Now THIS is the wavelength I’ve been wantin’ for them to vibe on. I know it’s hard to put this type out on majors,, but I’ll be damned if I ain’t been waitin’ none the less.
I hate when ppl say oh he just evolved shut up he evolved into a bitch who does tours with Rihanna do a tour with obie trice or something u fuckin sell out
Admit it, you would make pop music and tour with Rihanna to be as filthy rich as he is for doing that shit.
He didn’t sell out, he grew up and changed, people do that. His beats aren’t even pop if you actually listen to them. The only remotely pop beats are the singles with the female features.
I’m sick of everybody bashing his recent albums when there is literally nothing different about them other than the maturity. He is literally making commercial relevant music the same way he always has. Just because he’s got women on his tracks instead of some “homies” jeeeeeeeeeez.
I also find it weird how people will diss the hell out of him featuring girls but are all for having like 5 dudes on a track because female features are “gay”
how the fuck does that make logical sense? I aint saying those pop singles aren’t for girls and aren’t corny as hell but you’re ass backwards if girls being present turns it gay and more dudes doesn’t.
I’d love to see Em on some proper beats, but there aint really anything wrong with his beats now.
Face it, he’s featured women and made pop songs forever.
Stan, Superman, Haillie’s song…
The whole Curtain Call hits album is basically fucking pop.
Just because he doesn’t have that old basic raw production that he used to.
You people seem to know nothing about business and how to sell and survive in the music industry. It takes growth and appealing to the masses in order to do it on the scale that he does it.
Not every song or beat requires a rapper to “black out” or “kill” a track. There’s a reason why Crook has been in the game since 98′ and just put out his first album last year…smh. Ciphers, freestyling are his strong points. Crafting songs is not! Listen to Joell’s Royce’s and Joe’s approach to this song and listen to Crook. It’s like listening to two different songs.
Crooked does always sound like he’s battling somebody, he’s just like the rest of Slaughterhouse when it comes to that braggadocious style and he suits it well. You can hear the hunger and hard presence that he brings but he still sounds smooth as fuck on a track.
Also agreed with the other comment. Crooked is a lyricist but he sucks shit at crafting songs really. Although his album was actually decent. You can tell he knows what he wants his album to be like but I think the rapping alone is his strongest suit. I think if you asked him to do a whole album completely by himself with full creative control and nothing more than a stack of beats and an engineer I think he’d kinda struggle to lay it all out and structure it. I think he’d just write verses and lay them on the beats and be a bit stuck with where to go from there.
I rather listen to riff raff than listen to this shit
u dont know shit
this kills every single song off our house
by the looks of it glass house going to be exactly what real slaughterhouse fans want
Anything Riff Raff does drops an aquaberry bomb on this bullshit and blows it up into shark tooth fragments for his new grillz….suuuuuuuu
Notice how his name is Troll
royce back in his niche
if house slippers is better than glass house it just proves what the mainstream labels do to rappers
True Story
Dope! SLAUGHTERHOUSEEEEEEEEEEEEEEEEEE!!!!!!!!!!!!!!!!
Its been a while since they came correct Nice
Now THIS is the wavelength I’ve been wantin’ for them to vibe on. I know it’s hard to put this type out on majors,, but I’ll be damned if I ain’t been waitin’ none the less.
Why not just say featurin slaughter house?
Why not just put Slaughterhouse – Brother’s Keeper
Because its from Joell’s solo album.
Because technically it doesn’t feature Slaughterhouse just because the whole group is present.
Technically speaking it’s Joell’s track and the rest are features so that’s why. If it were a Slaughterhouse track it’d be labelled as such.
house
continually unimpressed…i have a feeling the whole glass house album is gonna be about how they love each other lol jesus they were so nice in 08
they were dope then but i have more faith in glass house than our house
This isn’t on Glass House dummy
Remember when Eminem used to spit on beats with that nasty base line? Before he turned to those shitty pop beats.
you mean actually expanding? dammit em we all hate you because you decided to evolve.
Yeah, fuck those new beats and rihanna or other pop bitches singing his hooks.
I don’t have a problem with ‘expanding’ or ‘evolving’.
I do have a problem when its lazy and sounds like shit.
Marshall needs to get back with Bass Bros
I hate when ppl say oh he just evolved shut up he evolved into a bitch who does tours with Rihanna do a tour with obie trice or something u fuckin sell out
Admit it, you would make pop music and tour with Rihanna to be as filthy rich as he is for doing that shit.
He didn’t sell out, he grew up and changed, people do that. His beats aren’t even pop if you actually listen to them. The only remotely pop beats are the singles with the female features.
I’m sick of everybody bashing his recent albums when there is literally nothing different about them other than the maturity. He is literally making commercial relevant music the same way he always has. Just because he’s got women on his tracks instead of some “homies” jeeeeeeeeeez.
I also find it weird how people will diss the hell out of him featuring girls but are all for having like 5 dudes on a track because female features are “gay”
how the fuck does that make logical sense? I aint saying those pop singles aren’t for girls and aren’t corny as hell but you’re ass backwards if girls being present turns it gay and more dudes doesn’t.
I’d love to see Em on some proper beats, but there aint really anything wrong with his beats now.
Face it, he’s featured women and made pop songs forever.
Stan, Superman, Haillie’s song…
The whole Curtain Call hits album is basically fucking pop.
Just because he doesn’t have that old basic raw production that he used to.
You people seem to know nothing about business and how to sell and survive in the music industry. It takes growth and appealing to the masses in order to do it on the scale that he does it.
bars
Lookin forward to Glass House
Crooked I
DAMN that beat goes HARD!! They all killed it. But Royce fucking destroyed it!
“BACK ON OUR OLD SHIT JUST LIKE NINO BLESS IS ON IT”
THEY COMING BACK. GLASS HOUSE IS GOING TO BE THERE BEST WORK
SLAUGHTERHOUSE ALWAYS DOPE WHEN THEY MAKE RAW HIP HOP NOT POP SHIT. DOPE TRACK
SO FREAKIN DOPE!!!!!!!
Crook and Budden went INNNN!!
nice…
Solid track. Can’t stand Crooked though. Always sounds like he’s battling somebody.
Hungry that’s called
some ppl like the crooked flow some ppl like that drake little girl flow its just the way it is I guess
Not every song or beat requires a rapper to “black out” or “kill” a track. There’s a reason why Crook has been in the game since 98′ and just put out his first album last year…smh. Ciphers, freestyling are his strong points. Crafting songs is not! Listen to Joell’s Royce’s and Joe’s approach to this song and listen to Crook. It’s like listening to two different songs.
Bullshit! He’s got the best flow in Slaughterhouse!
he got the best flow in slaughterhouse nowadays
royce held the crown the first album
Crooked does always sound like he’s battling somebody, he’s just like the rest of Slaughterhouse when it comes to that braggadocious style and he suits it well. You can hear the hunger and hard presence that he brings but he still sounds smooth as fuck on a track.
Also agreed with the other comment. Crooked is a lyricist but he sucks shit at crafting songs really. Although his album was actually decent. You can tell he knows what he wants his album to be like but I think the rapping alone is his strongest suit. I think if you asked him to do a whole album completely by himself with full creative control and nothing more than a stack of beats and an engineer I think he’d kinda struggle to lay it all out and structure it. I think he’d just write verses and lay them on the beats and be a bit stuck with where to go from there.
Fire!!
#stopmytime
lol…#stopmyfuckingtime!!!!
of the hook
ROYCE N CROOKED I ASSASSINATED THIS SONG
Eh…not impressed, but i’ll take it. The production sounds outdated but it did the job I guess. Solid bars
Skills are outdated huh? U just programmed by program radio. U out of your fu-ckin mind.
YESS!!!!!!
Bullshit! He’s got the best flow in Slaughterhouse
this kills that free agent album
5/5
Are You MY BROTHER”S KEEPER?????
Am I your Brothers’s Keeper??
Somebody give Joe his last 10sec on that verse,thats easy WORK!!…..#Jumpoff
HipHop man!shit to blasts in my car for real
Doing the same thing every other mainstream artist is doing is not “evolving”. Em should of featured on this
every mainstream evolves … thats exactly what i dont want
slaughterhouse evolved on our house
this song them going back to what the hardcore fans want
or its joell letting the slaughterhouse lose on a independent label
Classic Slaughterhouse, errybody at the top of their game and the beat holds up the whole track
Keep it up
best slaughterhouse song in a while
since before our house
The hook is wack as fuck. Beat is meh. Still spitting though!