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Hip Hop
Reviews
Review: Nick Cannon’s ‘The Miseducation Of The Negro You Love To Hate’ Basks In Mediocrity
Review: Stunna 4 Vegas Provides Lively But Disposable Bops On ‘Rich Youngin’
Review: With ‘Modus Vivendi,’ 070 Shake Solidifies Her Sound
Review: Mick Jenkins Delivers Soothing Vibes On ‘The Circus’ EP
Review: Uncle Murda’s “Don’t Come Outside, Vol 2” Speaks To His Consistency
Review: Denzel Curry Nearly Reaches Super Saiyan On ‘13LOOD 1N + 13LOOD OUT MIXX’
Review: Tiffany Red’s ‘Call Me Red, Vol. 1’ Is A Collection Of Sure-Shot R&B Gems
Review: Johnny Cinco Is No Aubrey Graham On ‘Hood Drake’ Album
Review: Sada Baby Gets Tough Behind The Mic On Solid ‘Brolik’
Review: Westside Gunn’s ‘Flyest Nig@@ In Charge Mixtape Vol. 1’ Is The Issue Day 1 Fans Deserve
Review: Roc Marciano Ends The Decade Blasting His Hazardous Grace On “Marcielago”
Review: Travis Scott’s Crew Is Underserved On JACKBOYS’ Self-Titled Compilation
Review: Fat Joe & Dre’s ‘Family Ties’ Is Not The Fadeaway Classic We Hoped For
Review: Wifisfuneral Sounds Bored On Middling ‘Ev3rything Sucks’ EP
Review: Max B’s ‘House Money’ Is Good As Jailhouse Album Can Get
Review: Roddy Ricch Justifies The Hype On ‘Please Excuse Me For Being Antisocial’
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