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Hip Hop
Reviews
Jae Skeese & Conway The Machine ‘Pain Provided Profit’ Showcases Their Undeniable Chemistry
Rae Sremmurd Maintain Party Vibes With A Mature Approach On ‘Sremm 4 Life’
NLE Choppa ‘Cottonwood 2’ Shines Technical Prowess Despite A Bloated & Trite Offering
Fly Anakin & Foisey ‘Skinemaxxx (Side A)’ Sounds Good But Is An Uneven Project From A Gifted Duo
ICECOLDBISHOP’s Incredible ‘Generational Curse’ Grapples With Gen-Z’s Inheritance Of Violence
Black Thought & El Michels Affair’s ‘Glorious Game’ Is A Cinematic Marvel
Sideshow ‘2MM DON’T JUST STAND THERE!’ Is A Cathartic Rumination On Perspective
Luh Tyler Brings A Fresh Sound To A Nostalgic Style On ‘My Vision’
Yeat Slips Into The Pitfalls Of RapCaviar On ‘Afterlyfe’
Chloe ‘In Pieces’ Fails To Set Herself Apart From Her Mentor, Or Sister
Lil Keed ‘Keed Talk To Em 2’ Respects His Legacy Despite Not Matching His Creativity
Jim Jones Breathes Bars Of Fresh Air On Hitmaka Collaboration ‘Back In My Prime’
Danny Brown & JPEGMAFIA ‘Scaring The Hoes’ Lives Up To Its Title
Larry June & Alchemist ‘The Great Escape’ Flaunts A Familiar Blueprint That Works
EST Gee ‘Mad’ Falls Behind His Previous Work With Lethargic Street Raps
Navy Blue Finds Peace On His Major Label Debut, ‘Ways of Knowing’
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