<b>Nas</b> talks about his upcoming album, starting his own label, and the possibility of working for <b>Jay-Z</b> and his beef with <b>50</b>.
<b>Dilated Peoples</b> back in 2006, <b>Eminem making amends with Mariah</b>, <b>Dr. Dre and Scott Storch</b> form <b>Aftermath</b> imprint.
McDonalds gives up on hip-hop, Jay-Z Topps trading cards on the way, and Cannibal Ox reunites on Definitive Jux
<b>Jay-Z</b> continues his infiltration of Corporate America as he finds himself on the cover of the prestigious Fortune magazine
Atmosphere - You Can't Imagine How Much Fun We're Having
Like it or not, NYC still owns hip-hop. The west & south may steal the spotlight from time to time, but the City still runs the show. So what is Minnesota doing here? Better yet, why is this group from the Twin Cities running the indy Hip Hop scene?
Often times incredible emcees are held to a higher standard when it comes to beat selection, and J-Live is really no exception. But in this case, I'd criticize the production for an average emcee.
9 Years Later: Remembering Tupac Shakur
His music is worshipped, his words are studied, his legacy lives on...remembering the incomparable Tupac Amaru Shakur
Kanye West - Late Registration
From a technical and musical standpoint this is definitely stronger than his debut, but what is that worth when you just can't feel it? Don't get me wrong, it is still a really good album...it just isn't a really great one
Tony Yayo - Thoughts Of A Predicate Felon
As expected the album follows the same formula as that of his peers; street song, club song, pimp song, song for the ladies, requisite guest spots from 50, Em, beat or two from Dre, etc.