As part of Complex TV’s Magnum Opus series, the publication caught up with Puff Daddy, Mase, and a number of other music industry insiders to get the story behind the creation of Puff’s 1997 record, “Can’t Nobody Hold Me Down.”

At the start of Complex’s video, the Bad Boy Records founder says the song, which would serve as Puff’s debut single, was “the experiment that turned into a legendary formula.”

He then detailed the use of “The Message” sample used on “Can’t Nobody Hold Me Down.”

“I knew I liked the record,” Puff said. “I knew I had produced a lot of hit records, but I didn’t have nothing with my voice on it. So, in the grand scheme of things it was the experiment that turned into a legendary formula.

“It was one of my favorite songs growing up, but I felt like I could put like a twist on it,” he added, while speaking on Grandmaster Flash And The Furious Five’s “The Message.” “I felt like it was a sample because of the tempo and the speed of it. It wasn’t really played in the clubs a lot. And it wasn’t really something that—It was something that everybody knew. There was an opportunity to put a new flip on it…And this was during the time of course when sampling—when everybody was sampling and looking for the hottest sample.”

In addition to Puff Daddy, “Can’t Nobody Hold Me Down” also featured former Bad Boy Records artist Ma$e. The Harlem rapper recalled being caught off guard by the beat for the record, which he says sounded similar to Ice Cube’s “Check Yo Self,” a song that also sampled “The Message” and was released years prior.

“That record was Ice Cube’s record,” Ma$e said. “So, when I heard it I was thinking ‘What are we doing? This is Ice Cube beat.’ And at that point we had already had beef with the West Coast. So, I was thinking ‘Why are we doing this beat again? This is not gon’ be good’…It took me literally like two weeks to figure out exactly what he wanted. Like I would hit it here and there and then I would tell him certain things. He would go ‘No, that’s not it.’ He said ‘Let me see where you’re going with it.’ And the first line he’d be like ‘No, that’s not it.’ And I would think ‘You didn’t hear the rest of it.’ He’s like ‘I heard the first line.’ I was like ‘You didn’t hear the next bar. The next bar is crazy.’ He was like ‘But you’re setting it up. Instead of just coming out with it.’ So, I would write a dope verse and think it’s for me. And he was like ‘No, I wanna say the verse you were gonna say for you.’ And then at that point I realized working with him I’m gonna have to go over the top cause the verse I think’s for me may be his verse.”

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