Capone – Revenge Is A Promise

    Taking revenge against those who have cast doubt on his solo career,
    Revenge Is A Promise (also known as R.I.P.) signifies Capone’s [click to read] third
    studio album, as well as his first solo venture through Bay Area-based SMC Records. Just months after Capone‘s long-awaited reunion with N.O.R.E. came as Channel 10 [click to read], the duo releases a pair of solos. Despite an impressive guest-list, the lesser acknowledged lyricist of the duo has an album with lots of theme, just short on originality and substance.

    Capone’s strong suit on Revenge Is A Promise is his illustrative
    storytelling.  Sampling Duran Duran’s “Come Apart,” “Fallin’ Apart”
    reveals an introspective account about Capone’s street ties, which have
    resulted in a series of dire consequences, as well as a rollercoaster of
    emotions.  A similar saga of hardship is discussed on “Lonely,” which
    daringly samples Bonnie Tyler’s 1983 platinum hit “Total Eclipse Of The
    Heart.”  With a more upbeat tone, “Rock Star” conveys an alluring tale
    of a drug dealer traveling from small town to small town, achieving Rock star status.  On “Witness,” Capone tells a short yet frantic
    portrayal of a perceived 6 A.M. Federali drug raid.  Paranoid, ‘Pone
    and his female accomplice flush his cocaine and hide other
    incriminating items inside the safe, only to discover that the
    individuals knocking at the door were two Jehovah’s Witnesses.
     Eventually finding himself in a standoff against the shield on “Take
    Me Alive,” Capone fearlessly takes the cable man hostage with a
    double-barreled shotgun.

    While the album serves as a considerable mixtape, Revenge Is A Promise
    lacks the polish of Pain, Time & Glory [click to read].  Although the extent of
    Noreaga’s involvement as an executive producer is unclear, it is
    certain that R.I.P. is a lateral move from his disappointing sophomore
    effort, Menace 2 Society [click to read].
    Optimistically, this album should declare R.I.P. to Capone’s slump as
    a lackluster solo artist, and symbolize the rebirth of an emcee, whom is
    undoubtedly capable of producing better.

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