The thin line between mixtapes, EPs, albums, playlists and whatever else artists are calling their projects these days became increasingly blurred in 2017. Whether it was Dave East’s 13-track Paranoia EP or Drake’s More Life “playlist,” it seemed like classifications were up in the air.
Check out HipHopDX’s picks for the best Mixtapes, EPs, and “others” of 2017 below.
Drake — More Life
Release Date:March 18, 2017
Label: OVO Sound, Young Money Entertainment, Cash Money Records and Republic Records
AD LOADING...
The 6 God knew what he was doing when he named this project More Life. The Toronto titan keeps squeezing more life (and more sales) out of the chart-topping, record-setting project, which has been on the Billboard 200 for the past 38 weeks. It’s already surpassed 1 billion streams, and broke streaming records on both Spotify and Apple Music. With co-production from Kanye West on “Glow” (which also features Yeezy) and big tunes like “Passionfruit,” “KMT” and “Portland,”More Life helped Drake roll out more hits.
EarthGang —RAGS
Release Date: September 1, 2017
Label: Spillage Village
After Dreamville head honcho J. Cole announced he’d signed EarthGang in August, the Atlanta duo wasted no time by releasing a new project — RAGS — the following day. The five-track taster offers guest appearances from Mick Jenkins, Childish Major and fellow Spillage Village artist J.I.D, and brilliantly displays the duo’s propensity for packing endless descriptors into its flawless deliveries. For 24 minutes, Johnny Venus and Doctur Dot make a case for their Dreamville placement — so far, so good.
AD LOADING...
Royce Da 5’9 — The Bar Exam 4
Release Date: June 20, 2017
Label: 916% ENTERTAINMENT
Nickel Nine’s ferocity on the mic is undeniable. Since breaking into the scene in the early ‘00s, the Slaughterhouse vet has established himself among the upper echelon of gifted MCs (and rightfully so). While still considered more underground than mainstream, hisBar Exam 4mixtape reimagines some of 2017’s biggest songs, including Future’s “Mask Off” and Playboi Carti’s “Magnolia.” Throughout the 28-track project, the Detroit native flexes his otherworldly lyrical abilities and puts the exclamation point on “Dope!”
Prince Paul — The Redux
Release Date: October 13, 2017
Label: Self-Released
AD LOADING...
Celebrated producer Prince Paul — renowned for his groundbreaking work on De La Soul’s genre-bending 1989 debut 3 Feet High and Rising — did something most artists never get a chance to do during the course of their careers. He redid an entire album — for free. In this case, the Handsome Boy Modeling School alum reimagined his 2003 album Politics of the Business in the form of The Redux, with features from the late Guru, RZA, DOOM, De La and Jean Grae. Imagine getting smacked with a Golden Era album in these times. Voilà The Redux!
Buddy & Kaytranada — Ocean & Montana
Release Date: May 19, 2017
Label: Cool Lil Company, LLC
Compton-based artist Buddy pushes the boundaries of rap with his colorful hooks and sonically diverse soundscapes. In May, he delivered Ocean & Montanafeaturing often frenetic — yet stellar — production from DX’s 2016 Producer Of The Year, Kaytranada. The simplicity of his lyrics, which primarily revolve around weed and women, make the project a light, easy listen.
AD LOADING...
Joyner Lucas —508-507-2209
Release Date: June 16, 2017
Label: Atlantic Records
Before Joyner Lucas was making waves with his polarizing “I’m Not Racist” video, the Atlantic Records signee was balling on a budget with 508-507-2209, his fourth solo mixtape. The video for the lead single “I’m Sorry” has since garnered over 19 million YouTube views and presumably widened the Massachusetts native’s fanbase. (The aforementioned “I’m Not Racist” video has collected over 21 million views in less than a month.) Despite having a dozen producers for the mixtape, including Statik Selektah, Boi-1da, The Cratez, Decap and Lucas himself, the 16-track effort manages to deliver cohesiveness from start to finish.
Lil B — Black Ken
AD LOADING...
Release Date: August 17, 2017
Label: BasedWorld Records
When Lil B isn’t pushing his love, peace and harmony agenda to his loyal legions of followers, the self-proclaimed BasedGod is pumping out projects like his long-teased mixtape,Black Ken. On his latest, the Berkeley-based rapper spits wisdom he seemed to have learned from an ‘80s pimp (or was that Too $hort?). It’s almost like Lil B was transported from another era and plopped down in 2017 like, ‘Let’s get hyphy.’ Just as he proclaims on Track 3, he’s a “Bad Mf.”
YoungBoy Never Broke Again — AI YoungBoy
Release Date:August 4, 2017
Label:Never Broke Again, LLC
AD LOADING...
The 18-year-old Baton Rouge rapper hit the ground running with his AI YoungBoymixtape this year. Although his legal trouble started before he hit puberty, a judge sentenced him to a suspended 10-year prison sentence and three years of probation in August for his role in a drive-by shooting. Now, he’s armed with more life experience than most men twice his age. On AI YoungBoy, he explores love on songs like “No. 9” and his tumultuous criminal past on “Dark Into Light” featuring Yo Gotti, all while demonstrating his storytelling potential.
Skyzoo — Peddler Themes
Release Date: July 21, 2017
Label: First Generation Rich/EMPIRE
With real-life experiences on the Brooklyn streets to back it up, Skyzoo put pen to paper and wrote the Peddler ThemesEP, an eight-track prelude to his forthcoming full-length album, In Celebration Of Us. Against a jazz-infused soundscape provided by seasoned producers like !llmind and Apollo Brown, Skyzoo delivers ‘90s-inspired East Coast boom-bap track after track.
AD LOADING...
Winner — Freddie Gibbs — You Only Live 2wice
Release Date: March 31, 2017
Label: ESGN, Empire
Freddie Gibbs had one of the most trying periods of his life in 2016 when he was accused (and subsequently acquitted) of sexual assault. Taking all of that pain and frustration, he was able to funnel it into the eight-track EP,You Only Live 2wice, most notably on the song “Crushed Glass.” He goes into detail about what it was like dealing with the experience. The project proves that even through adversity, good art (and justice) can prevail.
