As the Scott Cooper and Johnny Depp vehicle “Black Mass” hits theaters tomorrow, DX looks into rappers who found themselves at large.
Without question, “Power” has been a huge success this year for the G-Unit general.
DX speaks with talent buyers Kevin Morrow and Paul McGuigan about its biggest Hip Hop moments.
Michelle Obama wishes Beyonce a happy birthday, and Travis Scott calls fans “faggots” during a performance.
Drake gets blamed for Serena William’s U.S. Open loss and Hillary Clinton does the Nae Nae.
Many artists take to social media to remember September 11, and Meek Mill shares the lessons he learned from Jay Z.
Growing old in Hip Hop isn't easy, but Eminem and Scarface have found ways to stay on top despite the challenges.
This week, we examine the success of Fetty Wap and if Hov’s sixth album was his creative peak.
How does the first semi-official reunion of Black Hippy fare?
For the first edition in DX’s new series about viral videos, we look into a suburban kid’s fascination with Chicago’s Drill scene.
It looks like funnyman emcee Lil Dicky is here to stay.
Following the success of All Eyez On Me: The Writings Of Tupac Shakur, these Hip Hop legends could use the treatment as well.
Out of all the things the Hip Hop web has vilified, the "struggle rapper" might be the least deserving of all that ridicule.
Many emcees including Warren G and DJ Quik reflect on the first time they met the incomparable Eazy-E on what would have been his 52nd birthday.
On the 19th anniversary of Tupac Shakur's Las Vegas shooting, details around Hip Hop's most important unsolved murders remain in shadow.
Social Media parodies the Tim Westwood and Young Thug interview.
Rumors of Apple blocking the TIDAL stream of Drake’s performance are shot down, and Kevin Gates is charged with battery for kicking a fan.
Lupe Fiasco makes sure fans are satisfied with his “Lasers” album, and La La Anthony joins The Game on his Robin Hood Project.
Social media has changed everything, including how fans interact with rap lyrics.
Irrational social media presence, violence against women and slowed musical output makes the Baton Rouge artist’s career disappointing so far.