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Marcus Blackwell
Review: Blac Youngsta’s Personality Makes “Fuck Everybody 2” A Fun Listen
Review: Doe Boy & TM88 Amp Up Ambition On “88 Birdz”
Review: Koran Streets Bares His Soul On Lukewarm “Late 20’s”
Review: YFN Lucci & Yung Bleu Are Trap Casanovas With “Lucci Vandross”
Review: Michael Christmas’ “Role Model” Bursts With Personality & Quirk
Review: wifisfuneral “Ethernet Vol. 1” Feels Like Treadmill Trap
Review: Femdot’s “Delacreme 2” Is Unfiltered Political Commentary
Review: Zaytoven’s “Trap Holizay” Slightly Evolves His Signature Trap Style
Review: Jayswifa Is A Sound Researcher On Solo Debut “Enigma”
Wale’s “Self Promotion” EP Bleeds Rejuvenation
Review: BlocBoy JB’s Charisma Carries “Simi” Despite Limited Mic Skills
Review: King Combs Packs Plenty Of OG Bad Boy Flavor On Debut Mixtape, “90’s Baby”
Review: Smoke DZA’s “Not For Sale” Offers Modern Takes On Vintage Hip Hop
Review: SAINt JHN Marinated Debut “Collection One” To Quality Standards
Review: M A E S T R O Makes Promising Debut With “Wav God” EP
Review: YFN Lucci Makes Strong Intro With “Ray Ray From Summerhill”
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