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Dash Lewis
Andre 3000 Surprises & Delights On Unexpected ‘New Blue Sun’
Fly Anakin & Foisey ‘Skinemaxxx Side B’ Is A Potent Course Correction
Young Thug Delivers An Uneven Surprise On ‘Business Is Business’
billy woods & Kenny Segal’s ‘Maps’ Is A Stellar Reflection On The Casualties of Tour
Fly Anakin & Foisey ‘Skinemaxxx (Side A)’ Sounds Good But Is An Uneven Project From A Gifted Duo
Big Scarr Proves He Had So Much More To Give On Posthumous ‘The Secret Weapon’
Skech185 & Jeff Markey Gives Voice To Exhausted America On ‘He Left Nothing for the Swim Back’
03 Greedo & Mike Free ‘Free 03’ Proves The Melodic Trap Pioneer Is Still Sharp As Ever
Backwoodz Studioz – A Look Back At Their Brilliance in 2022
MAVI ‘Laughing So Hard, It Hurts’ Beautifully Searches For Meaning In A Tragic World
Boldy James ‘Fair Exchange No Robbery’ Is An Off-Kilter Triumph
Freddie Gibbs ‘$oul $old $eparately’ Is A Big Budget Victory Lap
Larry June ‘Spaceships On The Blade’ Is His Most Dynamic Album Yet
Meyhem Lauren & Daringer ‘Black Vladimir’ Is A Hardnosed Slab Of ’90s-Inspired Noir Rap
Joey Bada$$ ‘2000’ Successfully Spearheads His Comeback Despite Some Flaws
Kevin Gates ‘Khaza’ Trades Intensity For Vulnerability With Mixed Results
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