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Hip Hop
Reviews
Tyler, The Creator’s ‘Chromakopia’ Is The Best Rap Album Of 2024
Big Sean’s ‘Better Me Than You’ Is A Mature Effort From The Punchline Merchant
Kanye West & Ty Dolla $ign’s ‘Vultures 2’ Is A Chaotic & Misogynistic Mess
Eminem Buries Any Remaining Prospects Of His Longevity On ‘The Death Of Slim Shady’
Bryson Tiller Gets Love Drunk On His Expansive Yet Sometimes Complacent Self-Titled LP
Z-Ro Uses Age & Experience To Preach The Good Word On ‘The Ghetto Gospel’
Buddy Gets Mindful As He Cruises To Better Days On ‘Don’t Forget To Breathe’
Roc Marciano Makes Shooters Pay The Price On Sh-t-Talking ‘Marciology’
Beyoncé’s ‘COWBOY CARTER’ Is An American Requiem That Reclaims Southern Culture
SiR Faces His Demons With Raw Vulnerability & An Angelic Voice On ‘HEAVY’
Joyner Lucas Falls Victim To Past Grudges On Vindictive ‘Not Now I’m Busy’
Tyla’s Self-Titled Debut Stuns As The Exchange Student Turns All-American Girl Next Door
Future & Metro Boomin’s ‘WE DON’T TRUST YOU’ Toes The Line Between Killer & Filler
Justin Timberlake’s Star Struggles To Shine On ‘Everything I Thought It Was’
Chuck Strangers Gets Bolder & Stronger Than Ever Before On ‘A Forsaken Lover’s Plea’
Tierra Whack Finds Light In The Darkness With Unflinching Honesty On ‘WORLD WIDE WHACK’
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