Organized Battle Rap leagues have reached a staggering level of popularity. Has the sometimes side show quietly moved into the mainstream?
New Jersey producer/album-maker DJ K.O. submitted HipHopDX a piece on what it means to be a producer within Hip Hop to varying definitions, citing DJ Jazzy Jeff, Diddy and Dr. Dre to illustrate points.
The winner of ego trip's "White Rapper Show" on Vh1 comes forward to offer insights on how to stay paid in the Rap game, and not be another victim of owing the IRS.
HipHopDX's Editor-In-Chief provides a reflection of his brief dealings with Chris Lighty, and why Hip Hop needs more humanity in life and in death.
Controversial, sometimes even secretive imagery will always have an appeal but that doesn't necessarily mean all the world's evils are orchestrated by a secret society.
From Mase to Lecrae and No Malice, both listeners and emcees often have a hard time reconciling Hip Hop with a message of Christianity.
If you can remove stereotypes and broad generalizations from the discussion, race becomes a topic many emcees are either ignorant of or just plain afraid to discuss.
Jadakiss, Waka Flocka Flame, Lil Keke and others reflect on their early forays into the job force in honor of Labor Day.
Following this summer's initial list, J-23 returns with some clarification and 10 more Hip Hop stories told in verses by the likes of Ice Cube, Aesop Rock, The Coup, Big L and Nas.
Making country-fried Rap in 2012 won't automatically make New York emcees better, but open-mindedness is encouraging in a genre with such a deep history of regional bias.
If fewer people buy the product, maybe Hip Hop's philosophy of telling emcees to aspire to lyrical greatness no longer matches up with the realities of our economy.
Your opinion of what Nas represents both as a lyricist and within the context of Hip Hop culture undoubtedly shapes how you view news of stic.man and Jay Electronica allegedly ghostwriting for him.
Masta Ace pens an editorial looking at how in 22 years, he went from returning letters at a record label to letting fan feedback determine the videos for "MA_DOOM: Son Of Yvonne."
"First it was 'Nasty,' but times have changed..." and through all of those changing times, shiny suits to Neo-Afrocentrism, "Oochie Wally" to "Daughters," Nas has never lost fans' attention.
The professor at California State University, Long Beach has some powerful theories about Hip Hop and God in her new book. We decided to share 10 that struck us.
A new video game, Hip Hop Dance Experience, looks to blend old with new to bring gamers and fans enthusiasm for dance. We break down some of the songs featured on the game.
With a growing list of broke and or indebted emcees, it appears that basic financial literacy ideals that Hip Hop as a whole still struggles with.
Hip Hop's stance on the lesbian, gay, bisexual and transgender community seems to be changing for the better - a positive sign for those ostracized by some of Rap's most vile and homophobic works.
As radio stations fight each other, the Internet and sometimes artists, many enterprising emcees are discovering they don't need or care for radio exposure anymore.
Iggy Azalea, Azealia Banks and Kitty Pryde are dominating headlines and playlists in 2012 with outrageous lyrics, viral visuals and unique musical styles, while others are emerging.