A-Plus – My Last Good Deed

    A-Plus’ highly anticipated debut solo album My Last
    Good Deed
     has taken long enough. After many years of touring the
    country as a member of the Hieroglyphics and Souls of
    Mischief
    , the man has finally laid down his solo LP (not to be
    confused with A+ The Latch-Key Child). Expectations
    are often hard to live up to, and after such a long, respectable career,
    expectations were incredibly high for this solo debut.

    The album opens and ends with spoken word poetry, which is an indication of
    what can be expected on the album. The poetic rhyme pieces by A-Plus
    on this album give you sincerity throughout the LP as he speaks freely about
    his life: “No obstacle could stop my pull/ it’s something you gots to know:
    I’m not for bull,”
    he raps on “Goodtime Charlie.” Through his words,
    the perseverance and honesty he possesses is also evident.

    Creativity also helped A-Plus as he maneuvered through “My Dub Song”
    with its imaginative dub lines. On other tracks he speaks on everything from
    love to weed, but keeps it classy throughout: “Dealin’ with hoes and
    bitches could make you chauvinistic/but I’m from the O, where the game shows
    you the difference,”
    he says on the album, adding a sense of hometown
    pride and emotional openness most rappers shy away from. 

    A-Plus isn’t shy about anything, though, not even cops: “Them
    shady cops, they wondering what we up to/Go find out who killed my auntie and
    uncle/Till then: Fuck you.”

    While some topics aren’t the most imaginative (weed), the album showcases
    superb flow and lyrical complexities the Hiero and Souls
    crews were known for. Handling the bulk of the production for the album, A-Plus
    also shines on the boards. While not every song is all that impressive
    beat-wise, the album does have some high selling points when it comes to
    instrumentation. A-Plus and Co. create a sonic backdrop that
    is as smooth as the early 90’s with “It’s a Beautiful Thing,“My Last Good Deed”
    and more. Using some diversity, Plus’ production on the LP
    ranges from Jamaican music to mellowed out Hip Hop nicely. Diversity being a
    key point in instrumentals here, one song actually flips into two beats as Del
    and
    Pep Love
    join him for some nostalgia.

    Overall, few missteps and some ill wordplay create a positive listening
    experience. Some may think it’s “too much” on the lyrical tip, but even most
    beats are nice enough to nod your head to (or at least vibe with). This is not
    perfect and you don’t have to be a Hiero fan to “get” this
    album. Still, creative concepts, complex rhyme schemes and more of what is
    found here add up to why Hiero has had such staying power, and
    why A-Plus’ album was worth the wait.

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