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Matthew Ritchie
Drake & 21 Savage ‘Her Loss’ Leaves You Wanting More
Duke Deuce ‘Crunkstar’ Cements Him As A New Age King Of Memphis Revivalism
070 Shake ‘You Can’t Kill Me’ Crafts An Arthouse Film Filled With Emotional Experiments
Kendrick Lamar ‘Mr. Morale & The Big Steppers’ Examines The Ugly Side Of A Modern Rap Superstar
Quelle Chris’ ‘DEATHFAME’ Exhibits Excellence At Navigating The Pitfalls Of Popularity
Vince Staples ‘Ramona Park Broke My Heart’ Illuminates The Nightmare Of American Neglect
Review – EST Gee & 42 Dugg ‘Last Ones Left’ Is Marginally Better Than Outplayed Superstar Rapper Team Ups
Review – Phife Dawg ‘Forever’ Grants the Legend A Space To Say Goodbye On His Terms
Review – Lil Durk ‘7220’ Vividly Explores His Pain But Is Undercut By Formulaic Production – & Morgan Wallen
Review – Kanye West ‘Donda 2’ Is More Focused Than The 1st – But Spends Too Much Time On You-Know-Who
SABA ‘Few Good Things’ Album Is A Cathartic Exhale That Pulls Listeners Through Emotional Dips
The Weeknd ‘DAWN FM’ Is An 80s-Thrill Ride With R&B, Hip Hop, Pop & Disco For Wheels
Chief Keef ‘4NEM’ Is A Triumphant Exhibition Of The Chicago Drill King’s Longevity
Jazmine Sullivan ‘Heaux Tales’ Is A Glorious Vocal Exhibition Marked By Emotional Intimacy
Review – Summer Walker ‘Still Over It’ Spins Personal Turmoil Into Gold – Or Platinum
Review – Don Toliver ‘Life Of A Don’ Sounds Gorgeous But Also Like Lazy After-Party Vibes
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