Jesse Fairfax

Review: Maino Keeps It Predictably Grimy With “Party & Pain”

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Review: Blu & Exile’s Bronzed With “In The Beginning: Before The Heavens”

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Review: Rapsody Makes Her Elders Proud With “Laila’s Wisdom”

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Review: Tyler, The Creator Finally Makes An Album You Don’t Have To Defend With “Flower Boy”

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Review: With “Big Fish Theory,” Vince Staples Swims Laps Ahead Of Convention

Jesse Fairfax 19

Review: Faith Evans Makes Lemonade From Lemon Zest On “The King & I”

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Review: Brother Ali’s Good Fight Continues With “All The Beauty In This Whole Life”

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Review: G Perico Hits His Stride With 2nd LP, “All Blue”

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Review: Kendrick Lamar’s “DAMN.” Pads His Generational GOAT Status

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Review: Freddie Gibbs’ “You Only Live 2wice” Serves As An Excellent Warm-Up

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Review: GoldLink Honors D.C.’s Good, Bad & Ugly With “At What Cost”

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Review: Rick Ross Proves His Blueprint Is Teflon With “Rather You Than Me”

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Review: Ill Camille Turns Pressure Into Diamonds With “Heirloom”

Jesse Fairfax 9

Review: Problem’s Run As Mayor Of “Chachiville” Goes Uncontested

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Review: Dom Kennedy Flatlines Again With “Los Angeles Is Not For Sale Vol. 1”

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Review: No Mos Def But Yasiin Bey & Ferrari Sheppard Deflate Expectations With “December 99th”

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