While not the most technically sound rapper, YG's introspective moments, catchy singles and A-list cameos make "My Krazy Life" a solid major label debut.
Where "We Are Young Money" portrayed Young Money as one big Playboy-Mansion-style party, "Rise of an Empire" offers a gloomy portrait of a house divided.
Aloe Blacc's "Lift Your Spirit" showcases a wide range of influences, yet also feels impersonal at times by seemingly pandering to Blacc's booming audience.
"Glitches In The Break" adds another notch to Black Milk's belt as an equally talented emcee and producer across multiple genres.
With "Manphibian Music" Chali 2na continues his artistic evolution as a bona fide veteran who has adapted to Hip Hop's modern era.
The lack of a standout track on the deluxe version of Prodigy and Alchemist's "P=MC2" leaves it better suited to longtime fans than the casual listener.
Pharrell Williams' "G I R L" scans as pop with little happening lyrically, but there's just enough soul beneath the album's smooth surface.
"Mastermind" is simply a hodgepodge of classic Rick Ross tropes thrown into one and tagged with a title more fit for super-villainy.
Flaws and all, "SATELLITE FLIGHT: The journey to Mother Moon" stands as one of Kid Cudi's biggest accomplishments.
Ashanti returns with "Braveheart," mixing pop, R&B, and the club. Is it a formula that still works for the Murder Inc. chanteuse?
Major Lazer's "Apocalypse Soon" is a modernized and very listenable journey to the heart of a several genres expertly merged together.
"Black Hystori Project" is a well thought-out piece of work that marks a distinctive change in CyHi The Prynce's creative outlook.
Homeboy Sandman and Paul White's "White Sands" seesaws between upbeat and downtrodden tracks to describe haunting aspects of our daily struggles.
At its best, "Oxymoron" showcases ScHoolboy Q's dark rhymes and ear for production, but a handful of ill fitting singles prevent it from being a superior album.
Pro Era's "The Secc$ Tap.e 2" loosely peruses romantic themes, but it completely lacks an understated touch or much in the way of innovation.
The consistency displayed on "The Drive In Theatre" makes for one of the more solid projects dropped by Curren$y in some time.
Juvenile lacks context to justify his fixation on thuggishness, making "The Fundamentals" depressingly desperate in its efforts to remain hip to the game.
With quality production to offset the sometimes repetitive themes in their obscene raps, "Peace Kehd" is another enjoyable listen from The Doppelgangaz.
"Sound of the Weapon," is Verbal Kent's most damning proof that he's devoted notepads to mapping out lyrical obstacles.
"Sinatra" isn't so much a mission statement of Vado's recent progress, but rather a reiteration of what initially made the Harlem rapper such an exciting act.