Drake f. Nicki Minaj – Make Me Proud (CDQ) [Prod. T-Minus]

    https://media.hiphopdx.com/old/singles/20111014-Drake_feat_Nicki_Minaj_make_Me_Proud_CDQ-HHDX.mp3

    CDQ version with official artwork of some more “Take Care” fodder featuring the Young Money homecoming King & Queen.

    469 thoughts on “Drake f. Nicki Minaj – Make Me Proud (CDQ) [Prod. T-Minus]

    1. first fuck all the haters i love drake he’s the best plus he has a big cock and i love sucking his cock because he’s drake and he’s awesome yes

    2. LMAO! Whats with the love duets? this shit corny yo! But its all good coz after this album, drake leaving young hunnies and becoming a real man. I cant wait for it to happen and see the tears dripping from all these fake ass young hunny fans. GUNIT fanbase >>>> Young Hunnies fanbase. It’s the Unit bitches!!!

    3. i heard drake and nicki minaj hire hookers to come and party and they get them drunk. then drake cuts off the clits of all the hookers and fries it on a pan, making fried clit sandwiches.

      also, dj khaled plucks out his pubes and puts his pubes in his dickhole. then he tries to pee and the pee gets everywhere and all over his thighs because of the pube blocking his dickhole.

      lil wayne once had an orgy with the OMG girls and he took a shit in t.i.’s daughters vagina and scooped it out with a spoon and fed it to his daughter. t.i. got mad at wayne so he rolled up a booger thin and long like a blunt and made lil wayne smoke it. after he smoked it, lil wayne turned into shawn kemp and dunked on shawn hunter from boy meets world

    4. Seeriously people think this is good?.. wtf… “Im a star… Sheriff Badge” … Like are you fuckin kiddin me? 1*

    5. Drake is so corny with his weak vocals. As always Nicki Minaj always bodies this dude on a record. The hook is catchy I’ll admit but I’m not into R&B rap so….

    6. i heard drake and nicki minaj hire hookers to come and party and they get them drunk. then drake cuts off the clits of all the hookers and fries it on a pan, making fried clit sandwiches.

      also, dj khaled plucks out his pubes and puts his pubes in his dickhole. then he tries to pee and the pee gets everywhere and all over his thighs because of the pube blocking his dickhole.

      lil wayne once had an orgy with the OMG girls and he took a shit in t.i.’s daughters vagina and scooped it out with a spoon and fed it to his daughter. t.i. got mad at wayne so he rolled up a booger thin and long like a blunt and made lil wayne smoke it. after he smoked it, lil wayne turned into shawn kemp and dunked on shawn hunter from boy meets world.

    7. first fuck all the haters i love drake he’s the best plus he has a big cock and i love sucking his cock because he’s drake and he’s awesome yes

    8. LMAO, I don’t hate Drake but I have never seen why the internet and the industry blow this guy so far out of proportion. Drake fell off after Best I Ever Had and that was not quite epic. This here is mediocre at best, but you will not be able to turn on the radio without hearing this mess.

    9. THIS JOINT OFFICIAL IF YOU GOTTA CHICK THEN YOU COULD RELATE TO BEING PROUD OF YA GIRL, HIPHOP WAS NEVER A GENRE OF ONE FORM , YOU GOT STREET SONGS, CLUB SONGS, AND POLIICAL SONGS , JUST APPRECIATE HIPHOP YOU HATING CHUMPS

      1. nah man im a fan of drake but this is weak maybe it will grow on me but i doubt i. sounds like a song he would make on his r&b mixtape

      2. B WHY CORRECTING THINGS IF YOU KNOW WHAT IM TALKIN BOUT . BUNCH A ENGLISH TEACHERS ON THIS SITE, DAMN BUT IM SO IM SO IM SO PROUD OF YOU THOUGH
        LOL

    10. dis sounds like a for sure radio song dats gonna help make dat buzz for Drake’s albulm even more powerful…smart move by YM becuz love it or h8 it, they’re one of the few labels actually still selling millions of records

      1. nigga you sound bitter. what does this have to do with cole. god damn. why you gotta spam drake posts to promote your mans? times is hard huh

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    13. how are yall not feelin this…im feelin it….say what you will about Drizzy…Kid can make catchy records
      and for those that dont know…lemme educate yall

      Catchy records = $$$$$$$

      Making substance records is all good, but if they aint catchy then theres no point…music has to stay in your head to make a message

      1. lmao..thas exactly what it is.. this joint is coo for what it is tho..but NOTHING compared to what I just heard from Slaughterhouse..Em woulda killed that shit too

    14. bEST HIP HOP SONG EVER MADE EVER…. WAY BETTER THAN ANYTHING..IM SO PROUD OF YOU..THIS SI REAL GANGASTER RAP

    15. i was YMCMB fan but I AM BORED YMCMB NOW..ALL THEY GIVE US ARE AVERAGE SONGS..OTHER RAPPERS GO HARDER MAN COME ON.. WE BORED WAYNE DRAKE NICKI.. HEADLINES SONG IS YOUR HIT SONG NIGGA? COME OOON.. HOW TO LOVE AND SHE WILL YOUR HIT SONGS NIGGA? COME OONN..EVEN NICKI GO HARDER THAN YOU GUYS

    16. Nobody can listen to this and not say that the chorus is not fire and that Nikki didnt do her thing…buuuuttt its more of a raw ass nikki track then it is something that needs to be on Take Care…hopefully this is a bonus track

      1. “nobody can not say its not hot?” that means its not hot.

        next time just say what you mean instead of trying to be clever and forgetting what ure trying to say

      1. LOOOOOOOOOOOOOOOOOOOL Are you being serious? Drake isn’t even that lyrical.. but of all his songs.. you say this is lyrical..? LMFAO

    17. I mean no where near as good as club paradise or headlines….hopefully its just a bonus track but still drizzy so yall know yall gonna hate either way. 5 to balance out the hate

    18. Drake being a pussy jew as usual and nikki spitting that garbage kindergarten flow again..what’s wrong with these YM cats son, ‘im not a star, sherrif badge’ get the fuck outta here

      1. You’re a f*ckin idiot. Look at the picture and tell me…….. You’d know what the face of someone takin it would look like. Dummy

    19. drake aint no boss nigga was a actor be4 all dis rap shit came to em…and this singing shit…aint no boss singing bra

    20. Love Drake. Hate Young Money.

      He makes these great songs and lets people like Nicki Minaj ruin them.

      “I’m a star, Sheriff badge.”

      1. If drake was with any other label his music would be even doper. Since he’s with wayne its all auto tune bullshit singing. Drake does his thing on this one though

    21. how is this whack? punchlines on point, actually rapping about a point, chorus is good everything is just amazing, funny when you on top the hate comes with it

    22. I like this track. Many people are trying to keep Drake in a box but this dude is making his own music. Music is a form of art and shouldn’t be limited. 4 stars by the way.

      1. good call, collabos with the same ppl get boring/annoying/old after a while. This song wouldve been better if they left nikkis wack ass off it in the first place If i never hear another wayne/ross/drake/minaj collab id be perfectly happy. Oversaturated with them.

    23. GOOD MUSIC…HATE IT OR LOVE FOOL’S
      DONT SPEND TOO MUCH TIME HATING
      PUT SOME WORK IN AND STOP KNOCING A NI**GA’S HUSTLE..
      REAL TALK BI***********

    24. “im a square…. cardboard box” is going to be one of nikkis hard-hitting punchlines in the near future lol. Call me a hater all you want, but nikkis presence on this song destroys what would otherwise be decent jam, her voice makes me want to rip my fuckin eardrums out

    25. YALL NIGGAS WILL GIVE MR.NICE WATCH 5 STARS BUT GIVE THIS 3 STARS. WHEN THIS SONG HAS BETTER STRUCTURE AND EVEN MORE MEANING.

      1. I doubt he will sell that much and even if he out sells J Cole does not make him a better artist than J Cole. Substance and lyrically J Cole is head and shoulders above Drake.

        Oh and how do you even mention J Cole without stating how Drake just used the same cadence and flow from Can’t Get Enough

      2. thank uu ever since drake left tht so far gone real shit h stick his dumbass in mainstream to the fullest

        COLEWORLD

    26. Too many Hip Hop purists who dismiss atists because they have success. Not everybody needs to be the best rapper ever, this is just good music.

    27. stop that bullshit bout him taking j.cole’s flow from cant get enough. it sounds similar at parts but it’s different. i’m a cole fan too but even he borrows flows…he has pac’s flow.

    28. meh drake did his thing, i liked Up All Night better. I’m sorry though Nicki is just way too corny for me. Punchlines are on some elementary level.

      1. haha nigga never say never this track a all the way whack but it ant all that great think he should stick to RnB cuz thats the only good part of this song wen he sings and nikki sings this song does not compare to UP ALL NIGHT they could have came way better than this specially for a sophomore album come on u gotta keep the fire burning hope this is a throw away track and not make the album

      1. you losers are so obsessed with “flow”, no one owns anything, this is hip hop, NOTHING is original, you gotta go back to the 80s to find that shit…

      2. you cant be serious Drake had this flow way back on comeback season. So if anything j cole got it from drake. Drake had jay verse first Drake had sex with rihanna cole still dreamin about that Drake sold more albums in his debute drake had a major tour first you get the point?

      3. what point did u make? he got more money than Cole haha 1.I never said that cole had more money 2. I cud give a fuck about how much money either one has 3. nigga did u get butt hurt u fucking groupie i hope u are females 4. Straight the fuck up Drake Jocked the style and its clearly noticeable name one track on the comeback season that had that flow cuz i have that mix tape 5. Drake did the same shit with big sean when he started doing that lost in the money cm find me – Nemo and drake even admits that he copied it 6. all I was stating is that I cosigned what the guy had said about its the same flow so at dadude i hope u a female and 7.wtf does the touring got to do with shit drake road the LIL wayne bandwagon and came in at the perfect time when wayne was hot if u niggas u knew he came in the game as Aubrey from degrassi and had no cosign with wayne y’all would have talk shit on him on a daily so don’t get it twisted niggas he said it himself he’s the will smith of this rap shit nigga was an actor and still is acting J Cole on the other hand what help did he get really think about it Jay Z didn’t put him at the front point this nigga sold 200 thousand without having a single on the radio without having a major world wide tour and very little media exposure so what does that tell you REAL RECOGNIZE REAL only females buy drake albums cuz that who he raps for and that aint a bad thing but for u as a man to catch feelings makes me think u wear the lil wayne leggings

      4. AT DADUDE—- did u really say drake had sex with rhianna and J Cole is still dreaming about it hahahaha I bet if drake told u to suck his dick u let him go balls deep haha

      1. depends what u going for if u want a club song definitely drake if u want a song about killing and selling drugs definitely Meek Mill if you want a song about real life and the troubles and struggles people go through on the daily definitely J Cole so the whole Drake> J Cole needs a lot more explaining as to what your comparing them for cuz a radio friendly song Drake won that but a song that got feeling and heart in it J Cole without a doubt got more on drake go listen to J Cole- show me something

      1. that’s what i thought too…but i can’t place who he’s biting. but when i heard this i definitely thought “this flow sounds familiar”

    29. average……not super tight but Average…drake is getting too predicable…switch up or fade out…The game is changing back to lyracism ruling things instead of the pop hop bullshit on the radio. I miss the old Drake,but cant live in the past. But it seems like Drake can.

      1. this song isnt lyrical is what youre saying? lol, what more do u want? plus, who do you think made it cool to be lyrical again? Drake, Kanye, Jay Z, the dudes that sell records and get on the radio and reach the masses…ya, you just been schooled, lol.

      2. ^^^ nahh you bout to get schooled…Kanye and Jay-Z aren’t the ones making lyricism cool again…the Shady 2.0 camp is the ones doing that. Kanye is just lame punchlines now, he was more lyrical on his older albums…the majority of Jay-Z’s music is about swag and money now too. i like all the rappers named, but to say they’re responsible for bringing lyricism back is completely wrong. Slaughterhouse, Yelawolf, Eminem…dudes like that are the ones bringing the lyricism back. i will give it to Drake tho cause he can be lyrical, and he’s always honest in his music regardless of how people say he’s emo, he’s being real and truthful

      3. to add to the guy above me it aint really that there bringing it back they all been lyrically for awhile now they just getting attention I think it was a smart move by marshall to do hell the sequel cuz anything with em reaches the masses and that just got slaughter house more fans and that cypher helped out definitely but to say that its been missing it hasn’t a lot of rappers to this day stayed lyrical just the attention aint there no more like fabolous, llyod banks, Method Man, Juelz Santanna, Lupe, Hopsin, Jay Z when he wants he know he can be lyrical, but he’s 40 plus and does not need to prove himself lyrically so he dumbs down his lyrics to push units because the lyrical route don’t sell to well look at nas or Big Boi from outkast when he dropped his album that shit i don’t even think hit 100 thousand but its nice to hear the lyrics getting attention but i really think rap is in a downfall

    30. WOW.. I thought Mr. Nice Watch was shit.. but this is just… LOL… BTW I’m a fan of Cole and Drake.. so don’t jump on my back YMCMB groupies..

    31. Song was awesome… until the “im so, im so” part… then Nicki starts and its only down hill from there. Coulda been a top notch tune.

    32. You know the bottom line is that these cats make records that people like and move the masses…ain’t nothing wrong with that plus they manage to mix the best of both worlds by throwing in some lyricism and some raw emotion!!!

      1. stupid post….do you like hip hop because of the quality of the music or because you can grab on to these fools nut sacks while u watch them make money on shit that sounds the same and require less skill…aint no emotion in this shit and lyricism is basic…people like u and it seems the majority of “hiphop” fans are ruining a good thing..People are KILLING IT right now Black Hippy, The whole StatiK Selectah posse, Jay Electronica coming soon, Slaughterhouse is coming soon, Lupe is coming soon.

      2. who determines “skill?” you? who wrote these mythical guidelines, and why are they not malleable? and it’s really not hard for most to write like those underground heads after they’ve immersed themselves in hip-hop for a few years … what separates mainstream artists/underground artists from the average joe making a club song or a socio-political/horrorcore riddled with multisyllabic schemes is their delivery, their cadence, their mastery of flow … one form’s not easier than the other, they both require certain skills sonically, hip-hop should be about a diversity of sound …

      3. anonymous #3- There is no diversity in mainstream music. You went ahead and listed the difference with radio-standard hiphop only to prove my point. So what the fuck is so creative about a club song that requires elevated skill? You rap about the same thing all the time…not hard and always gonna use the same lyrics..if your saying you’re not capable of writing this song i would call u retarded. And: ” what separates mainstream artists/underground artists from the average joe making a club song or a socio-political/horrorcore riddled with multisyllabic schemes is their delivery, their cadence, their mastery of flow” no thats what separates ARTISTS in general…and you forgot to mention lyrics probably the most important one

      4. lool; buddy, if you think that you could write and construct a top 40 hit right now, then by all means go for it … and if you’re approaching this matter from that vantage point, then hell, if you can’t write like vinnie paz or budden or crooked i, then you probably struggled with grade 12 english … of course i’m being facetious, but that’s the fallacious argument you’re presenting my dude, and underground rappers also talk about the same shit, it’s just presented in a different manner — politics, attacking an imaginary person with violent words, talking about the drug trade … it’s banal too, and you can denigrate the legions of “underground heads” who rap about the same material as well … lyrics are only one part of the equation; this is not poetry, it’s music, you have to pay attention to the sonic element of hip-hop … what sounds better to the ear is an imperative as well, and that’s why so many rappers are inherently flawed from a musical standpoint

      5. … and also, I was referring to a diversity of sound within the genre, as in variance in terms of subject matter across the spectrum of hip-hop, from the underground to the mainstream …

      6. 1)Yes I believe I can construct a top 40
        2)Of course there are “underground” rappers who rap about the same things as mainstream artists and yea they preset it in a different way. Thank you…thats the point. I never said lyrics were THE most important characteristic of a skilled artist, but you must be delusional if you think Drake or these young money cats have the capacity to be in the same room as the best.
        3)The sonic element of hip hop …lol..dude thats the forefront of my argument. Mainstream Hiphop has little…very little sonic diversity…proof-turn on the radio.
        4)No you’re are wrong. Hiphop is poetry blended with instrumentation…and has been since day one.
        5) What sounds better to the ear is imperative. Agreed. Back to the main point before you verbosely twisted my argument. I’m gonna go out on limb here and say those who are musically inclined see past the bullshit that most mainstream rappers feed he public. Not to say its ALL bad. Just saying that there’s alot of dickriders who would rather accept the corporate(labels,radio play,marketing) opinion good hiphop rather than have the balls to dissect it for what it really is.

      7. While both you cats twist eachothers arguments up take the bullshit for what it is, soon to be radio driven hype becoming popular because its the new drake and nikki. Has nothing to do with lyricism, creativity, or originality. You need some REAL muscle to get some out-of-the-box so-called “real hip hop” through the airwaves not to mention NOBODY WANTS TO LISTEN TO UNDERGROUND HIPHOP ON THE RADIO THE HIPHOP YOU ONCE KNEW TO BE MAINSTREAM HAS DISSIPATED AND WILL NEVER RETURN ITS JUST THE FACT OF THE MATTER.

      8. 1. No, you can’t write or construct a top-40 hit; that brand of delusional and obstinate thinking is why nobody takes hip-hop elitists seriously.

        2. No, I said there are underground rappers that are banal in their own right, not that their lyrical content is analogous to that of mainstream artists. Again, a group like Slaughterhouse brings nothing thematically to endear themselves to the general public. The lyrics serve no purpose; who are you a fan of? They often abide by a different type of blueprint – not one of girls and the club, but one of shock value and the streets. It’s reconfigured, but it’s the same crap.

        3. LOL, mainstream hip-hop has about as much sonic diversity as underground hip-hop; again, it’s how you choose to look at it. If you’re providing commentary in hip-hop as a whole, then cool. Otherwise, this is an ideal example of premature closure, and your own tunnel vision is precluding you from seeing the bigger picture: Slaughterhouse, Ras Kass, Canibus, JMT, AOTP etc. etc — their sounds are all very similar.

        4. Haha, now I see where you’re coming from. Conceptually, the whole “poetry mixed with instrumentation” is a retarded argument, otherwise, hip-hop would be spoken word over a beat. It’s not, it’s changed. This is the product of its evolution; it’s being taken seriously as a form of music now, so it’s about time people treat it as such.

        5. My dude, I ain’t trying to twist or distort your argument. Your argument is twisted to begin with. ANYBODY musically inclined would see the limitations of underground artists and their formulaic ways. Honestly, there are a lot of elitists who would go with the contrarian mindset rather than actually critically analyze music for what it is, and not pay attention to the “mainstream” or “underground” titles. Essentially, there’s enough bullshit in the indie scene as well. People on the web actually think Budden – who uses some of the same conceptual premises as Drake – is the greatest rapper ever. Fucking smh.

      9. The fact that you are trying to downplay lyrics that have to deal with the reality of the streets to hold the same value as rapping about pussy says plenty. I personally don’t think so and I will also reach and say ALOT of people don’t think its the same crap(if you think that’s the main element of underground music). Its funny you say this, while at the same time I think the general public think SlaughterHouse dominated the BET cypher and entitled them to receive more hype. You say lyrical skill holds no importance?? I’m not even a fan of slaughterhouse like that but you for some reason you seem to bring them up(like 5 times now).

        I’m not gonna argue why I say Mainstream hiphop has no sonic diversity…its self explanatory. Whatever sounds like the last hit is the formula for every other hit hit for the next year. If you can’t see that..then I’m not gonna bother. And good job at naming artist who sound alike in the “underground”. I don’t like really putting the tag of underground on artist who aren’t usually on the billboard as underground, but who gives a fuck if they sound the same because, IJS, if those are the parameters of what makes an underground artist, I think the amount of rappers in the underground far outweigh the amount in the mainstream by like 1 to 100. So this is in no way surprising.

        Oh raps not poetry???!!! lol…so my bad I had it all wrong for 20 years. Spoken word must be the only form of poetry then, right??? So then rhyme, metaphor, similes hold no place in rap anymore…please enlighten me?? A spoken word artist would be someone like Saul Williams(sometimes). Rap/Hiphop is definitely more than spoken word.

        yo, did you just say: “ANYBODY musically inclined would see the limitations of underground artists and their formulaic ways.” To me underground artists keep that tag because they most of the time don’t conform to the media’s norm of music.
        Mainstream music in essence is entirely about following a formula, they don’t even try to hide it. Please explain this. SMH.

        I do not think Budden is the greatest rapper..Not even by a long shot. Is he dope ..yes..doper than drake …yes. Lyrically and stylistically Budden is better, since I guess I have to defend Budden. Why do you incorporate rapping about the same subject matter as being on par to the next rapper?? Excuse me if im misunderstanding, but to me thats what you are saying…anyways..Drake is a decent lyricist and an appealing artist in ways, good flow, but I dont see what separates him from the crowded pool of rappers other than his young money label.

      10. p.s..I can see it now

        Drake: “Yo t-minus, I need a track for the clubs again one that’s gonna hit em’ like Im On One.”

        And this is the result..Have you even realized this song has the same fucking chord progressions as Im On One..Sonic Diversity for you…and how long ago did i’m on one come out???..nigga please!!!

      11. Damn, youre keen on this, eh? First off, youre not going to dissuade me in the least bit, and well never agree on this issue. Again, you and people of your ilk are not arbiters of hip-hop, nor can fans truly establish parameters for an artistic endeavor. This seems unnecessary, but I will respond

        LOL, the reality of the streets? Come on son, how many people listening to hip-hop are truly marginalized or disenfranchised these days? Music is about universality, and honestly speaking, that type of shit only relates to a handful of people. Problems with females? Thats a lot more pervasive, a universal theme that commercial rappers explore through their own personal lens. If you cant understand that, then that says plenty about your social life (just kidding). And hey, you know what? I can reach too. I think the vast majority of hip-hop fans can appreciate this sound and this vector of hip-hop. I used to live in the ATL for a minute, this is the type of sound that encapsulates their lifestyle, and any head down in the South would reiterate that. Please dont take underground fans on sites like DX as a generalizable sample of the entire hip-hop fan diaspora. Thats exceedingly short-sighted. I bring Slaughterhouse up because Im a fan of Ortiz. Together, however, they offer nothing BUT their lyrical ability. Again, thats why they irrefutably destroyed the cypher, and Budden shined because of his lyrical range, which is amongst the broadest in the entire scene. A cypher is a perfect platform for artists such as Slaughterhouse to showcase what makes them great. Wayne on a cypher? Would probably be mediocre at best in terms of making music that the niggas will vibe to at night? The opposite would hold true, no?

        LOL, logical fallacy again I wont explain why, it just is damnit! Underground rappers are just as guilty of whatever youre accusing the mainstream cats of. They follow a blueprint, its a systematic process, where they all talk about the same subject matter and string together schemes that are either irrelevant, mean nothing, or are unoriginal. They operate within a rigid framework themselves, and are limited by their inability to think outside of the box. The great artists the Jays, the Nas, the Kanyes are able to bridge the gap. Mainstream acts and underground acts lie at the two poles.

        No, again, rap is a form of music, first and foremost. Lyrics a brand of poetry are a part of most contemporary musical genres. But thats just one element in a constellation of factors that underground rappers often disregard. Thats what I was getting at. Poetry is a part of rap, but they are not one in the same.

        Yes, again and again, Ive already done the clarifying but here: all underground artists arent brash rebels whove rejected the system and have chosen a different trajectory to honor their artistic integrity. Most of them fell into what they were doing because they couldnt make it or they determined that their sound didnt give them the agency to make it big. So they stuck to the age-old formula: talk about politics (on some conspiracy theorist tip), about conscious shit (nobody in the information age is looking at rappers to educate them on socio-political issues), string together schemes about their own superiority while disparaging an imaginary opponent (whats the point?), and so on and so forth. Its all unoriginal shit thats been done before. Thats why you hear these schemes come up over and over again the infamous Noahs Ark/Owen Hart scheme for instance, or some other Superman, Kryptonite punchline.

        Budden IS dope. Bro, Im just saying that people use hyperbole on the net and dont think about the prevailing issues at hand. Its not all about mainstream or underground. Thats the point. Also, maybe you have, but have you heard Drakes Comeback Season? Check out tracks like The Calm or Going in for Life, it may give you a different perspective on the kid.

        P.S.

        Lupe Just reads a new conspiracy theory about 9/11 and Building 7, reads a Wikipedia article on Occupy Wall Street proceeds to incorporate this into a song.

        Random white kid in Maine: OMG!

        Okay, thats sort of my take on the situation. Also, Im not saying that THIS is different than all of Drakes other radio singles. My stance was just commentary on the mainstream/underground divide as a whole Im also hoping that the rest of Take Care includes more tracks like Fear and less Make me Proud type of songs trust me, I see your point too.

      12. Ok Im going to put this to rest. We are pretty much polarized when it comes to this debate. So its kinda frustrating.

        How does it relate to the minority. America is at like an 10 percent unemployment rate and most people do not live the posh lifestyle that mainstream rappers rap about. Yes girl problems, like everybody really has a choice of a different hoe everynight or groupies following your every move. Sounds hella lame that you want to be involved so much in drakes love life, because I think we have a mutual understanding that that is all he raps about these days other than money of course. “Underground” music these days comprises of themes both good and bad (drugs,hoes,social oppression, racism, politics). Not everybody can relate to all of it, but it’s (the majority of the time) the truth and it helps people to see life through different perspectives, which is WAY more thematically universal than mainstream topics. Dont even try it.

        I live in the south, and have done so from elementary school. Thats absolute bullshit .There are bloods and there are real hood niggas who drug deal and so on…but what I realized is that ALOT of the people who really support this “vector” of hip-hop (Young Money, Waka, Gucci, ..so on) are mostly highschool teenagers, alot of them (white)products of suburbia. They seriously think wayne is the most talented rapper in all aspects. Why?? because the radio and the media only plays mainstream music. Slaughter house is capable of making club music. Again, club music is NOT hard to compose.Period. They stay in their lane and whats wrong with that. They’re being true to themselves. You said it before, drakes comeback season sounds NOTHING like his young money cuts. Get the point?

        “They follow a blueprint, its a systematic process, where they all talk about the same subject matter and string together schemes that are either irrelevant, mean nothing, or are unoriginal.”
        –bullshit…I can tell you listen to mostly the billboard top hiphop singles.
        This was addressed already in my …2nd paragraph, dont want to waste too many words on this…

        Really?? You just said rap has poetic elements, yet to you its impossible to call it poetry. once again bullshit.

        Like you would know if rappers decided to not sell out and switch to mainstream frendly rhetoric just because they could not make it.Actually, Rappers you probably don’t listen to like Mos Def, Talib Kweli, Lupe Fiasco, Murs..alot more are actively involved in Ocuupy Wallstreet. Also involved are alot of there followers. Its true that alot of rhymes are recycled but you act like nobody comes up with original metaphors or that that the subject matter is totally irrelevant..which once again is bullshit.

        As long as “underground”..music dont get heard it is about the two. And I dont get how I am a hiphop elitist. Mainstream Hiphop does have a place in society the problem is that through the media and Corporation all music does’nt have a fair chance. How could you debate that. Most people do not search for music they choose from the available. So were more like underdogs.

        And I don’t quite get the lupe scenario. So because Lupe sees some truth in an article and decides to incorporate it in his music he’s somehow punking different demographics??…whatever my answer is…bullshit

        This is not different than all of drakes other radio hits. Ive already stated the striking similarities between this and “Im on One”…same chord progression..remember the whole sonic diversity bullshit….i see your point too..drake can be a good artist.

      13. Homie, you don’t know me like that to tell me what I do and do not listen to. That’s borderline condescension, but since it’s coming from an elitist marred with tunnel vision, I’m not surprised. Please, don’t get into a socio-economic discourse with me, I won’t waste my time because this isn’t the right platform, but just realize that unemployment is not a predictor of marginalization. The “streets” — the one depicted ad nauseum in the underground — reflects a sort of romanticized ethos that very few actually experience. That brand and degree of marginalization is only found in certain slums (remember, “only” 8 of the roughly 40 million African Americans in the US live below the poverty line). Indeed, mainstream artists do go on that pretentious tip, talking about their opulence in a patronizing, self-indulgent sort of manner, but I see that as being equivalent to underground artists asserting their “lyrical superiority” while conjuring irrelevant imagery using nonsensical rhyme schemes. Again, in any event, lyrics can’t be understood on explicit terms, but their subtexts must also be critically analyzed. What you see as “money, drugs and hoes” can be perceived as a powerful evocation of equality from a generation of young black capitalists. Again, it’s all about interpretation. Beyond which, the themes that underground heads address can also be blatantly categorized into “social commentary” and “introspection” (the third category — that of “battling” — is reserved only for certain artists). Now look homie, I’m going through a formal education at one of the top 20 universities in the world, no need to pull the “teenage” card on me. Those real hood niggas you speak of are, again, the minorities. There are 800 000 gang members in the United States; so the South vibes to music for 0.002% of the population? No, again, that’s hyperbole, quit being so short-sighted. “Bullshit” and ad hominem attacks are not great points. Moving on, I said rap includes poetic elements, but calling poetry and rap one in the same is spurious. It distorts what rap has become. Now, rappers I don’t listen to? Homie, I listen to what’s good, not what any contrarian or mainstream head tells me is good. I’ve heard the entire gamut of artists you’ve listed, and think Lupe is extremely overrated. But come on, “Definition” is one of my favorite tracks. “Oh No” is my favorite track featuring Nate. Come on kid, I used conjecture to match yours, of course some people think of original lyrics, but this is the case for mainstream artists as well as underground artists. I honestly don’t think Slaughterhouse could make it in the mainstream — Budden tried and fucking failed. You need to be cut from a different cloth — that’s why Ye’s the best at it. The Lupe scenario is just to show you how formulaic he can get too; to incorporate current events is such a crutch, and to say them explicitly brings nothing to the table, you’re simply paraphrasing something. So that’s that, we agree to disagree.

      1. right finally sum one says the truth just cuz its drake the stans come out the wood works and get crazy fuckin zombies

    33. drake is falling off man, haven’t heard one good song from his new album. his verses are OK and beats are whack

    34. Song isnt bad, average verses, hook is catchy as hell though. You gotta admit he makes catchy radio tracks, everything i heard from his new album is radio friendly but the concepts are still real and not that cheesy. But him and 40 have the best chemistry hands down. Nicki dont do nothing for this track. And as for lyricism, i give it to the Shady camp, they proved that with the cyphers…now its cool to be lyrical again BECAUSE of them…

      1. srry bro but they didn’t make it cool to be lyrical a cypher is supposed to be lyrical period thats y its a cypher every one is supposed to let it rip

      2. sorry man but royce and shady camp and j.cole are throwing down lyricism and trying to bring the rap that 85% of us niggas love, used to love and still love tho this shit aint got it. i fucks wit some story telling real rap ya heard

      3. dude above me obviously never broken down a jcole verse properly, the dude spits dope as fuck rhyme schemes, do ya homework

      4. no i’ve broken down his verses to the latent subtexts … they’re just not as complicated as some purport they are, just my opinion … i prefer cole, but somebody like budden has a much broader range when we’re strictly talking about lyrics, nah mean?

    35. It’s all a cycle, pop hop is in fashion 1 time, then it fades out n something else is in fashion, now being Lyrical is back in fashion, nothing is new nowdays…we back to the days when Big Pun n Black Thought were the supa lyrical rappers.. Drake can be very Lyrical but I think the dude is too confortable now living that lavish life, he keeps it honest, truthfull with his verses but to be honest this track is like something that could have been on So Far Gone. just my opinion.

    36. Im tire of yall niggas saying this aint hip hop. Talking bout slaughter house shit is real hip hop. I bet them niggas cant make a legtimate hit for the masses. its not cause there so street. its because they cant!!! even if they tried, they will sound so fucking corny. so stop knocking drake cause he is an all around artist. he make hits, get awards and go on big tours!!!! oh yeah by the way, Lil Wayne the only rapper that can put out a critical acclaim mixtapes (plural) and sell a million first week!!!! Challenge yall haters on that statement!!!!!

      1. um jay-z and em sell more than weezy overall, and their actual ALBUMS get critical acclaim.. weezys mixtapes are dope but he WATERS IT DOWN for the masses to sell his albums. Ofcourse slaughterhouse cant appeal to the masses, coz they refuse to make a cliche’d song about popping bottles and talk about women in every track, which is all the ymcb crew really do, so no thats not “well rounded” thats formulaic and boring

      2. lol, no, they simply don’t have the capacity to have enduring mass appeal, and that’s not an indictment of their abilities as rappers, but as artists? they simply can’t, creating these type of tracks are more difficult than some niggas make it out to be, you have to have a different ear and have your hand on the pulse of the general public

      3. Since when was hip hop meant for the general public? It’s a culture and it is really appreciated by those who are a part of it. Anyone who loves hip hop can really appreciate the kills of Slaughterhouse.

      4. that’s the problem with your typical “hip-hop purist” … they have this esoteric mindset, and believe the genre should be about exclusivity … that type of shit — a lack of diversity within a musical genre — leads to it slowly dissipating once its appeal is lost, and that’s what niggas need to get … good music is out there for everyone, this ensures that rap/hip-hop/whatever you want to call this overarching brand of music will be alive regardless of the general sentiment down the road, there’s an interdependence here

    37. Yeah. This aint Drake’s best but not that bad either – the track is obviously for the ladies. W/ Nicki Minaj on this, its a no brainer pop track to move units. This aint for the “hardcore gangsta” bloggers on here. He’s just getting all the groups to buy units that he needs. 2pac did it. Biggie did it. Kanye/Jay-z still copy the formula. This is how you push units – get chix to buy your records.

    38. This joint is aight and why everyone keep talking an artist is the best cuz they sold mad records. I guess MC Hammer was one of the greatest mcs then cuz he sold mad records in the 90s. And slaughterhouse can sell records. A monkey with motor skills can sell these days if it’s marketed well
      and gains radioplay. Simple as that so stop talking about bullshit record sales. It doesn’t make an mc the best in skills. I swear I fell a lot of yall don’t understand hip hop. Or the other hand,it’s a dead culture in this country anyway

      1. lol, and a lot of these mainstream cats could do focus on multisyllabic schemes that have no prevailing message or theme like slaughterhouse does at times going on that “lyrical miracle” tip that any 16 year old listening to Technique could write given some time … great rappers in terms of the delivery etc., but come on, their sound and their skills aren’t marketable; also, you people ain’t the arbiters of what is and ain’t hip hop

      2. @Diggs

        i agree with you 100%, fuck album and fuck niggas on this site talkin about sales 24/7…..FUCK WAYNE

      3. Maybe some people think he’s good because, y’know, they think his music is good. I don’t give a fuck if Take Care sells one copy, I’ll still think Drake is good.

    39. Drake… all the pictures with nicki, songs about women, and rumors with Rihanna, still cant hide the fact that you are GAAAAYYY!

      Just come out the closet and be proud of what you are! Like Diddy!

    40. IF TAKE CARE GOT SONGS LIKE THIS NO!!!!! anyway not a bad song i just do not think its good enough to be on take care…but our nigga has to push records

      1. If any male thinks this will be the album of the year then they have homosexual tendencies because Drakes target audience is girls. He no longer makes music for his male audience. End of story…

      2. Maybe dudes that actually get some can relate to what he’s saying. Or their just not totally misogynistic pieces of shit. Take your pick.

      3. lol, you guys really must have no social lives to think that this music doesn’t serve a function in our current social climate

    41. Take Care isn’t the best album of the year.

      Murs – Love & Rockets album is better, Cunninlynguists- Oneirology album is one of the best (inception type of album), Reks – R.E.K.S is lyrically up there. Kendrick Lamar and Big K.R.I.T are bringing good music on radios.

    42. The hook is on point so the song will do fine support wise and will float around to keep the album in peoples faces until nov15th without a doubt. why is everybody comparing this to mr nice watch? it really doesnt matter. cole just came out number 1 in the country, why even make such a asenine comparison? atleast for right now

    43. This wasn’t even a good T-Minus joint. The chorus was fucking weak, didn’t have the power of ‘poppin bottles’ or ‘she will’, just a really bland synthy mess. How can anyone, even pop music fans, like this? No appeal…

    44. Look, its real simple. Females love Drake’s bullshit. Do i wanna listen to this fool’s tampax commercial songs or cop his album filled wit all kinds of mangina music? Hell naw. But, if I wanna please da dyme bitches I plan on smanging in not so distant future, I have no choice but to listen and cop. So my review of this song is the same as all the other Drake songs : It’ll help me catch some pussy, so I guess it’s catchy.

      1. this is the dumbest shit ive read in a long time. does this nigga know that young money are not the only musicians on the planet? nigga you’re pathetic.

      2. I do know there are more musicians Anonymous numba 2, but da bitches in my age group love Drake’s shit, so what da hell you want me to do… Freddie Jackson ain’t helpin’ me get them draws. Also I may just be one pathetic ass nicca, but honestly, I.don’t.give.a.fuck. Sorry, lol.

    45. this song is good stuff. and i know what is good in the streets cause ima thug. i can back it up.. i grew up in the bad part of the suburbs .. i normaly do 36mph in a 35.. BOSS!!! so thug

    46. Official “Take Care” Track list:

      1.I love women.

      2.I don’t love women (I just fuck them)

      3.I don’t care about women, fuck em. (I really do love them, though)

      4. My team is my family (But I’m gonna mention women 50 times in this song too)

      5. I sing about women.

      6. I have a lot of female groupies.

      7. I only love one girl.

      8. I can’t choose what girl i want to hook up.

      9. I get pussy (While being one)

      10. Young money is my family (But i want to make a family with you, girl)

      11. You’re my favorite girl.

      12. She’s my favorite girl.

      Yeah, basically.

      Get the fuck out of hip-hop, you bitch made rapping justin bieber trash.

    47. this is what hip hop needed, this that shit the radio needed for a very very long time so yall hater shut tha fuck and jam

    48. grown men that enjoy listening to drake records wouldn’t do anything if you punched them in the face and called them pussy.

      men that listen to nikki minaj records will adopt children with their gay lover in time. rap has never sucked so bad. every year it’s worse.

    49. Drakes a fag, probably shitting his pants right now at just thinking Pusha might drop his name…Id love to see that degrassi chump go at Pusha

      1. Haters how do you live with yourselves???????????????????????????? Haters are always broke haha

    50. If ya’ll don’t like drake why do yo bitch ass click on the track. Drake is cool to me, when my bitch is in my car i will play that nigga!! But if i’m solo Jeezy all day!!

      1. You sound like you don’t get no pussy hoe ass nigga!! Like Pac say, play what the bitches want dumb nigga!!

    51. drake suck but you bitches are just gonna say stop hating, but he really does suck. Yall only like drake cuz TV tells you to like drake, fuckin brainwashed ass niggas, the puppeteers got all you fools, and have you really listened to nicki minaj? i’d rather hear that crackhead white bitch from oakland vagina-nasty, for real son. negative 5 stars for this wick wack trash.

    52. This shit sucks. Is this Taio Cruz? Where did go hard Drake go? fuck you young money! Bring back the Drake that spit bars like on “Light Up” and good fuckin shit. Damnit Drake, I liked you but nigga YOU SUCK.

    53. HaHahahaha you haters really need some more female presence in your lives. My girl loves this sh*t. You’ll never get anywhere hating on other people like that WHEN WILL YOU LEARN haha! I like it.

    54. How is it decided what gets on that hottest single board because there is a lot of stuff ten times hotter than this garbage that was put out this month and rated hotter.

    55. Kinda weak, but it will work for what it needs to do: getting them females crazy in the clubs. And homie who said the “main stripper on stage” music was 100%. These niggas crying about it won’t when they in the club trying to work game…still, 2stars

    56. This shit is mad whack.Drake was pretty chill , but now i wouldn’t shit in his direction. He has to put out some real shit and stop fucking male butts, and getting fisted by minaj. You fuckers can say whatever you want but you know its true

    57. You know the bottom line is that these cats make records that people like and move the masses…ain’t nothing wrong with that plus they manage to mix the best of both worlds by throwing in some lyricism and some raw emotion!!!

      Posted3 days ago | Reply

      Anonymous:
      strong post

      Posted3 days ago

      Anonymous:
      stupid post….do you like hip hop because of the quality of the music or because you can grab on to these fools nut sacks while u watch them make money on shit that sounds the same and require less skill…aint no emotion in this shit and lyricism is basic…people like u and it seems the majority of “hiphop” fans are ruining a good thing..People are KILLING IT right now Black Hippy, The whole StatiK Selectah posse, Jay Electronica coming soon, Slaughterhouse is coming soon, Lupe is coming soon.

      Posted3 days ago

      Anonymous:
      who determines “skill?” you? who wrote these mythical guidelines, and why are they not malleable? and it’s really not hard for most to write like those underground heads after they’ve immersed themselves in hip-hop for a few years … what separates mainstream artists/underground artists from the average joe making a club song or a socio-political/horrorcore riddled with multisyllabic schemes is their delivery, their cadence, their mastery of flow … one form’s not easier than the other, they both require certain skills sonically, hip-hop should be about a diversity of sound …

      Posted2 days ago

      Anonymous:
      anonymous #3- There is no diversity in mainstream music. You went ahead and listed the difference with radio-standard hiphop only to prove my point. So what the fuck is so creative about a club song that requires elevated skill? You rap about the same thing all the time…not hard and always gonna use the same lyrics..if your saying you’re not capable of writing this song i would call u retarded. And: ” what separates mainstream artists/underground artists from the average joe making a club song or a socio-political/horrorcore riddled with multisyllabic schemes is their delivery, their cadence, their mastery of flow” no thats what separates ARTISTS in general…and you forgot to mention lyrics probably the most important one

      Posted2 days ago

      Anonymous:
      lool; buddy, if you think that you could write and construct a top 40 hit right now, then by all means go for it … and if you’re approaching this matter from that vantage point, then hell, if you can’t write like vinnie paz or budden or crooked i, then you probably struggled with grade 12 english … of course i’m being facetious, but that’s the fallacious argument you’re presenting my dude, and underground rappers also talk about the same shit, it’s just presented in a different manner — politics, attacking an imaginary person with violent words, talking about the drug trade … it’s banal too, and you can denigrate the legions of “underground heads” who rap about the same material as well … lyrics are only one part of the equation; this is not poetry, it’s music, you have to pay attention to the sonic element of hip-hop … what sounds better to the ear is an imperative as well, and that’s why so many rappers are inherently flawed from a musical standpoint

      Posted2 days ago

      Anonymous:
      … and also, I was referring to a diversity of sound within the genre, as in variance in terms of subject matter across the spectrum of hip-hop, from the underground to the mainstream …

      Posted2 days ago

      Anonymous:
      1)Yes I believe I can construct a top 40
      2)Of course there are “underground” rappers who rap about the same things as mainstream artists and yea they preset it in a different way. Thank you…thats the point. I never said lyrics were THE most important characteristic of a skilled artist, but you must be delusional if you think Drake or these young money cats have the capacity to be in the same room as the best.
      3)The sonic element of hip hop …lol..dude thats the forefront of my argument. Mainstream Hiphop has little…very little sonic diversity…proof-turn on the radio.
      4)No you’re are wrong. Hiphop is poetry blended with instrumentation…and has been since day one.
      5) What sounds better to the ear is imperative. Agreed. Back to the main point before you verbosely twisted my argument. I’m gonna go out on limb here and say those who are musically inclined see past the bullshit that most mainstream rappers feed he public. Not to say its ALL bad. Just saying that there’s alot of dickriders who would rather accept the corporate(labels,radio play,marketing) opinion good hiphop rather than have the balls to dissect it for what it really is.

      Posted2 days ago

      LOUD( . )( . )!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!:
      While both you cats twist eachothers arguments up take the bullshit for what it is, soon to be radio driven hype becoming popular because its the new drake and nikki. Has nothing to do with lyricism, creativity, or originality. You need some REAL muscle to get some out-of-the-box so-called “real hip hop” through the airwaves not to mention NOBODY WANTS TO LISTEN TO UNDERGROUND HIPHOP ON THE RADIO THE HIPHOP YOU ONCE KNEW TO BE MAINSTREAM HAS DISSIPATED AND WILL NEVER RETURN ITS JUST THE FACT OF THE MATTER.

      Posted2 days ago

      Anonymous:
      1. No, you can’t write or construct a top-40 hit; that brand of delusional and obstinate thinking is why nobody takes hip-hop elitists seriously.

      2. No, I said there are underground rappers that are banal in their own right, not that their lyrical content is analogous to that of mainstream artists. Again, a group like Slaughterhouse brings nothing thematically to endear themselves to the general public. The lyrics serve no purpose; who are you a fan of? They often abide by a different type of blueprint – not one of girls and the club, but one of shock value and the streets. It’s reconfigured, but it’s the same crap.

      3. LOL, mainstream hip-hop has about as much sonic diversity as underground hip-hop; again, it’s how you choose to look at it. If you’re providing commentary in hip-hop as a whole, then cool. Otherwise, this is an ideal example of premature closure, and your own tunnel vision is precluding you from seeing the bigger picture: Slaughterhouse, Ras Kass, Canibus, JMT, AOTP etc. etc — their sounds are all very similar.

      4. Haha, now I see where you’re coming from. Conceptually, the whole “poetry mixed with instrumentation” is a retarded argument, otherwise, hip-hop would be spoken word over a beat. It’s not, it’s changed. This is the product of its evolution; it’s being taken seriously as a form of music now, so it’s about time people treat it as such.

      5. My dude, I ain’t trying to twist or distort your argument. Your argument is twisted to begin with. ANYBODY musically inclined would see the limitations of underground artists and their formulaic ways. Honestly, there are a lot of elitists who would go with the contrarian mindset rather than actually critically analyze music for what it is, and not pay attention to the “mainstream” or “underground” titles. Essentially, there’s enough bullshit in the indie scene as well. People on the web actually think Budden – who uses some of the same conceptual premises as Drake – is the greatest rapper ever. Fucking smh.

      Posted2 days ago

      Anonymous:
      The fact that you are trying to downplay lyrics that have to deal with the reality of the streets to hold the same value as rapping about pussy says plenty. I personally don’t think so and I will also reach and say ALOT of people don’t think its the same crap(if you think that’s the main element of underground music). Its funny you say this, while at the same time I think the general public think SlaughterHouse dominated the BET cypher and entitled them to receive more hype. You say lyrical skill holds no importance?? I’m not even a fan of slaughterhouse like that but you for some reason you seem to bring them up(like 5 times now).

      I’m not gonna argue why I say Mainstream hiphop has no sonic diversity…its self explanatory. Whatever sounds like the last hit is the formula for every other hit hit for the next year. If you can’t see that..then I’m not gonna bother. And good job at naming artist who sound alike in the “underground”. I don’t like really putting the tag of underground on artist who aren’t usually on the billboard as underground, but who gives a fuck if they sound the same because, IJS, if those are the parameters of what makes an underground artist, I think the amount of rappers in the underground far outweigh the amount in the mainstream by like 1 to 100. So this is in no way surprising.

      Oh raps not poetry???!!! lol…so my bad I had it all wrong for 20 years. Spoken word must be the only form of poetry then, right??? So then rhyme, metaphor, similes hold no place in rap anymore…please enlighten me?? A spoken word artist would be someone like Saul Williams(sometimes). Rap/Hiphop is definitely more than spoken word.

      yo, did you just say: “ANYBODY musically inclined would see the limitations of underground artists and their formulaic ways.” To me underground artists keep that tag because they most of the time don’t conform to the media’s norm of music.
      Mainstream music in essence is entirely about following a formula, they don’t even try to hide it. Please explain this. SMH.

      I do not think Budden is the greatest rapper..Not even by a long shot. Is he dope ..yes..doper than drake …yes. Lyrically and stylistically Budden is better, since I guess I have to defend Budden. Why do you incorporate rapping about the same subject matter as being on par to the next rapper?? Excuse me if im misunderstanding, but to me thats what you are saying…anyways..Drake is a decent lyricist and an appealing artist in ways, good flow, but I dont see what separates him from the crowded pool of rappers other than his young money label.

      Posted2 days ago

      Anonymous:
      p.s..I can see it now

      Drake: “Yo t-minus, I need a track for the clubs again one that’s gonna hit em’ like Im On One.”

      And this is the result..Have you even realized this song has the same fucking chord progressions as Im On One..Sonic Diversity for you…and how long ago did i’m on one come out???..nigga please!!!

      Posted2 days ago

      Anonymous:
      Damn, youre keen on this, eh? First off, youre not going to dissuade me in the least bit, and well never agree on this issue. Again, you and people of your ilk are not arbiters of hip-hop, nor can fans truly establish parameters for an artistic endeavor. This seems unnecessary, but I will respond

      LOL, the reality of the streets? Come on son, how many people listening to hip-hop are truly marginalized or disenfranchised these days? Music is about universality, and honestly speaking, that type of shit only relates to a handful of people. Problems with females? Thats a lot more pervasive, a universal theme that commercial rappers explore through their own personal lens. If you cant understand that, then that says plenty about your social life (just kidding). And hey, you know what? I can reach too. I think the vast majority of hip-hop fans can appreciate this sound and this vector of hip-hop. I used to live in the ATL for a minute, this is the type of sound that encapsulates their lifestyle, and any head down in the South would reiterate that. Please dont take underground fans on sites like DX as a generalizable sample of the entire hip-hop fan diaspora. Thats exceedingly short-sighted. I bring Slaughterhouse up because Im a fan of Ortiz. Together, however, they offer nothing BUT their lyrical ability. Again, thats why they irrefutably destroyed the cypher, and Budden shined because of his lyrical range, which is amongst the broadest in the entire scene. A cypher is a perfect platform for artists such as Slaughterhouse to showcase what makes them great. Wayne on a cypher? Would probably be mediocre at best in terms of making music that the niggas will vibe to at night? The opposite would hold true, no?

      LOL, logical fallacy again I wont explain why, it just is damnit! Underground rappers are just as guilty of whatever youre accusing the mainstream cats of. They follow a blueprint, its a systematic process, where they all talk about the same subject matter and string together schemes that are either irrelevant, mean nothing, or are unoriginal. They operate within a rigid framework themselves, and are limited by their inability to think outside of the box. The great artists the Jays, the Nas, the Kanyes are able to bridge the gap. Mainstream acts and underground acts lie at the two poles.

      No, again, rap is a form of music, first and foremost. Lyrics a brand of poetry are a part of most contemporary musical genres. But thats just one element in a constellation of factors that underground rappers often disregard. Thats what I was getting at. Poetry is a part of rap, but they are not one in the same.

      Yes, again and again, Ive already done the clarifying but here: all underground artists arent brash rebels whove rejected the system and have chosen a different trajectory to honor their artistic integrity. Most of them fell into what they were doing because they couldnt make it or they determined that their sound didnt give them the agency to make it big. So they stuck to the age-old formula: talk about politics (on some conspiracy theorist tip), about conscious shit (nobody in the information age is looking at rappers to educate them on socio-political issues), string together schemes about their own superiority while disparaging an imaginary opponent (whats the point?), and so on and so forth. Its all unoriginal shit thats been done before. Thats why you hear these schemes come up over and over again the infamous Noahs Ark/Owen Hart scheme for instance, or some other Superman, Kryptonite punchline.

      Budden IS dope. Bro, Im just saying that people use hyperbole on the net and dont think about the prevailing issues at hand. Its not all about mainstream or underground. Thats the point. Also, maybe you have, but have you heard Drakes Comeback Season? Check out tracks like The Calm or Going in for Life, it may give you a different perspective on the kid.

      P.S.

      Lupe Just reads a new conspiracy theory about 9/11 and Building 7, reads a Wikipedia article on Occupy Wall Street proceeds to incorporate this into a song.

      Random white kid in Maine: OMG!

      Okay, thats sort of my take on the situation. Also, Im not saying that THIS is different than all of Drakes other radio singles. My stance was just commentary on the mainstream/underground divide as a whole Im also hoping that the rest of Take Care includes more tracks like Fear and less Make me Proud type of songs trust me, I see your point too.

      Posted2 days ago

      malco:
      Ok Im going to put this to rest. We are pretty much polarized when it comes to this debate. So its kinda frustrating.

      How does it relate to the minority. America is at like an 10 percent unemployment rate and most people do not live the posh lifestyle that mainstream rappers rap about. Yes girl problems, like everybody really has a choice of a different hoe everynight or groupies following your every move. Sounds hella lame that you want to be involved so much in drakes love life, because I think we have a mutual understanding that that is all he raps about these days other than money of course. “Underground” music these days comprises of themes both good and bad (drugs,hoes,social oppression, racism, politics). Not everybody can relate to all of it, but it’s (the majority of the time) the truth and it helps people to see life through different perspectives, which is WAY more thematically universal than mainstream topics. Dont even try it.

      I live in the south, and have done so from elementary school. Thats absolute bullshit .There are bloods and there are real hood niggas who drug deal and so on…but what I realized is that ALOT of the people who really support this “vector” of hip-hop (Young Money, Waka, Gucci, ..so on) are mostly highschool teenagers, alot of them (white)products of suburbia. They seriously think wayne is the most talented rapper in all aspects. Why?? because the radio and the media only plays mainstream music. Slaughter house is capable of making club music. Again, club music is NOT hard to compose.Period. They stay in their lane and whats wrong with that. They’re being true to themselves. You said it before, drakes comeback season sounds NOTHING like his young money cuts. Get the point?

      “They follow a blueprint, its a systematic process, where they all talk about the same subject matter and string together schemes that are either irrelevant, mean nothing, or are unoriginal.”
      –bullshit…I can tell you listen to mostly the billboard top hiphop singles.
      This was addressed already in my …2nd paragraph, dont want to waste too many words on this…

      Really?? You just said rap has poetic elements, yet to you its impossible to call it poetry. once again bullshit.

      Like you would know if rappers decided to not sell out and switch to mainstream frendly rhetoric just because they could not make it.Actually, Rappers you probably don’t listen to like Mos Def, Talib Kweli, Lupe Fiasco, Murs..alot more are actively involved in Ocuupy Wallstreet. Also involved are alot of there followers. Its true that alot of rhymes are recycled but you act like nobody comes up with original metaphors or that that the subject matter is totally irrelevant..which once again is bullshit.

      As long as “underground”..music dont get heard it is about the two. And I dont get how I am a hiphop elitist. Mainstream Hiphop does have a place in society the problem is that through the media and Corporation all music does’nt have a fair chance. How could you debate that. Most people do not search for music they choose from the available. So were more like underdogs.

      And I don’t quite get the lupe scenario. So because Lupe sees some truth in an article and decides to incorporate it in his music he’s somehow punking different demographics??…whatever my answer is…bullshit

      This is not different than all of drakes other radio hits. Ive already stated the striking similarities between this and “Im on One”…same chord progression..remember the whole sonic diversity bullshit….i see your point too..drake can be a good artist.

    58. You know the bottom line is that these cats make records that people like and move the masses…ain’t nothing wrong with that plus they manage to mix the best of both worlds by throwing in some lyricism and some raw emotion!!!

      Posted3 days ago | Reply

      Anonymous:
      strong post

      Posted3 days ago

      Anonymous:
      stupid post….do you like hip hop because of the quality of the music or because you can grab on to these fools nut sacks while u watch them make money on shit that sounds the same and require less skill…aint no emotion in this shit and lyricism is basic…people like u and it seems the majority of “hiphop” fans are ruining a good thing..People are KILLING IT right now Black Hippy, The whole StatiK Selectah posse, Jay Electronica coming soon, Slaughterhouse is coming soon, Lupe is coming soon.

      Posted3 days ago

      Anonymous:
      who determines “skill?” you? who wrote these mythical guidelines, and why are they not malleable? and it’s really not hard for most to write like those underground heads after they’ve immersed themselves in hip-hop for a few years … what separates mainstream artists/underground artists from the average joe making a club song or a socio-political/horrorcore riddled with multisyllabic schemes is their delivery, their cadence, their mastery of flow … one form’s not easier than the other, they both require certain skills sonically, hip-hop should be about a diversity of sound …

      Posted2 days ago

      Anonymous:
      anonymous #3- There is no diversity in mainstream music. You went ahead and listed the difference with radio-standard hiphop only to prove my point. So what the fuck is so creative about a club song that requires elevated skill? You rap about the same thing all the time…not hard and always gonna use the same lyrics..if your saying you’re not capable of writing this song i would call u retarded. And: ” what separates mainstream artists/underground artists from the average joe making a club song or a socio-political/horrorcore riddled with multisyllabic schemes is their delivery, their cadence, their mastery of flow” no thats what separates ARTISTS in general…and you forgot to mention lyrics probably the most important one

      Posted2 days ago

      Anonymous:
      lool; buddy, if you think that you could write and construct a top 40 hit right now, then by all means go for it … and if you’re approaching this matter from that vantage point, then hell, if you can’t write like vinnie paz or budden or crooked i, then you probably struggled with grade 12 english … of course i’m being facetious, but that’s the fallacious argument you’re presenting my dude, and underground rappers also talk about the same shit, it’s just presented in a different manner — politics, attacking an imaginary person with violent words, talking about the drug trade … it’s banal too, and you can denigrate the legions of “underground heads” who rap about the same material as well … lyrics are only one part of the equation; this is not poetry, it’s music, you have to pay attention to the sonic element of hip-hop … what sounds better to the ear is an imperative as well, and that’s why so many rappers are inherently flawed from a musical standpoint

      Posted2 days ago

      Anonymous:
      … and also, I was referring to a diversity of sound within the genre, as in variance in terms of subject matter across the spectrum of hip-hop, from the underground to the mainstream …

      Posted2 days ago

      Anonymous:
      1)Yes I believe I can construct a top 40
      2)Of course there are “underground” rappers who rap about the same things as mainstream artists and yea they preset it in a different way. Thank you…thats the point. I never said lyrics were THE most important characteristic of a skilled artist, but you must be delusional if you think Drake or these young money cats have the capacity to be in the same room as the best.
      3)The sonic element of hip hop …lol..dude thats the forefront of my argument. Mainstream Hiphop has little…very little sonic diversity…proof-turn on the radio.
      4)No you’re are wrong. Hiphop is poetry blended with instrumentation…and has been since day one.
      5) What sounds better to the ear is imperative. Agreed. Back to the main point before you verbosely twisted my argument. I’m gonna go out on limb here and say those who are musically inclined see past the bullshit that most mainstream rappers feed he public. Not to say its ALL bad. Just saying that there’s alot of dickriders who would rather accept the corporate(labels,radio play,marketing) opinion good hiphop rather than have the balls to dissect it for what it really is.

      Posted2 days ago

      LOUD( . )( . )!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!:
      While both you cats twist eachothers arguments up take the bullshit for what it is, soon to be radio driven hype becoming popular because its the new drake and nikki. Has nothing to do with lyricism, creativity, or originality. You need some REAL muscle to get some out-of-the-box so-called “real hip hop” through the airwaves not to mention NOBODY WANTS TO LISTEN TO UNDERGROUND HIPHOP ON THE RADIO THE HIPHOP YOU ONCE KNEW TO BE MAINSTREAM HAS DISSIPATED AND WILL NEVER RETURN ITS JUST THE FACT OF THE MATTER.

      Posted2 days ago

      Anonymous:
      1. No, you can’t write or construct a top-40 hit; that brand of delusional and obstinate thinking is why nobody takes hip-hop elitists seriously.

      2. No, I said there are underground rappers that are banal in their own right, not that their lyrical content is analogous to that of mainstream artists. Again, a group like Slaughterhouse brings nothing thematically to endear themselves to the general public. The lyrics serve no purpose; who are you a fan of? They often abide by a different type of blueprint – not one of girls and the club, but one of shock value and the streets. It’s reconfigured, but it’s the same crap.

      3. LOL, mainstream hip-hop has about as much sonic diversity as underground hip-hop; again, it’s how you choose to look at it. If you’re providing commentary in hip-hop as a whole, then cool. Otherwise, this is an ideal example of premature closure, and your own tunnel vision is precluding you from seeing the bigger picture: Slaughterhouse, Ras Kass, Canibus, JMT, AOTP etc. etc — their sounds are all very similar.

      4. Haha, now I see where you’re coming from. Conceptually, the whole “poetry mixed with instrumentation” is a retarded argument, otherwise, hip-hop would be spoken word over a beat. It’s not, it’s changed. This is the product of its evolution; it’s being taken seriously as a form of music now, so it’s about time people treat it as such.

      5. My dude, I ain’t trying to twist or distort your argument. Your argument is twisted to begin with. ANYBODY musically inclined would see the limitations of underground artists and their formulaic ways. Honestly, there are a lot of elitists who would go with the contrarian mindset rather than actually critically analyze music for what it is, and not pay attention to the “mainstream” or “underground” titles. Essentially, there’s enough bullshit in the indie scene as well. People on the web actually think Budden – who uses some of the same conceptual premises as Drake – is the greatest rapper ever. Fucking smh.

      Posted2 days ago

      Anonymous:
      The fact that you are trying to downplay lyrics that have to deal with the reality of the streets to hold the same value as rapping about pussy says plenty. I personally don’t think so and I will also reach and say ALOT of people don’t think its the same crap(if you think that’s the main element of underground music). Its funny you say this, while at the same time I think the general public think SlaughterHouse dominated the BET cypher and entitled them to receive more hype. You say lyrical skill holds no importance?? I’m not even a fan of slaughterhouse like that but you for some reason you seem to bring them up(like 5 times now).

      I’m not gonna argue why I say Mainstream hiphop has no sonic diversity…its self explanatory. Whatever sounds like the last hit is the formula for every other hit hit for the next year. If you can’t see that..then I’m not gonna bother. And good job at naming artist who sound alike in the “underground”. I don’t like really putting the tag of underground on artist who aren’t usually on the billboard as underground, but who gives a fuck if they sound the same because, IJS, if those are the parameters of what makes an underground artist, I think the amount of rappers in the underground far outweigh the amount in the mainstream by like 1 to 100. So this is in no way surprising.

      Oh raps not poetry???!!! lol…so my bad I had it all wrong for 20 years. Spoken word must be the only form of poetry then, right??? So then rhyme, metaphor, similes hold no place in rap anymore…please enlighten me?? A spoken word artist would be someone like Saul Williams(sometimes). Rap/Hiphop is definitely more than spoken word.

      yo, did you just say: “ANYBODY musically inclined would see the limitations of underground artists and their formulaic ways.” To me underground artists keep that tag because they most of the time don’t conform to the media’s norm of music.
      Mainstream music in essence is entirely about following a formula, they don’t even try to hide it. Please explain this. SMH.

      I do not think Budden is the greatest rapper..Not even by a long shot. Is he dope ..yes..doper than drake …yes. Lyrically and stylistically Budden is better, since I guess I have to defend Budden. Why do you incorporate rapping about the same subject matter as being on par to the next rapper?? Excuse me if im misunderstanding, but to me thats what you are saying…anyways..Drake is a decent lyricist and an appealing artist in ways, good flow, but I dont see what separates him from the crowded pool of rappers other than his young money label.

      Posted2 days ago

      Anonymous:
      p.s..I can see it now

      Drake: “Yo t-minus, I need a track for the clubs again one that’s gonna hit em’ like Im On One.”

      And this is the result..Have you even realized this song has the same fucking chord progressions as Im On One..Sonic Diversity for you…and how long ago did i’m on one come out???..nigga please!!!

      Posted2 days ago

      Anonymous:
      Damn, youre keen on this, eh? First off, youre not going to dissuade me in the least bit, and well never agree on this issue. Again, you and people of your ilk are not arbiters of hip-hop, nor can fans truly establish parameters for an artistic endeavor. This seems unnecessary, but I will respond

      LOL, the reality of the streets? Come on son, how many people listening to hip-hop are truly marginalized or disenfranchised these days? Music is about universality, and honestly speaking, that type of shit only relates to a handful of people. Problems with females? Thats a lot more pervasive, a universal theme that commercial rappers explore through their own personal lens. If you cant understand that, then that says plenty about your social life (just kidding). And hey, you know what? I can reach too. I think the vast majority of hip-hop fans can appreciate this sound and this vector of hip-hop. I used to live in the ATL for a minute, this is the type of sound that encapsulates their lifestyle, and any head down in the South would reiterate that. Please dont take underground fans on sites like DX as a generalizable sample of the entire hip-hop fan diaspora. Thats exceedingly short-sighted. I bring Slaughterhouse up because Im a fan of Ortiz. Together, however, they offer nothing BUT their lyrical ability. Again, thats why they irrefutably destroyed the cypher, and Budden shined because of his lyrical range, which is amongst the broadest in the entire scene. A cypher is a perfect platform for artists such as Slaughterhouse to showcase what makes them great. Wayne on a cypher? Would probably be mediocre at best in terms of making music that the niggas will vibe to at night? The opposite would hold true, no?

      LOL, logical fallacy again I wont explain why, it just is damnit! Underground rappers are just as guilty of whatever youre accusing the mainstream cats of. They follow a blueprint, its a systematic process, where they all talk about the same subject matter and string together schemes that are either irrelevant, mean nothing, or are unoriginal. They operate within a rigid framework themselves, and are limited by their inability to think outside of the box. The great artists the Jays, the Nas, the Kanyes are able to bridge the gap. Mainstream acts and underground acts lie at the two poles.

      No, again, rap is a form of music, first and foremost. Lyrics a brand of poetry are a part of most contemporary musical genres. But thats just one element in a constellation of factors that underground rappers often disregard. Thats what I was getting at. Poetry is a part of rap, but they are not one in the same.

      Yes, again and again, Ive already done the clarifying but here: all underground artists arent brash rebels whove rejected the system and have chosen a different trajectory to honor their artistic integrity. Most of them fell into what they were doing because they couldnt make it or they determined that their sound didnt give them the agency to make it big. So they stuck to the age-old formula: talk about politics (on some conspiracy theorist tip), about conscious shit (nobody in the information age is looking at rappers to educate them on socio-political issues), string together schemes about their own superiority while disparaging an imaginary opponent (whats the point?), and so on and so forth. Its all unoriginal shit thats been done before. Thats why you hear these schemes come up over and over again the infamous Noahs Ark/Owen Hart scheme for instance, or some other Superman, Kryptonite punchline.

      Budden IS dope. Bro, Im just saying that people use hyperbole on the net and dont think about the prevailing issues at hand. Its not all about mainstream or underground. Thats the point. Also, maybe you have, but have you heard Drakes Comeback Season? Check out tracks like The Calm or Going in for Life, it may give you a different perspective on the kid.

      P.S.

      Lupe Just reads a new conspiracy theory about 9/11 and Building 7, reads a Wikipedia article on Occupy Wall Street proceeds to incorporate this into a song.

      Random white kid in Maine: OMG!

      Okay, thats sort of my take on the situation. Also, Im not saying that THIS is different than all of Drakes other radio singles. My stance was just commentary on the mainstream/underground divide as a whole Im also hoping that the rest of Take Care includes more tracks like Fear and less Make me Proud type of songs trust me, I see your point too.

      Posted2 days ago

      Ok Im going to put this to rest. We are pretty much polarized when it comes to this debate. So its kinda frustrating.

      How does it relate to the minority. America is at like an 10 percent unemployment rate and most people do not live the posh lifestyle that mainstream rappers rap about. Yes girl problems, like everybody really has a choice of a different hoe everynight or groupies following your every move. Sounds hella lame that you want to be involved so much in drakes love life, because I think we have a mutual understanding that that is all he raps about these days other than money of course. “Underground” music these days comprises of themes both good and bad (drugs,hoes,social oppression, racism, politics). Not everybody can relate to all of it, but it’s (the majority of the time) the truth and it helps people to see life through different perspectives, which is WAY more thematically universal than mainstream topics. Dont even try it.

      I live in the south, and have done so from elementary school. Thats absolute bullshit .There are bloods and there are real hood niggas who drug deal and so on…but what I realized is that ALOT of the people who really support this “vector” of hip-hop (Young Money, Waka, Gucci, ..so on) are mostly highschool teenagers, alot of them (white)products of suburbia. They seriously think wayne is the most talented rapper in all aspects. Why?? because the radio and the media only plays mainstream music. Slaughter house is capable of making club music. Again, club music is NOT hard to compose.Period. They stay in their lane and whats wrong with that. They’re being true to themselves. You said it before, drakes comeback season sounds NOTHING like his young money cuts. Get the point?

      “They follow a blueprint, its a systematic process, where they all talk about the same subject matter and string together schemes that are either irrelevant, mean nothing, or are unoriginal.”
      –bullshit…I can tell you listen to mostly the billboard top hiphop singles.
      This was addressed already in my …2nd paragraph, dont want to waste too many words on this…

      Really?? You just said rap has poetic elements, yet to you its impossible to call it poetry. once again bullshit.

      Like you would know if rappers decided to not sell out and switch to mainstream frendly rhetoric just because they could not make it.Actually, Rappers you probably don’t listen to like Mos Def, Talib Kweli, Lupe Fiasco, Murs..alot more are actively involved in Ocuupy Wallstreet. Also involved are alot of there followers. Its true that alot of rhymes are recycled but you act like nobody comes up with original metaphors or that that the subject matter is totally irrelevant..which once again is bullshit.

      As long as “underground”..music dont get heard it is about the two. And I dont get how I am a hiphop elitist. Mainstream Hiphop does have a place in society the problem is that through the media and Corporation all music does’nt have a fair chance. How could you debate that. Most people do not search for music they choose from the available. So were more like underdogs.

      And I don’t quite get the lupe scenario. So because Lupe sees some truth in an article and decides to incorporate it in his music he’s somehow punking different demographics??…whatever my answer is…bullshit

      This is not different than all of drakes other radio hits. Ive already stated the striking similarities between this and “Im on One”…same chord progression..remember the whole sonic diversity bullshit….i see your point too..drake can be a good artist.

    59. drake aint nice, never been nice, unless you puttin him in the right category which aint hiphop..
      “drake a pop artist/ and we hiphop we just POP artists, blaoooowww” respect to young money gettin paid, but u cant put them niggas under hiphop when i know dozens of white boys who could smash they verses. word up

    60. i was feeling the beat when it started and drakes part at the beginning but then it gets boring. sounds like it was on hip r&b mixtape

    61. yall cant deny drake….dude is talented….hate all u want
      In fact
      Yall haters give him more press
      so by hatin yall actually helpin this dude get money

      Now dont get me wrong…this dude is catchy but he has no substance…he just raps about girls and money……come on drake….if he just rapped about some serious shit he would be up there with the greats………………………..i blame Weezy for corruptin this kid…….

      Damn you weezy =(

    62. Shoutouts to this song….Im From Farrockaway Queens And Drake Is Making It Possible For People To Cheat…..THATS MY BOY And One More Shoutouts To Southside Jamaica Queens…Nicki Keeping It Poppin For Them PCB ^ Paper Chasen Bosees

    63. haha this is so bad nicki minaj is just fuckin annoying, bitch just bend over clap that ass while i nut all over it, then shut the fuck up and get outta here, HAHhhhhAhahah

    64. This should just be a DRAKE song. Nicki is aight but Drake was killin it. This would almost be a 5 if it was just Drake. lyrics and flow were super and he got a really catchy melody. She kind of ruined the vibe smh

    65. Nicki needs to get come out w/ a RAP album and get off that R & B bullshit. Pandora thinks she is Katy Perry lol

      1. Fuuuuuck yeah. These Dudes tryna rap with his gritty go in hard flow, that “kill the ending word of the bar” flow. niggas cant touch cole tho.

        Oh, this song is shit. Drake is shit.

    66. OK techno infused rap song but im sorry dizzy Cole kinda still kilt it especially comparing hooks. nooo i wont stop comparing either b/c they need to compete that’s when there best comes out(free spirit without ross lol)

      1. thats racist.. assuming black people cant be racist.. sorry, MILANO people.. lol

        songs eh, boring.. let the kids listen to this shit.. 2.5..

    67. Drake Will Never Be Able To Rap Again. Little Bitchass R&B Only. Bitch Singer, Cant even really sing. pfft, SHIT.

    68. This is hot in the clubs right now Dope record!!! p.s its about uplifting the women not that degrading shit props to Drake!

    69. Not his best song but i feel like drake gets so much unnecessary hate. If you don’t like him because he sings as well as raps that’s the most ludicrous thing i’ve ever heard. If you don’t like his soft songs (which i really like drake but i am also the first to admit that his music is softer than a newborns ass) that’s alright but that doesn’t make him a bad rapper, just because you don’t like it (which you don’t have too and i understand if you don’t everyone has different tastes). And if you don’t like him because he isn’t from the ghetto, or because he was on degrassi because he can act, or because he didn’t deal drugs and isn’t a thug… You might be retarded. There’s way more too rap than that. You don’t have to like his shit but i feel like he gets waaaay more hate than he deserves.

      P.S. quote from ‘pac, “Rap for the bitches, do not rap for the niggas…” i’m just sayin… that is all

      1. I think I don’t like him because he’s wack as fuck. I guess if that makes me a hater, guilty as charged because I do hate his shit with a passion.

    70. young moneys number one in my book! well, at least thats what ive been rating them for a while now.. step ur game up already

      1. Hater,no. Y’all just the regular Young Money Dick Riders who come to support you dick….y’all need to actually listen to real music instead of proclaiming everything that they put out is hot before you even hear a word. Its sad. They wont last forever.

      2. Know cause me and Cruz (hopefully) listen to lyrics and give things a chance a 3. blah blah is good for this Drake always has excellent chorus.

        Listen to Lupe Fiasco-Lightwork compare his lyrics to Drakes
        Search up what you don’t understand then get at me.

        I’m Done…

    71. If your looking to watch a new fresh artist, who self-produces and delivers dope hip hop check this video out, The quality is top notch. You wont be dissapointed, Type in godseNt – “Lunar” in youtube’s search bar, and check out the 20 year old’s latest video from his upcoming second mixtape “No Days Off.” A lot other music is up along with this video, enjoy and thanks a lot !!

    72. soundcloud.com/stevenspielbeatz
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    73. LMAO am I honestly the only one who notices that this nigga is Biting the Fuck Out of J.cole style this nigga was not making this type of music about women at 1st Go head one of Aubrey die hards disprove me … the song straight

      1. just your name makes you sound bias lol drake has always been rapping about women even back to room for improvement days, go listen to the song: special

    74. WTF, this blatant biting and swagger-jacking pisses me off. Only since Knoc’turn-al hit big have MCs started following suit and concentrating on their flows and lyrics more carefully, just like the G.O.A.T, and it shows here.

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