Styles P – Super Gangster, Extraordinary Gentleman

    Styles P is
    about as gimmick-free as it gets. Though controversy has followed him
    throughout his career–label disputes with Diddy,
    prison time, beef with Roc-A-Fella,
    and most recently, a beef with 50 Cent
    and his G-Unit camp–he’s seemed
    focused on one thing: making the music he wants. And while push-backs and label
    drama have tried their best to keep him down, albums with his group The LOX, several mixtapes and his first
    two solo LPS have seen him do just that. The Yonkers, NY emcee has built a
    solid fan base from both his brutal, hard-hitting bars and genuine,
    thought-provoking soliloquies. With his junior disc, Super Gangster (Extraordinary Gentleman), Styles sticks to the same formula.

    Much like its predecessor, Super Gangster (Extraordinary Gentleman) features P playing contrasting roles. Though Blow Ya Mind is a picture-perfect dance
    floor filler with its Swizz Beatz
    backdrop and hook, even Styles P‘s
    apt lyrics can’t save other crossover attempts (Let’s Go, feat. Ray J
    and Look At Her) from insipid
    production and subpar hooks. P is
    more at home showing his tougher side: In
    It To Win It
    and Shoot Niggas
    rank right up there the previous hardcore posturing that has helped established
    his reputation, with menacing lines and gritty beats to match. Still, the more
    potent material doesn’t come when Styles
    is befriending one of the album title’s two personas, but while he’s dwelling
    somewhere in the middle. Alone In The
    Street
    is a contemplative meditation on the isolation of a hustler, and the
    Ghost uses All I Know Is Pain to vent about his struggles and his obligations
    to help others.

    Elsewhere, Styles
    P
    performs best on Super Gangster
    when working alongside equivalent or higher talents. A solid Ghostface Killah cameo on Star of the State encourages Styles to up his game, and U Ain’t Ready sees Styles and Beanie Sigel
    trading bars back and forth over dirty horns by Dame Grease. The seemingly rarely-unified LOXStyles P, Jadakiss
    and Sheek Louch–all wreck over the
    soulful bump of Pete Rock on Gangster, Gangster, showing chemistry
    that’s sure to wet the appetites for another group LP. The closing Cause I’m Black is the album’s shining
    moment, though. In a sequel to I’m Black
    from Time Is Money, Styles surprisingly collaborates with The Roots’ Black Thought to spit
    commentary about the struggles of the race, with the latter turning in a late
    candidate for verse of the year.

    While Super
    Gangster (Extraordinary Gentleman)
    is another solid addition to Styles‘ catalog, some may be
    disappointed in its lack of growth. Last year’s Time Is Money was older when it hit stores, and Styles could have used the time off to
    have stretch his legs and come back with a change of direction or a flawless
    junior LP. Super Gangster doesn’t see
    Styles exploring any new territory
    whatsoever. But with Holiday, what you see is what you get–and for most D-Block
    fans, that’s more than enough.

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