Rick Ross' "Hood Billionaire" rehashes much of Rozay's previous projects with little to no real emotion or imagination.
Joe Budden goes full throttle on heartache on "Some Love Lost," relentlessly pouring gasoline on his troubles.
Azealia Banks "Broke With Expensive Taste" is a chaotic album from an equally chaotic specimen in which we find her clearing a lane of her own.
The 1978ers combine live instrumentation with a myriad of musical genres to create an album that pairs creative artistry with a message that doesn't overpower.
Teyana Taylor's debut is filled with radio friendly, slight, sultry Hip Hop/R&B with a modern touch.
Bobby Shmurda quickly sets out to prove he is more than a one-hit wonder.
Big K.R.I.T. is turning over new sounds on Cadillactica and finding himself in the process.
A visceral and diverse listen, Vibes offers well-executed experimentation over surreal production.
"Designer EP" is an achievement for Thurz, whose particular kind of modern funk stands in direct contrast to the morose vibrato of the Rap soundscape.
Pointing a critical eye at our society through music, and the discussions of controversial taboos are what carry "Blasphemy" as a whole.
Stalleys debut album "Ohio" features his signature lyrical earnestness over bass-knocking production, but loses focus enough to distract from the whole.
With "Intuition", Boaz arrives at his big moment prepared yet his execution somewhat lacks consistency.
If Theres a Hell Below is an amalgam of different sounds flawlessly arranged and sequenced; a fine work of artistic exactitude.
With "Run The Jewels 2," Killer Mike & El-P carved out a shrewd niche. The stakes are raised even further with their latest project.
Logic's debut is more than a stirring lyrical symphony welded to superior production, it is a condensing of '90s grit and modern production into something new.
"The Midnight Life" refocuses DJ Quik's gaze inward; well into the third decade of his career, he's turning over new sounds and breaking ground in the process.
T.I.'s "Paperwork" plays out as an uneven effort that isn't so much inherently flawed as it is unentertaining through long stretches.
There's bourgeoning imagination in every stanza. "Cozz & Effect" brims with promise.
Childish Gambino's "Kauai" does an admirable job putting raw feelings before agendas or aesthetics, and it is easy to enjoy as a result.
"Blood Moon: Year Of The Wolf" starts strong and is at times well crafted, but loses it's focus through features enough to detract from the project's cohesion.