Lloyd Banks doesn't tread new lyrical territory with "FNO," but he tweaks a winning formula with a collection of songs that range from solid to catchy.
Lecrae's "Church Clothes 2" may lack the inherent complexity and confrontation of its predecessor, but holds appeal for saints and sinners alike.
While it stumbles at times, Denmark Vessey's "Cult Classic" an enjoyable listen that succeeds because of its raw indulgence and callous honesty.
Though it runs a bit long "PA2: The Director's Cut" successfully draws from its prequel, while maintaining its own originality.
Getting past Mac Miller's bouts of immaturity and voice as "Delusional Thomas" is a chore and can be trying. But hidden behind those flaws is a good mixtape.
Xzibit, B Real & Demrick don't break the mold with their new super group, but "Serial Killers Vol. 1" is pure unadulterated, hardcore Hip Hop.
"Blue Chips 2" is a deranged stoner narrative, with a protagonist that's equal parts Hunter S. Thompson and Austin Powers.
Domo Genesis, Left Brain and Hodgy Beats provide little in the way of anything interesting for the sober-minded on "MellowHigh."
The production and detrimental hyper-lyricism showcase Eminem's worst habits throughout the album, but there is plenty of good on "The Marshall Mathers LP 2."
With "Ghost At The Finish Line," Quelle Chris aims to grow past the layman comforts of playing the people's champion.
"Gods In The Spirit" is a run-through. It's enjoyable to varying degrees, but Nottz and Blu fail in establishing any substantial overarching themes.
Repetitive material and poorly executed pairings mar some of DJ Khaled's best moments on "Suffering From Success," giving it little utility outside the club.
"The County Hound 2" serves as a welcome return for loyal Ca$his fans. Moments of introspection and a versatile delivery should appeal to new and old listeners.
"One For The Road" finds Devin the Dude in the familiar position of having a lit joint in his hand, but he also hits and misses with a change in subject matter.
Style reigns over substance on much of "Get Home Safely," but Dom Kennedy's effortlessness and hyper-locality throw things back to old West Coast Hip Hop.
Even when transitioning from understated brags to self-conscious street worries, Boldy James is consistent throughout "My 1st Chemistry Set."
While not without flaws, at its high points (of which there are many) Nipsey Hussle's "Crenshaw" is on par with or above a lot of artists' retail albums.
An overwhelming maturity and nostalgic flexibility make "No Poison No Paradise" Black Milk's best album, and one of the year's best in Hip Hop so far.
"Feel Good" is an upgrade from the group's debut album, "Purple Naked Ladies" across the board, resulting in an album that needs to be heard.