The sexual callousness on "Hotel California" wears off quickly, and listeners are left with a release better fit for a Ramada Inn than a Four Seasons.
"Wolf" finds Tyler, the Creator successfully and artfully juggling his following's expectations with his personal growth.
Yelawolf is a true artist, and he should have room to experiment. But "Trunk Muzik Returns" essentially amounts to a missed opportunity.
Kansas City's Ces Cru spit rapidly for the sport with a hint of friendly competition, making "Constant Energy Struggles" a solid first outing on a bigger stage.
Despite a few missteps, "360 Waves" offers the two essential elements of quality Hip Hop, entertaining, informative rhymes paired with quality production.
On the contrary, "I Am Not a Human Being II" is very human. Wayne is constantly horny, often drugged up and only takes a few moments for self-reflection.
Moosh & Twist may be young in Rap years, but "Back To The Basement" should only reaffirm that the best is yet to come for the Philadelphia-based duo.
There are isolated moments on "Beautiful Death Machine" where Swollen Members succeed with displays of truly elevated lyricism and production.
"The 20/20 Experience" should have a bite as equal as its bark. It doesn't; but it's still damn good.
The Demigodz are a fraternity. They have fun making the music, and any listener can absorb that energy and draw closer as "KILLmatic" spins.
His bars don't yet garner as much acclaim as his beats, but the highlights of "All I've Ever Dreamed Of" solidify Hit-Boy's place as a fixture in the game.
Those checking for this project based on the appearance of Blu's name on production will be pleasantly surprised that ANTHM clearly shines on "Handful of Dust."
While the subject matter on "Hark" isn't for everyone, The Dopplegangaz mix innovative, off kilter production with irreverent, sometimes hilarious rhymes.
"Malt Disney" is a condensed yet woven tightly together by DeeJay Element's production and Koncept's crass but fun bars.
While he's still refreshingly honest and funny at times, Cappadonna proves that few, if any, emcees can carry a double-album worth of material.
As a whole, "Abrasions" serves as a noteworthy collaborative effort for this dynamic underground emcee and producer duo.
By co-opting the title of John Coltrane's 1965 classic, "A Love Supreme," Bilal is at least hinting at lofty expectations. For the most part he exceeds them.
Kutt Calhoun's "Black Gold" revels in its ability to highlight the unique approach of Strange Music while still sounding refreshingly conventional.
Ill Bill provides a rather jarring listen, as "The Grimy Awards" sticks steadfast to an abrasive script.
CyHi The Prynce does a lot of partying and a lot of reclining, resulting in a project that is somewhat fun but also quite lackadaisical at times.