Since his emergence onto the scene back in 2014, PnB Rock has followed a fairly safe path to success. The Rap&B singer/songwriter dropped five well-received mixtapes in three years, with the fifth one carrying the platinum single “Selfish.” He’s since signed to Atlantic Records and has been working on churning out his (quote/unquote) debut album Catch These Vibes.
Up until now, hearing one PnB Rock song generally meant hearing them all. His beat selection didn’t slide far from 100 BPMs and his honeyed voice calmly hovered on top like a passenger plane on autopilot. Catch These Vibes brings more variety out of PnB, both on the musical and songwriting tip, which makes it tough to take an abundant amount of these songs off repeat.
Most infectious is the steelpan two-stepper “TTM” that mentally puts listeners on a Caribbean beachside with drink in hand. Wiz Khalifa also blesses the track with an equally relaxing verse that will likely evoke listeners to “roll one up.” It’s the type of song that perfectly pivots Rock from the traditional hazy trap crooner into a more well-rounded R&B talent.
No less inventive is “3X” with internet sensation Smokepurpp. Abrasively produced by Ronny J, the track has PnB completely exiting his comfort zone and stepping into the deranged, overblown bass world of South Florida SoundCloud rap. It won’t be blazing up the charts anytime soon but Rock gets props for dipping his toe into unfamiliar waters.
The 10 collaborative tracks on the album are when PnB shows his most creative advances. When he links up with the likes Roy Woods, Juicy J and A Boogie, he lets his Trap&B guard down and plays the role of harmonious chameleon. Especially on “1Day,” where PnB adapts to Ugly God’s preferred hoppy, talk-rap style and on “iRun” where he and Lil Yachty merrily Auto-Tune through a jingly beat.
The flipside is that on the remaining eight solo tracks, Rock defaults back to the song-making we’ve heard from him for the past few years. The tracks fit within the parameters of today’s most popular sound, but still don’t show as much positive growth compared to the other half of the album.
“Pressure,” crafted by frequent PnB beat provider Slade da Monsta, is the most determining among this handful of humdrum solo cuts. It’s also the first place since his rise to Hip Hop mainstream where we get an update on PnB’s life that doesn’t exclusively center around female pursuits. “Damn, it’s crazy how the times change/ Cause lately I’ve been in a different mind frame/ And lately I’ve been thinkin’ ’bout the bigger picture/ Thinkin’ ’bout my brother, man, I miss that nigga.” He touches on fame, dead homies, his baby and consequently his baby mama, capping it off with “I gotta stay strong through it all/ And act like I ain’t goin’ through it all, through this pressure.”
Hearing an honest stream of consciousness like this from an artist focused primarily on getting nightclub spins is always refreshing.
Catch These Vibes has enough quality music to turn those who were apprehensive about his abilities into casual listeners, at the very least. More often than not on this album, PnB stretches his wings wide enough to catch those who are tired of the regular trap drum/murmuring formula. His next move still might be his best move but for the time being, this album allows him to continue on that path.
You’re advertising a known pedophile..wow.
PnB is a known pedophile? I didn’t hear anything about it but that’s prolly because I have yet to hear a single song I’ve liked. In his defense I also haven’t tried listening to his stuff outside of a few tracks here and there. And before anyone asks why I would look at his album review it’s cause hiphopdx.com usually puts a few songs with the actual review itself so I can get a quick feel for what they sound like & what type of music they put out. The songs I just skimmed over in this review where enough to know he’s just another carbon copied trashy ass industry driven a with minimal talent. May seem harsh but its true. Almost every song sounds the same, theres zero substance in his wordplay, and hes just 1 of the 95 out of every 100 garbage ass artists the industry continues to push to the masses. I don’t understand why or how these guys get fans and have careers but some how it happens and either I’m an idiot or the world’s filled with a lot of stupid people who provide these types of artists a platform to have careers As ridiculous as it all is I will give him credit cause he’s made himself a good living by making garbage so by no means is he a dumb guy. And if the pedophile thing is for real I take that last comment back about not being dumb.
Fire