"First Of A Living Breed" is another powerful entry into the Good Sun's discography. Convention be damned. Homeboy Sandman is still writing his own rules.
"Mourning in America and Dreaming in Color's" inspiring and heartfelt stance is another triumph for Brother Ali.
"Cruel Summer" is heavy and brash, and in that sense, it succeeds.
Colin Munroe has prepared a soundtrack to outliving trauma with "Unsung Hero," simultaneously breaking free of the style used to build his name originally.
Talib Kweli's vibrant energy on "Attack the Block" combines forces with a laundry list of guests from household names to rising sensations.
Despite Gunplay spewing what could be considered obnoxious to impatient listeners, there remains an engaging quality to his craft.
"Detroit" is a celebratory, albeit inhibited project that accentuates Big Sean's current status with some assistance from his industry friends.
Blu and Exile are without doubt a couple of super-talented Rap chaps, but they need to step out of their snug comfort zone.
On "Gangsta Grillz: Dedication 4," Lil Wayne shows glimpses of former glory while simultaneously confirming listeners' worst fears.
Madchild takes pride in making narrow-minded and polarizing art considered "real" to Hip Hop's culture.
Picking up where Dipset's swagger has stumbled, A$AP Mob is today's reckless force to be reckoned with.
Slaughterhouse is in a prime position to take advantage of the things Shady Records has to offer on "welcome to: OUR HOUSE" and not succumb to any pitfalls.
"The Idea Of Beautiful" meticulously strings together stories of heartbreak, triumph and a love for Hip Hop in a sincere manner.
Lacking any cohesion, "Kiss The Ring" is a series of single tracks that hit or miss, and one can only imagine what DJ Khaled's batting average is at now.
Properly positioned to win over the masses, Ace's fight to reach the top may remain an uphill battle so long as his creativity is at a standstill.
"Year of the Dragon" feels more like a mixtape than an album, but if Busta bills it as an album, then that's what it is.
"EST 4 Life" has its missteps, but succeeds in its capacity as a mixtape.
"This Time" isn't Sigel's strongest endorsement as an emcee - that would be "The B. Coming" - but it is a testament to his impeccable ability to select production.
With "Mile High," Kottonmouth Kings show they are sticking to what's expected with enthusiasm, even if it isn't executed exceptionally well.
Now with his debut album, "Based On a T.R.U. Story," 2 Chainz has revealed himself as the weakest guest on his own album.