Real Talk: Week of 7/23-7/29

    On 40 Cal‘s
    fight with Loon…

    W. Ketchum III: Yo, you hear about 40 Cal and Loon?

    K. Clark: I must’ve missed that. Loon knocked another rapper out?

    W. Ketchum III: Loon says that he did beat his ass, but 40 Cal
    remembers differently.

    K. Clark: He probably remembers differently because that shovel scrambled a few
    of those brain cells up.

    W. Ketchum III: Hahaha…well on the bright side, at least there weren’t any
    shots fired. But if I were Loon, and I fell from major label money to hopefully
    being independent, I’d wanna fight too. Especially if 40
    Cal
    was right and dude was pushing a hooptie.
    I don’t listen to either
    artist though, so I could care less. But from what I’ve heard, 40
    Cal
    is actually one of the bright spots in Dipset, and I still haven’t heard a Loon
    song that I approve of.

    K. Clark: Shouldn’t Will and Jada have stepped in and stopped this? You know
    they have their “march” to stop violence.

    W. Ketchum III: Oh yeah, I heard about that. It’s good to see a power couple
    like them championing a cause…esp. Will Smith, who’s one of the few rappers
    out there who isn’t talking about busting guns.

    K. Clark: Doesn’t hurt to have a fine looking wife by your side too.

    On Gillie Da Kid vs. Lil’ Wayne
    beef…

    K. Clark: But with them advocating non-violence, do you think they got what it
    takes to stop this Gillie the Kid/Lil’ Wayne
    beef from getting hotter?

    W. Ketchum III: Honestly, I don’t even see the beef going anywhere. For one,
    Gillie The Kid probably doesn’t even have a problem with
    Wayne
    – he’s just out to get publicity.
    I mean, to me, he doesn’t even have a
    reason to be mad for not getting credit; that’s what ghostwriting IS – writing
    for someone else without getting credit.
    Now if he didn’t get paid, then
    that’s a different

    story. And Wayne
    is handling it perfectly by just saying,”Who? What Kid?” Because
    dissing him will only give him more shine

    On Big Boi vs Andre 3000(?)…

    W. Ketchum III: But nowadays, nobody’s getting along….even Big Boi and
    Andre 3000 seem to be on different pages for the new album.

    K. Clark: I know. That’s a sad state of affairs for the rap game. Especially
    knowing how much the public loves that duo. Don’t know what’s Dre’s problem?
    Sippin’ too much moonshine, still sniffing that Badu

    poison or something?

    W. Ketchum III:
    Yeah, it’s almost like Dre doesn’t even want to make money from the album,
    because what better opportunity is there than to go on Oprah? I would say that
    I only cared about the final product that they put out, because they have such
    an established fanbase that promo issues and differences can only mean so much.
    But still, i’d like to see them continue to work together. They haven’t made a
    wack album yet, and they’re like eight LPs deep.

    And MAN, I thought it was just me! Why does Erykah Badu – bless her heart, cuz
    I’m a huge fan – have to fuck up every guy she goes with? I swear that Common
    was just rocking clothes he made from tearing apart his couch for a minute, but
    he’s better now. It’s almost like Dre never snapped out of it…but he was
    always sort of out there, Erykah just brought it all out.

    On M.O.P. finally dropping an album and the future of the G-Unit…

    K. Clark: Right. Not even M.O.P. can say that. They’re too busy trying to drop
    that Roc-a-Fella album to understand that they’re not even relevant to the
    game. No one cares if they’re G-Unit. No one cared that

    they were on the Roc. No one ever cares if they pic up the mic again…except
    for those cats who live in Brownsville.
    (And I’m a fan of M.O.P. for the record)

    W. Ketchum III:
    Yeah, that was really odd of them to put out the

    Roc-A-Fella album. Too bad it couldn’t have been put out when the Roc still

    mattered. I’m sure it’d be an interesting listen, though, just to flash back to
    that whole Roc-A-Fella sound. But on a different note, I’m not even mad that
    M.O.P. signed to G-Unit…they’ve really paid their industry dues for a while,
    so to me, they deserve to reap some of the monetary benefits and the exposure
    of being on a major label.But do you think the album will ever come out?

    K. Clark: Nah. Not with everyone questioning 50 Cent. I mean duke has drop
    asstastical bricks from everyone in his crew. His glorified bodyguards and weed
    carriers can’t even amount to half of his success from “Get Rich or Die
    Tryin'”.

    W. Ketchum III: Lloyd Banks’ and Young Buck’s albums were both hard though,
    and Game’s was dope while he was there. And even though Tony Yayo’s was garbage
    and Mobb Sleep’s was disappointing, the movie soundtrack was still dope…all
    in all, dude has only had two weak efforts since around 2003, which isn’t bad
    at all.

    K. Clark: You forgot about Olivia and Beg For Mercy

    W. Ketchum III: Olivia never came out, and Beg For Mercy was dope,
    especially as a forum to set up Banks and Buck.

    On Xzibit stepping out of Pimp My Ride and back into the booth…

    W. Ketchum III: But you know who else gets hated on a lot? Xzibit…I’m
    actually looking forward to his upcoming album.

    K. Clark: Xzibit will have a hard time trying to break that baby-face MTV role.
    This album better be “At the Speed of Life” all over again.

    W. Ketchum III:
    It’s sad, too. His last joint, Weapons of Mass Destruction, was a really solid
    album. And unlike a lot of other artists who have made the mainstream
    transition, I really think that X still cares about his music and how people
    react to it. Honestly, to me, his albums are the best he offers. He doesn’t say
    corny ass jokes on his albums like he does on Pimp My

    Ride.

    K. Clark: Good point, good point — let’s just hope that the jokes remain
    corny and the album is on point. If it doesn’t work out for him — he can
    always try to get down with Kanye and U2.

    On Kanye West being an industry hustler…

    W. Ketchum III: Man, Kanye’s a hustler, period. He doesn’t CALL it
    “hustling,” but that’s exactly what it is. He goes from The Game to
    John Mayer without breaking a sweat. AND he’s mastered the art that has been
    previously honed by Ludacris, Eminem and few others – the ability to say the
    wack line but make it sound dope (i.e. most of  “Number One”
    with Pharrell).

    K. Clark: Don’t get me started on that wacktastical song, Ketch. But you’re
    right. Kanyé-to-the is on some other ish right now. He’s able to dabble between
    the blurred line of mainstream and backpack chic. Dame Dash said in XXL that
    duke was an accessory to the Roc — now he’s the franchise.

    W. Ketchum III: Exactly.

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