Waka Flocka Flame may not be breaking any new ground with his debut 'Flockaveli', but he'll sure have you banging your head.
Make no mistake, Live From The Tape Deck is worthy of your car stereo, iPod, CD player, or for heaven's sake, your tape deck.
Pimp C's final album 'The Naked Soul of Sweet Jones' proves Pimp is sorely missed, with collaborations with fellow UGK member Bun B, Drake, Jeezy and Rick Ross.
This succeeds in ways many producer-controlled LPs don't. Somehow, Ski resisted the urge to string a line of posse cuts together, creating a comfortable listen.
Unfortunately, the attempt at fusion on Record Collection just comes across as tired, despite involvement from Ghostface Killah, Q-Tip and D'Angelo.
The bulk of the album is still charged with enough emotion and visceral honesty to tap into the listener, with Cadillac-ready production ready for H-town's I45.
When the outstanding "I Need A Dollar" leaked a few months back, it was a thrill to hear Aloe finally finding what he'd been searching for.
The project doesn't disappoint and even more importantly it reintroduces classic protest songs to a generation that needs them more than ever.
Ironically on the title-track Lil Wayne gloats, "I thank God that I am not basic." This musical offering, on the other hand, will need a bit more convincing.
When he and his producers stay in their lanes, Mayor Gucci can serve his faithful constituents with the anthems that fuel their every day lives (or weekends).
Cube continues to stand tall on this LP as the veteran gun-slinger in the new west coast, who can still shoot with the best of them, even if he misses his mark.
As the mouth piece of The Niceguys, Easy Yves Saint personifies their theme of "performance and energy with a dash of awesomeness" nicely.
"Levels" is a pure experimentation that channels Miles Davis' direction in the mid-'70's. It's the type of production that is seldom seen in the R&B world.
With two singles already been tearing up the airwaves, Trey provides listeners 15 more tracks of high quality, modern R&B tailored toward the mainstream palate.
In wisdom-heavy "The Best Day," a bad day here isn't the stash getting hit, but a day in the life of a nine-to-fiver, high school kid or family man.
To build a career and have a string of hits, it helps to be versatile and clever. And that's something Dorrough just doesn't seem interested in being on Get Big
Channeling his energy into Album Of The Year, Black Milk highlights his past year on a 12-track album that shows his growth as an artist and a person.
After 10 years of waiting, Rah Digga proves she is a veteran who can stand alone - in her class as well as on the microphone.
This is the soundtrack of a NYCer growing up in a darker time. There is nothing friendly; no sidestepping around touchy subjects or sanitizing details.
Not only does KRS demonstrate the ability to rhyme at level not seen since I Got Next, he does so over some of the better production he's seen in recent memory.