing the whole series. More importantly, the material delivers. Her call and response duet with Ari Lennox “Set Him Up” about two friends finding out they’re being played by the same guy is a fun “gotcha” track about teaming up with the other woman rather than getting angry. She also channels heartbreak into a moment of growth on “Insecure” and recruits DC legend Wale to add another layer of perspective to her out-of-the-honeymoon phase love ballad “Butterflies Pt.2.” Queen Naija has only expanded her range showcased on the original missunderstood with the deluxe add-on, putting to rest any notion of her being a one-trick pony.


Truth Serum – Kosine

 Kosine is a renaissance man within Hip Hop and R&B. His career breakthrough came through his beatmaking work as one half of the producer duo Da Internz. Behind the scenes, Kosine racked-up an impressive CV, producing tracks such as “Dance (A$$)” for Big Sean, Rihanna’s “Birthday Cake” and Nicki Minaj’s smash-hit single “Anaconda.” But over the past few years Kosine has honed in his craft as a stand alone R&B singer.

Truth Serum, Kosine’s debut full-length solo project arrived this may, proving the artist is ready to take the main stage. Full of Gospel-inspired instrumentals, tinged with orchestral arrangement, Truth Serum is a stellar reintroduction from Kosine.

Ready Is Always Too Late – Sinead Harnett

 Vocal effects are Sinead Harnett’s whole bag. Fortunately, it’s Mary Poppins’ bag. Her elastic vocals are always under fire, having more asked of them than could possibly be fair. She is meticulous in her approach to contorting her own voice to fill all necessary corners of the track with glowering sound. The synths and funky bass lines assist, of course, to everyone’s great benefit. “Ready is Always Too Late” is a soul voyage to the tropical paradise of your choice.


Lovesick – Raheem Devaughn & Apollo Brown

Fans of both Raheem DeVaughn and Detroit producer Apollo Brown were ecstatic about the announcement of their collaborative LP Lovesick — and rightfully so. It’s one of those projects that sounds as good on paper as it does in practice. DeVaughn’s brand of R&B (a nod to the soulectric sounds of yesteryear) sparkles over the vinyl clicks and pops of Apollo’s instrumentation, which takes a pivot here into the R&B realm to great effect.

Guests are kept to a tasteful minimum. Things start with a bang, reuniting DeVaughn with long-time collaborator Skyzoo (who tapped Raheem for three of his last four studio albums) on “If You’re The One.” Becky Cane, WESTSIDE BOOGIE and New Orleans MC 3D Na’Tee also make appearances worthy of multiple spins. This is upper-echelon grown-and-sexy vibes.

Space and Time – Justine Skye

Beginning with the ethereal twinkle of “Conscious” and ending with the synth-based, upbeat “Mmm Mmm,” Space and Time, Justine Skye’s sixth full-length album is a vibe from start to finish. Skye originally entered the music industry in the early 2010s, posting snippets to Tumblr and YouTube of covers and original compositions alike. Since then, the now 25-year-old artist has garnered millions of streams and notable compositions from Tyga to Justin Timberlake. Airy drums are foundational on Space and Time, including “About Time” and “Twisted” with Afrobeats artist Rema.

Produced entirely by legendary producer Timbaland, Space and Time features glowing instrumentals which showcase the range of Skye’s voice. It’s been over a year since Skye released BARE WITH ME (The Album), but it seems Skye has found the trust in herself to go bigger and bolder: Space and Time succeeds in doing just that.


Good Dick & Weed – Ebhoni

Toronto songstress Ebhoni makes music for women with options. Her mixture of carribean-stylized production laced with R&B influence is tailor made for the pregame and after club rendezvous. With versatility to match any specific mood of a desirable woman looking for casual fun after releasing a failed relationship, her artistry radiates on her latest project Good Dick & Weed, where the 21-year-old weaves personal stories of leaving old flames on read and meeting up for sneaky links with sexy admirers into a wide-scope view of being youthful, single and liberated.

The confidence she displays on tracks such as the ego-obliterating “Be A Man” and the crushing realization of failed romance on “I Try” exhibit the depth of her intuition and discernment, making for relatable and thoughtful songwriting. But her greatest strength is being able to combine these insights into music that’s perfect for late night cruising or dwelling high in solitude before a Hinge match comes through for the night. It’s rare atmospheric music can find a way to fit several pockets of emotion, but Ebhoni takes on the challenge without an inkling of insecurity. -Josh Svetz @svetz17

RY RY WORLD – Mariah The Scientist

If Mariah the Scientist’s major label debut Master conceptually focused on self-destruction, reckless attachments and infatuation with lustful misery, then her sophomore album RY RY WORLD compliments the various aspects of modern romance from deception and infidelity to the blurred distinction between our desires, love and toxic endearment. The 23-year-old Atlanta native’s use of atmospheric stylings and lucid storytelling of being in parking garages at 2 a.m. and driving through the West End of Toronto with snow on her sunroof fuels her confessional account of womanhood. There’s the glowing introduction “Impalas & Air Force 1s” that bares Mariah’s disheartened expression of agony as she questions, “Who’s your favorite girl? I wish I could be her.”

It’s this unflinching sentiment that explores the reality of dating and self-awareness that expose her truest feelings around insecurities, miscommunication and value in our emotional suffering. Album standouts “2 You,” “All For Me” and “Maybe” highlight the cosmic futurism layered in production and metaphorical rap-singing that serves as a summation of her growth. By the conclusion of the concise ten-track album, RY RY WORLD functions as her own spaceship of sonic maturation. The young woman who questioned her worth and wondered more of what her partner’s world was like is now undaunted; domination of her own agency sexually and emotionally is more essential. “He can’t compete with me,” she boasts boldly on the outro track “Revenge,” “I’m gonna win.” Besides, for a young,  beautiful woman with the world at her feet, what universe is better than the one the listener creates for themself? -Kia Turner @chasingkia

Heat Of The Moment – Tink

Where Chicago artist Tink’s previous releases focused on the darker, more painful side of love, her latest release Heat Of The Moment is a clear departure in both sound and theme. Produced fully by fellow Chicago native Hitmaka, Tink embarks on a wildly entertaining ride that pushes her past her own personal limits previously set by doubt and external turmoil. In the album’s construction, it’s important that Tink and her forays into new sound directions are the central focuses. Only three of the fourteen tracks have featured artists, ensuring that she is the tar on Heat Of The Moment. Unsurprisingly, some of the best moments occur when she’s alone.

The album’s titular opener is a smooth, relaxing three minute ride that allows Tink’s voice to showcase its full range. The album’s closer “On My Own” displays the most endearing songwriting sections, as she lays out her unwavering loyalty with stark simplicity. Moments like this exist up and down the album, giving Tink a full body of work to be extremely proud of. –Matthew Ritchie @mkrwrt


  • TBH – Bri Steves
  • Girl Magic – BLK


SG8* – Duckwrth

Duckwrth’s latest project has an undeniable bounce that carries through from start to finish. Fans can almost feel the energy that’s been pent up over the pandemic being released through the music. Although the project is dance-heavy, there are moments of vulnerability on songs such as “Mask Off (Feelings)” and “Make U Go.”