Rich Boy - Rich Boy

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By the time you hit the trifecta of the Needlz produced Gangsta, Brian Kidd's Get To Poppin' and Outkast producer Mr. DJ's And I Love You, it becomes very apparent that the only reason you're listening to this album is for the production

As artists below the Mason-Dixon continue to running this rap shit, Rich Boy and his self-titled Interscope debut is out to put Alabama
on the map with the likes of Georgia and Texas. Following the Kanye West blueprint, Rich Boy dropped out of Tuskegee University
to try his hand throwing some D's on this bitch. Of course, "Throw Some D's" is
likely the only reason you're reading this, as his hit single has been burning
the airwaves for months now.

From the outset it is pretty clear we shouldn't be expecting talents along
the lines of a Bun B or even Chamillionaire. What Rich Boy lacks in lyrical and technical
acumen he can make up for with banging production and a likable swagger.
Thankfully for Rich he's got one of Hip
Hop's hottest up and coming producers in Polow
Da Don
manning the boards for most of the album. "Boy Looka Here" is a
shining example as Polow unleashes
something nasty that matches Rich's
style perfectly. The chorus may drag it down a bit, but Rich and Polow connect
nicely again on the strip club anthem "Touch That Ass" which again displays Polow's dynamic production and Rich's style. The horribly-titled "Hustla
Ball Gangsta Mack" may feature the same old tired d-boy rhymes, but you're crazy
if you won't have it at full volume in your ride.

Like pretty much every major label album these days, Rich Boy is weighed down by cookie-cutter filler tracks. The
throwaway Lil' Jon track "What It Do"
is cringe-worthy and Rich's mundane
shit talking at women doesn't help matters. What do you know, the very next
song he takes a 180 and writes a "heartfelt" (and I use that term loosely),
pseudo-love song complete with syrupy hook. The LP's shot at a reggae vibe just
doesn't work and "Lost Girls" is prime for skipping.

By the time you hit the trifecta of the Needlz-produced
"Gangsta," Brian Kidd's "Get To
Poppin'" and Outkast producer Mr. DJ's "And I Love You," it becomes
very apparent that the only reason you're listening to this album is for the
production. Rich Boy's book full of