Keyshia Cole successfully expresses fervent, unfettered emotion on "Point Of No Return", but finds it challenging to deliver a stand out single.
With "March On Washington," Diamond District provide a concise, diverse package that showcases their skills while providing entertainment and social commentary.
Rapsody's "Beauty and The Beast" is a stellar take on her strengths, but doesn't experiment enough with her delivery to truly carry Jamla's searing production.
FlyLo's fifth LP is intimate and ethereal, and though its title embraces the macabre, the project favors liberation over lamentation.
Concise, jarring, and ominous, "Hell Can Wait" succeeds at conveying the apocalypse of some realities, turning a local lament in to a universal one.
On "The Great Year," The Black Opera use their distinct sound to take a stance, but there are moments when that stance could use some nuance.
Saigon's latest iteration of "Greatest Story Never Told" isn't a retread, but it's a reminder that he's capable of better.
"Angry Young Man" finds OnCue immolating himself on wax with hell-bent bars over gnarled guitar synths, but he flattens out as songs become repeat affiars.
Experimental in almost all the right ways and filled with well-crafted, ominous beats, "NehruvianDOOM" is a step up for the emcee in his young career.
STN MTN has Childish Gambino rapping over the most accessible production of his career, but we also see his rhyme schemes fall short where they usually shine.
The bizarre trinity of Birdman, Young Thug, and Rich Homie Quan makes for a surprisingly trap-love-fest that hypnotizes you for its entirety.
Overall, Tinashe's debut succeds on almost every level, weaving her sultry voice, solid songwriting and stellar production to craft a cohesive debut.
With "Switched On," Madchild is playing to his strengths, but he shines best when he takes risks.
Ace Cosgrove is a storyteller who is truly adept at his craft, but on "UsVsRobots," modern beats don't quite mesh with his timeless flow.
Diamond D's "Diam Piece" features superlative production and deft flows, but settles too neatly into a groove that doesn't quite allow escape velocity.
While serviceable in spurts, Hustle Gang's "G.D.O.D. II" provides 20 mostly vapid trap-related offerings with little entertainment value or introspection.
For the majority of "Hard Core 2k14," Lil' Kim unsuccessfully chases new trends instead of banking on the underrated skill set that made her a star.
Big K.R.I.T.'s "See Me On Top Vol. 4" a true mixtape in its form, but it doesn't serve as an entry point for new K.R.I.T. fans or preview "Cadillactica."
"House Slippers" is technically sharp and creatively transparent, but ill-fitting, R&B-infused tracks spliced between stronger efforts, hinder its consistency.
Despite resorting to generalities at times, Lecrae's "Anomaly" is about being different. The fact that Lecrae actually is makes it a solid, genuine effort.