Talib Kweli f. Kendrick Lamar & Curren$y – “Push Thru”

    Talib Kweli has a #hiiipowered collaboration with Kendrick Lamar and Curren$y on deck for his upcoming “Prisoner Of Conscious” album.

    32 thoughts on “Talib Kweli f. Kendrick Lamar & Curren$y – “Push Thru”

    1. Yess Good old Hip Hop pay attetion you new niggas that don’t know what Quailty Hip Hop is cause you sure don’t hear ir on the radio.

    2. See Kendrick this who you should collab with not Officer Ricky, Meek Mill, Gunplay, Tyga, Gudda Gudda, Birdman, Mack Maine, Ace Hood etc.

      But whatever it’s your career and your a smart dude…

      1. the fuck is wrong with you……get yo stank ear ass outta here!! chorus, beat, verse = FIRE real hip hop

      2. I like the song, I think everyone did good. and on another Note (RIP 7) if you knew what you are talking about you would not call lil b out like that. DO your homework and Listen to Obama base god or Gods Father. Bet you those tapes are better than half of your favorite rappers albums!

    3. Nothing remarkable in this track. Beat is really wack, Talib is nothing special either. I love Kweli’s music, Eardrum was masterpiece, Beatufil Struggle too. But now.. Gutter Rainbows was average, and this single is poor. As I said: nothing remarkable, no replay value.

      1. “Go listen to Kreayshawn and Waka.”

        Worst “point” ever.

        I agree. Talib fell off something serious, his last dope, consistent piece of work was “Eardrum”.

      2. I bet some of you guys was hating on beautiful struggle, when it came out. Because it’s actually a real average album and you are sugarcoating things, now. Eardrum was just average, too. And imo all of you are clueless, if you can’t recognize the greatness of RPM.

      3. RPM isn’t so bad. It has couple of really good tracks like “Strangers” and “Get Loose”. But first Reflection Eternal was way better.
        Can you explain why you think Beautiful Struggle and Eardrum are average?

      4. @reap:
        there are good tracks on both albums, but looking at them as a whole, they’re just a collection of tracks (here’s a track by neptunes, here’s a track produced by hi-tek, and it really sounds that random). If it’s a good album, you can listen to it from the beginning to the end, without skipping and you want every track on it’s position. I feel that is the case with both reflection eternal albums and Quality (which is mad underrated, because back then everybody was pissed because Hi-Tek did not produced the full album).
        But whats the problem with rpm? There’s not one weak track on it and it’s a clear unit. The tracks are not all bangers, but an album full of bangers and hits doesn’t necessarily make it a good one. This is the way you should here rpm, and regarded this way, tracks like “city playgrounds” become pure magic…

      1. Planes on fast forward since it is obviously a time sequence shot.

        Look between 2:57 and 2:58 and you can see the illuminati, than look for bigfoot behind the Hollywood sign at the end

    4. Shit is crazy! Curren$y and Kdot were good fits- one more verse from Scarface would have been the icing on the cake!

    5. Talib Kweli, the brooklyn MC.

      One of the best to ever touch a mic.

      Kendrick Lamar is pretty good for a west coast nigga.

    6. Damn, Kendrick gets betteer and better, his wordplay is sick.
      Especially at the beginning of his verse.

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