Chris Brown's attempts at appealing to all corners of the urban pop spectrum at-present are commendable, but possibly a case of the vocalist doing too much.
Slimkid 3 and DJ Nu-Mark offer a solid but sometimes inconsistent product with their self-titled, collaborative effort. It's nostalgic but not progressive.
"Free Crack 2" is a step-up from its predecessor in both production value and expectations, but Lil Bibby swerves slightly, creating a fractured listen.
Jhene Aiko's sterling debut brings a level of honesty, depth of feeling and candor to the R&B space, but stagnates just enough to cheapen its dreamscape.
"Next To Nothing" finds Rittz at home over dynamic production, blending early mixtape strategy with new material which to appease old fans and gain new ones.
Curren$y's wit and wordplay are present throughout "Saturday Night Car Tunes," but a lack of cohesion and focus keeps the mixtape from reaching elite status.
The frank, off-kilter "Hallways" is excellent "grown up" Hip Hop that has no interest in romanticizing or condemning Homeboy Sandman's shortcomings.
The appearance of a few rushed tracks doesn't detract from Gucci Mane impressively reverting to his early aughts form with the "I Am Trap" mixtape.
While containing a few hiccups, Problem's "354: Lift Off" is an entertaining blend of original material and reinterpretations of well-known hits.
While Jeezy's "Seen It All: The Autobiography" is uneven in spurts, it feels like an honest, autobiographical retelling of Snowman lore.
While not as solid as his "Beach House tapes," "Sign Language" is a persuasive indicator Ty Dolla $ign will eventually smooth out the kinks in his approach.
With a simple but winning formula of aggressive rhymes and production to match, "The Beauty Of Independence" revisits G-Unit's peak with an eye on the future.
If filmmaker David Lynch made a Hip Hop album, it would probably sound like this one Adrian Younge and Souls of Mischief's "There Is Only Now."
Mick Jenkins' "The Water[s]" is an incredibly challenging project that requires multiple listens to fully unpack its meaning.
Sultry urban Brit' FKA Twigs has created a stunningly beautiful, genre-less debut that will haunt you for weeks after you've stopped listening.
Statik Selektah enlists Hip Hop's best on "What Goes Around...," bringing a scratch-heavy, Jazz-tinged sound back into the spotlight.
With "King Of Everything Else," Slaine sticks to his brash delivery, solid production, and understated wordplay adding another album to his growing catalogue.
Inconsistency prevents "Blacc Hollywood" from greatness, but for better or worse, Wiz Khalifa's latest sounds like a project from someone with nothing to prove.
"Live Like You're Dead" is surprisingly experimental, with Has-Lo & Castle revisiting familiar territory only after freely kicking down underground Rap tropes.
Despite somewhat limited subject matter, Joey Fatts shines on "Chipper Jones Vol. 3" with heartfelt rhymes and diverse production.