K-otix – Universal

    I always try to keep an ear glued to the ground so that I
    can hear everything going on underneath it. But somehow, and I’m kicking myself
    for it, K-otix were still able to
    come in below the radar. Consisting of emcees Mic and Damien, and
    producer Russel, K-otix’s sound is
    indeed Universal as the title of
    their debut boasts. Although the trio hails from Houston a listener could
    easily mistake them for an underground New York, or even LA gig. Their beats
    and subject matter are enjoyable, and applicable to all.

    Upon listening through Universal it
    becomes evident that K-otix have
    constructed a formula for making songs, one which they’re very good at; combine
    some dope rhymes with good beats, and add excellently layered and mixed
    samples. Prime examples of this equation pop up on the album’s best track World Renown, and on the melodic Love Songs. The Word benefits from premiere sequencing whereas U Know The Name is blessed by perfectly
    timed, and accented woodblock strikes. K-otix
    make their deep love for hip hop well known throughout Universal and especially on the positive-minded Take My Life on which the piano chords
    sound eerily like those on Common Sense‘s
    Resurrection. Perhaps one of the most
    impressive things about this group is their ability to pick a theme for a track
    and stay consistent from beginning to end, such as was done on My Life Pts. 1, 2, & 3. Each section
    has a different background but all three are excellent. The third of these is
    surprisingly simple, just a hard beat and a hollow echoing noise, but
    remarkably proficient.

    When it comes to lyricism these guys are no slouches. Check this rhyme from C.P.R.: revitalizing life through mic resuscitation/K-O-T-I-X/the most common
    cause of a cardiac arrest/we came to show the world who we are/and bring it
    back to life/C-P-R.
    However, although K-otix
    may have their formula down to a tee it does become somewhat redundant. Many of
    the snares and hi-hats sound very similar, and tracks like Legendary, and Take A
    Breather
    are stale both in lyrics and production. Fortunately, the two
    tracks that do stray from the pattern the jazzy The Club and the up-tempo Mind
    Over Matter
    are both successful.

    Overall, Universal is a very
    promising debut for K-otix. In fact
    this is the best introduction to a new group that I’ve heard in years.

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