Tali Blanco's "Gettn 2 It" is a collection of melodic, endearing Rap that by and large doesn't take itself too seriously--making for a solid debut.
While sometimes falling victim to Pop platitudes, SZA's TDE debut is a strong, nostalgic trance about heartbreak and self-questioning.
Another blistering addition to Pharoahe Monch's discography, "P.T.S.D." helps make the case that Pharoahe now possesses one of Hip Hop's strongest catalogues.
Aside from an obvious inclusion of classic source material, "Illmatic XX" brings little innovation to a project that still holds up on its own after 20 years.
King Los maintains his high-octane flows, but an inability to consistently craft songs and choose quality production hinders "Zero Gravity 2."
With "The God Complex," GoldLink explores fame and the perishable nature of the human flesh and pushes the boundaries of his brand of R&B-infused, Electro Rap.
Castle is full of weird personality. If "The Return" fails to gain traction, it's a consolation that the rapper's not fitting in for all the right reasons.
While it suffers from a lack of cohesion at times, Chuck Inglish's "Convertibles" stands as a compelling, genre-altering offering just in time for summer.
With hard lyricism and simple, yet contagious production, "The Infamous Mobb Deep" is a successful continuation of "The Infamous" almost 20 years later.
The randomness of Nocando's off-kilter flow and eclectic production make "Jimmy The Burnout" rewarding for those willing to take the time to delve into it.
With a revamped production formula, Grieves is still making catchy, accessible music, but "Winter & The Wolves" rarely pushes any buttons lyrically.
Sage The Gemini's lack of diversity hold "Remember Me" back, but it's still largely likeable as festive, West Coast party-oriented Hip Hop.
Memphis Bleek's "The Movement 2" contains more misses than hits but serves as a forum for reflection, flossing and an immense improvement from its predecessor.
While "By Any Means" is a lean 56 minutes, Kevin Gates still finds room to entertain his schizophrenic tendencies and showcase his star quality.
Jon Connor's "Best In The World" is a mixtape in the very traditional sense. Connor appropriates Kanye West's work without sacrificing complexity or heaviness.
A$ton Matthews subject matter on "A$ton 3:16" doesn't stray far from street talk, but his production choices, features & legitimacy provide hope going forward.
Onyx puts forth a conservative effort on "Wakedafucup," but an abundance of thematic elements helps translate the time and effort put into making this album.
Even with moments of magic, SpaceGhostPurrp's "BMW 2: IntoXXXicated" is too predictable and redundant to truly be good.
Primed for the spotlight, Vince Staples benefits from strong connections, raw talent and poignant social commentary with the edgy "Shyne Coldchain 2."
As Gangster Rap, "Pinata" is free of conceptual pretense, it's a slice more than a thesis and undoubtedly Freddie Gibbs' best, most streamlined album to date.