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Aaron McKrell
Review: Big K.R.I.T.’s “Thrice X” EP Serves Its Raw Rap Purpose
Review: Tee Grizzley’s “Still My Moment” Is His Moment Of Truth
Review: IDK Finds Good Company On “IDK & Friends”
Review: Rapper Big Pooh & Focus… Gel Smoothly On “RPM”
Review: Styles P’s “Dime Bag” Is Both Formidable & Familiar
No Blasphemy: Why 2Pac’s “The Don Killuminati: The 7 Day Theory” Is Rap’s Greatest Album
Review: Ghostface Killah Revels In Classicism On “The Lost Tapes”
Reviews: T.I. Hits Benchmark With “Dime Trap” Album
Review: Lupe Fiasco’s Technically Superior “DROGAS Wave” Still Lacks Focus
No Vegan: From JAY-Z To Eminem, A History Of Joe Budden’s Beefs
Review: Mass Appeal’s Cantrell Establishes His Talent With “Stardust 2 Angels”
Pressing The Issue: Why Eminem’s Critic Criticism Is Problematic
Review: Bun B’s “Return Of The Trill” Is Poised & Potent
Review: Page Kennedy’s “Same Page, Different Story” Unlocks Stellar MC Status
Review: Aminé is Down With The Downbeat On “ONEPOINTFIVE”
Review: Derek Minor’s “The Trap” Is Conscious & Gratifying
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