Ab-Soul has let his high filter out some of the revelations, but "These Days..." is his accessible introduction to the world.
Packed with comedy, film, '90s television, and folklore references, Open Mike Eagle's "Dark Comedy" is an incredibly fulfilling listen.
Buckshot is pure Brooklyn, and with P-Money, "Backpack Travels" genuinely reflects the traditionally straightforward stylings of Brooklyn Hip Hop lore.
While Mayer Hawthorne and 14KT combine for some nice electronic Funk, many of their ideas ideas don't fully translate to the finished product.
ZelooperZ gels a cacophony of beats, rhymes and imagery into a menagerie that pushes the envelope, but he's green enough to be overwhelmed by his own charisma.
"Brand New Day" is an unbalanced but ultimately pleasing mix of Swollen Members' signature stylings with enough experimentation to keep things interesting.
Sage Francis delivers some exalted moments on his long awaited LP, but falls short of transcending his ideas to portray the true depths his of emotions.
Alex Wiley's post-drill Village Party raises the bar on the artist's previous work, but fails to live up to its musical ambition enough to limit its enjoyment.
PeeWee Longway is buttressed by signature production here and his dexterous flows show much promise, but the duds overwhelm you as much as the wins dazzle you.
Canibus is the prototypical rapper's rapper, and while he does a few things well on this LP, his 15th effort is plagued by obtuseness and shoddy production.
Riff Raff's "Neon Icon" is neither entertaining as sheer parody, nor a passable attempt at making a sincere Hip Hop album when judged by its merits.
Pro Era's "The Shift" is the result of Brooklyn crate diggers turning on Hot 97, and the triumphs aren't without a few growing pains.
50 Cent's "Animal Ambition" is marred by its own limitations and obsessive portrayal of self-worth amid a recitation of "Get Rich or Die Tryin'" buzzwords.
With "Thoughtful King," Damani Nkosi has crafted a uniquely excellent album practically accessible to any audience without compromising anything.
With a one-two punch that offers both hardcore and underground styles of Hip Hop, "Barrel Brothers" delivers a knockout blow from Skyzoo and Torae.
Yo Gotti and CMG's "Chapter One" finds Gotti in familiar territory while providing a platform for his burgeoning roster to play to their respective strengths.
Despite his penchant for experimentation, an overabundance of Auto-tune and worn out concepts make Wiz Khalifa's "28 Grams" a lackluster effort.
With "House Rules," the respective members of Slaughterhouse showcase improved songwriting ability and fleshed-out songs as opposed to out-rapping each other.
Despite grand production, Kolley's "RNS" stumbles because his delivery and his often basic rhymes leave much to be desired.
DJ Jean Maron's "True School," provides clear highlights, but sonically and lyrically fails to consistently meet the high standard of Rap it advocates.