Although it's far from wack, it may take a studio debut album to break through old habits.
With 114, Lais aims to prove that he’s more than just another fan of his hometown heroes.
Coming up on ya from the South, the ATLien sound ain't changed.
Being described as trippy often comes with a sacrifice of artistry but the Zombie's can't relate to such issues.
A solid step forward in the Carol City rapper’s catalogue.
If only the youth ministry your outer circle friend invited you to sounded like this.
A self-titled debut that simply lacks the spirit to succeed.
A little more focus could have gone a long way for Zelooperz on his second album.
Two Los Angelenos chef up a b-boy soufflé for loyal indie rap foodies.
The lesson here is simple: If you plan on honoring The King of Pop, you best not miss.
The FIEND avoids the sophomore slump with a combination of poetic rhymes and solid production with very few stumbles.
Pro Era's young gunner can rhyme a lit bit. O.K., he can actually rhyme a lot.
Keeping it one thou, Project Pat is having too much fun at the expense of a good mixtape.
Kush God adds yet another proper wake and bake soundtrack to your daily routine.
"Jerome Raheem Fortune" may be Rome Fortune’s moment-too-soon, but it is as entertaining as it is scattered.
The duffle bag boys deliver the intangible goods.
The cocoon the caterpillar left behind before it became a Butterfly is crystalized with jewels.
85% pure sex.
Lengthy LPs usually fail to get to the point and YFN Lucci runs out subject matter on the album's top half.
On "Smoove Jones," Mya basks in her R&B roots with a modern twist.